PIXAR: The Company and Its Founders - Sharyland ISD

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PIXAR INDEX animation digital (see computer animation) traditional, 9, 10, 22, 27, 29, 33, 41, 45, 48, 62, 88 Bird, Brad, 83, 89, 91 Bug’s Life, A, 12, 72–75, 78, 89 Cars, 11, 13, 90–91 Catmull, Ed education, 16–19, 22–23 Lucasfilm, 23–24, 26–37 NYIT, 20–21 Pixar Animation Studios, 7–8, 13, 38–40, 49, 52–53, 65, 67–68, 71–75, 89–90, 93 computer animation development, 56, 62, 73–75, 79–81, 91 dialogue, 56–57, 82 lighting, 12–13, 30, 41, 63, 83–84 modeling, 7, 11, 18, 20, 28–29, 39, 45, 47, 61–62, 83 postproduction, 85–86 preproduction, 81–82 production, 82–84 rendering, 30–33, 41, 43, 63–64, 85 research, 62, 74, 80–81 script, 56–57, 75, 80, 82, 85 shader, 63–64, 84 sound effects, 12, 80, 85 storyboards, 29, 57–58, 75, 80–82 Computer Animation Production System, 42 computer graphics, 6–7, 9, 10, 12, 17–29, 37, 38, 40, 41, 42, 53 Docter, Pete, 50, 55, 56, 79–80, 83, 89–91 Dreamworks SKG, 75, 92 Guggenheim, Ralph, 53–56, 65 Incredibles, The, 83, 89 Jobs, Steve, 13, 37–38, 41, 49, 50, 52, 53, 65–67, 71, 72, 76, 89 Katzenberg, Jeffrey, 52–53, 57, 75 Lasseter, John, 34 Disney animation, 26–27 education, 28, 31 Lucasfilm, 27–31 Pixar animator, 6–8, 10–13, 38–39, 42, 45–49 110
INDEX Pixar creative director, 14, 52, 54–58, 61, 65, 66, 73–76, 78, 80, 83, 88–90, 93 Little Mermaid, The, 42, 90 Lucas, George, 23–24, 29, 34, 37 Lucasfilm Group, 23, 27, 71 Computer Division, 23, 28, 30, 32, 34, 36–37 Luxo Jr., 6–14, 39, 45 Menv, 47–48, 62 Monsters, Inc., 12, 13, 16, 79–86, 89, 92 New York Institute of Technology, 20, 22–23, 71 Ostby, Eben, 11, 39, 45, 61 Red’s Dream, 46–47 Reeves, Bill, 12, 30, 39, 41, 45, 48, 52, 61 RenderMan, 41, 48, 63 SIGGRAPH, 8, 9, 13, 27, 32, 33, 39, 46 Smith, Alvy Ray Altamira Software, 53 education, 21 Lucasfilm, 23, 24, 26–27, 34, 36–37 NYIT, 22 –23 Pixar Animation Studios, 21, 38–39, 52 Xerox PARC, 21–22 Stanton, Andrew, 50, 55, 56, 73–75, 83, 89, 91 Pixar Animation Studios commercials, 49–50, 54 Disney, 38, 41–42, 52–54, 70–71, 89–91 offices, 76, 89 public offering, 66–67, 72 Pixar Image Computer, 34, 36–41 Tin Toy, 14, 48–49 Toy Story, 12, 55–58, 60–68, 70, 75 Toy Story 2, 12, 75–76, 78, 89 Toy Story 3, 91, 92 University of Utah, 17–22, 71 Unkrich, Lee, 75, 89, 91, 92 Up, 79, 90, 91 111
Page 1:
THE COMPANY AND ITS FOUNDERS by A.
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CREDITS Published by ABDO Publishin
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CHAPTER 1 John Lasseter uses a grap
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PIXAR Pixar debuted their short fil
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PIXAR animations of those images. B
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PIXAR SOUND AND IMAGE Luxo Jr. was
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PIXAR A FIRST OF MANY FIRSTS Luxo J
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CHAPTER 2 Ed Catmull dreamed of usi
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PIXAR experimentation and camarader
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PIXAR A SUCCESSFUL ACADEMIC PLAYGRO
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PIXAR Shoup showed him SuperPaint.
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PIXAR George Lucas wanted to use co
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CHAPTER 3 John Lasseter, left, and
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PIXAR Lasseter’s training as an a
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PIXAR I do,’ which is bring a cha
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PIXAR tools could do. The main char
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PIXAR AN END AND A BEGINNING Despit
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CHAPTER 4 Steve Jobs invested in Pi
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PIXAR STEVE JOBS AND PIXAR Steve Jo
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PIXAR to industries that needed to
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PIXAR drawings by hand, with a comp
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CHAPTER 5 Ed Catmull had Pixar anim
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PIXAR bicycle. Lasseter wanted to w
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PIXAR But, unlike traditional anima
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PIXAR the idea of making commercial
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CHAPTER 6 Pixar employees flew to B
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PIXAR Meanwhile, negotiations got u
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PIXAR John [Lasseter] very wisely w
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PIXAR resulted in a film that just
Page 62 and 63: CHAPTER 7 The animators and staff o
Page 64 and 65: PIXAR WALKING IN THE CHARACTERS’
Page 66 and 67: PIXAR and textures. For example, Wo
Page 68 and 69: PIXAR LASSETER RECOGNIZED AT THE OS
Page 70 and 71: PIXAR RECOGNITION FOR TOY STORY Toy
Page 72 and 73: CHAPTER 8 In 1997, Disney’s Micha
Page 74 and 75: PIXAR challenging times. Now, it wo
Page 76 and 77: PIXAR Coming off the smash success
Page 78 and 79: PIXAR Toy Story 2 was a pivotal mom
Page 80 and 81: CHAPTER 9 The film Monsters, Inc. p
Page 82 and 83: PIXAR idea. He or she has to sell t
Page 84 and 85: PIXAR of action. Storyboard artists
Page 86 and 87: PIXAR to be selected and dressed, o
Page 88 and 89: PIXAR recorded to film by the photo
Page 90 and 91: CHAPTER 10 Pixar’s animators trai
Page 92 and 93: PIXAR animators who had recently be
Page 94 and 95: PIXAR TOY STORY 3 HITS THEATERS In
Page 96 and 97: PIXAR It seems that no problem is u
Page 98 and 99: PIXAR TIMELINE 1974 1979 1983 Ed Ca
Page 100 and 101: PIXAR TIMELINE 1998 1999 2001 A Bug
Page 102 and 103: PIXAR ESSENTIAL FACTS CREATORS Ed C
Page 104 and 105: PIXAR GLOSSARY algorithm A step-by-
Page 106 and 107: PIXAR ADDITIONAL RESOURCES SELECTED
Page 108 and 109: PIXAR SOURCE NOTES CHAPTER 1. THE M
Page 110 and 111: PIXAR SOURCE NOTES CONTINUED CHAPTE
Page 114: PIXAR ABOUT THE AUTHOR A. M. Buckle
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