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2 012 ASLD RECIPIENT OF THE UW’S HIGHEST ALUMNI HONOR<br />

St. Ignatius Chapel at Seattle <strong>University</strong> opened in 1997.<br />

You wouldn’t expect the <strong>University</strong><br />

<strong>of</strong> <strong>Washington</strong>’s 2012 Alumnus Summa<br />

Laude Dignatus to sound like a rabble<br />

rouser, but listen to Steven Holl (B.A.,<br />

Architecture, ’71) practically daring architecture<br />

students:<br />

“Don’t be obedient,” he says. “Break<br />

the rules. Don’t take the program. It’s<br />

just a bunch <strong>of</strong> bananas in a bag. Make<br />

architecture. Don’t be obedient.”<br />

One <strong>of</strong> America’s most celebrated architects,<br />

Holl knows something about<br />

charting his own path. He once won a<br />

fierce competition for an $86 million<br />

addition to the Nelson-Atkins Museum<br />

<strong>of</strong> Art in Kansas City by jettisoning the<br />

rules, which called for designs on the<br />

north face <strong>of</strong> an existing building. Holl<br />

rejected their master plan and presented<br />

an entirely different vision. The risky<br />

move could’ve disqualified him; instead,<br />

it distinguished him.<br />

The addition opened to wide acclaim.<br />

“Breathtaking,” gushed an architecture<br />

critic from The New York Times. “As striking and<br />

innovative a piece <strong>of</strong> architectural form as anything<br />

by Gehry, Herzog & de Meuron or Jean<br />

Nouvel,” enthused The New Yorker.<br />

Holl’s consistent and calculated rage against<br />

the mundane has catapulted him to international<br />

rock star status within his pr<strong>of</strong>ession.<br />

He has put his stamp on 50 important buildings<br />

across the globe. Last December, the<br />

American Institute <strong>of</strong> Architects awarded him<br />

its highest honor, the 2012 AIA Gold Medal.<br />

Critics marvel over his museum, gallery, civic,<br />

academic, residential and multi-use masterpieces.<br />

They rave about his ability to blend<br />

light and space with extraordinary sensitivity,<br />

as well as his talent integrating new projects<br />

into historic contexts.<br />

His notable works include the Linked Hybrid<br />

mixed-use complex in Beijing (2009), the Kiasma Museum <strong>of</strong> Contemporary<br />

Art in Helsinki (1998), the Sarphatistraat Offices in Amsterdam<br />

(2000), the Massachusetts Institute <strong>of</strong> Technology’s Simmons Hall (2002),<br />

the Vanke Center in Shenzhen, China (2009), and the Chapel <strong>of</strong> St. Ignatius<br />

in Seattle (1997).<br />

“He takes great risk but his work is always loyal to the integrity <strong>of</strong> materials,”<br />

says Daniel Friedman, dean <strong>of</strong> the UW College <strong>of</strong> Built Environments,<br />

who nominated him for the prestigious AIA award. “He has never compromised<br />

his poetic vision—never. He is one <strong>of</strong> few people in our business who<br />

has never compromised in his poetic integrity as a designer—never.”<br />

Instead <strong>of</strong> resting, Holl continues to win prestigious competitions and is<br />

currently in the construction phase <strong>of</strong> several projects: the Campbell<br />

Sports Center at Columbia <strong>University</strong>; the Glasgow School <strong>of</strong> Art; the Beirut<br />

Marina & Town Quay; the Nanjing Sifang Art Museum in China; the<br />

‘Sliced Porosity Block’ in Chengdu, China; and the Daeyang Gallery and<br />

House in Seoul. Earlier this year, Steven Holl Architects was chosen to design<br />

an addition to the Houston Museum <strong>of</strong> Fine Arts.<br />

Holl established Steven Holl Architects in New York City in 1976. The<br />

40-person firm has another <strong>of</strong>fice in Beijing, which allows his team to<br />

work “around the clock,” Holl says. New York, however, remains Holl’s<br />

home base. Holl is a tenured pr<strong>of</strong>essor <strong>of</strong> architecture at Columbia <strong>University</strong>,<br />

where he has taught since 1981.<br />

The roots <strong>of</strong> Holl’s genius, however, were first planted in his childhood<br />

backyard in Bremerton, Wash., where Holl and his brother, now a sculptor,<br />

32 UW 150 Years

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