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Hugh MacDiarmid (1892 -1978)<br />

Born Christopher Murray Grieve <strong>on</strong> 11 August 1892 in Langholm<br />

('the Muckle To<strong>on</strong>'), MacDiarmid was the main instigator of the 20th<br />

century Scottish Renaissance, a great creative force and a tireless<br />

campaigner for the political and cultural revival of Scotland. In<br />

all, MacDiarmid published some thirty major books and was<br />

awarded a Civil List Pensi<strong>on</strong> for his services to Scottish literature. A<br />

Drunk Man Looks at the Thistle (1926), a l<strong>on</strong>g poem or poem<br />

sequence, <strong>on</strong> Scotland and the Infinite, is generally c<strong>on</strong>sidered his<br />

most important work:<br />

Drums in the Walligate, pipes in the air,<br />

The wallopin’ thistle is ill to bear<br />

Nan Shepherd (1893 - 1981)<br />

It’s a grand thing to get leave to live<br />

[from The Quarry Wood (1928)]<br />

Anna (Nan) Shepherd was born in West Cults, three miles from<br />

Aberdeen and lived there most of her adult life. She attended<br />

Aberdeen High School for Girls and Aberdeen University, from which<br />

she graduated in 1915. She lectured in English Literature at<br />

Aberdeen College of Educati<strong>on</strong> until her retirement in 1956, and<br />

was a great encourager of other writers such as Jessie Kess<strong>on</strong> and<br />

Neil Gunn. She wrote three novels, a volume of poetry, and a<br />

volume of n<strong>on</strong>-ficti<strong>on</strong>, The Living Mountain (not published until<br />

1977), which celebrates her love and knowledge of the hills.<br />

Her work is greatly influenced by her deep understanding of the<br />

spiritual qualities of landscape, and her analysis of human emoti<strong>on</strong>,<br />

particularly in her treatment of her female characters, is c<strong>on</strong>veyed<br />

with percepti<strong>on</strong> and realism.<br />

Sp<strong>on</strong>sored jointly by the Aberdeen and <strong>Edinburgh</strong> branches of The<br />

Saltire Society, 2000.

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