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2 012 ASLD RECIPIENT OF THE UW’S HIGHEST ALUMNI HONOR<br />
St. Ignatius Chapel at Seattle <strong>University</strong> opened in 1997.<br />
You wouldn’t expect the <strong>University</strong><br />
<strong>of</strong> <strong>Washington</strong>’s 2012 Alumnus Summa<br />
Laude Dignatus to sound like a rabble<br />
rouser, but listen to Steven Holl (B.A.,<br />
Architecture, ’71) practically daring architecture<br />
students:<br />
“Don’t be obedient,” he says. “Break<br />
the rules. Don’t take the program. It’s<br />
just a bunch <strong>of</strong> bananas in a bag. Make<br />
architecture. Don’t be obedient.”<br />
One <strong>of</strong> America’s most celebrated architects,<br />
Holl knows something about<br />
charting his own path. He once won a<br />
fierce competition for an $86 million<br />
addition to the Nelson-Atkins Museum<br />
<strong>of</strong> Art in Kansas City by jettisoning the<br />
rules, which called for designs on the<br />
north face <strong>of</strong> an existing building. Holl<br />
rejected their master plan and presented<br />
an entirely different vision. The risky<br />
move could’ve disqualified him; instead,<br />
it distinguished him.<br />
The addition opened to wide acclaim.<br />
“Breathtaking,” gushed an architecture<br />
critic from The New York Times. “As striking and<br />
innovative a piece <strong>of</strong> architectural form as anything<br />
by Gehry, Herzog & de Meuron or Jean<br />
Nouvel,” enthused The New Yorker.<br />
Holl’s consistent and calculated rage against<br />
the mundane has catapulted him to international<br />
rock star status within his pr<strong>of</strong>ession.<br />
He has put his stamp on 50 important buildings<br />
across the globe. Last December, the<br />
American Institute <strong>of</strong> Architects awarded him<br />
its highest honor, the 2012 AIA Gold Medal.<br />
Critics marvel over his museum, gallery, civic,<br />
academic, residential and multi-use masterpieces.<br />
They rave about his ability to blend<br />
light and space with extraordinary sensitivity,<br />
as well as his talent integrating new projects<br />
into historic contexts.<br />
His notable works include the Linked Hybrid<br />
mixed-use complex in Beijing (2009), the Kiasma Museum <strong>of</strong> Contemporary<br />
Art in Helsinki (1998), the Sarphatistraat Offices in Amsterdam<br />
(2000), the Massachusetts Institute <strong>of</strong> Technology’s Simmons Hall (2002),<br />
the Vanke Center in Shenzhen, China (2009), and the Chapel <strong>of</strong> St. Ignatius<br />
in Seattle (1997).<br />
“He takes great risk but his work is always loyal to the integrity <strong>of</strong> materials,”<br />
says Daniel Friedman, dean <strong>of</strong> the UW College <strong>of</strong> Built Environments,<br />
who nominated him for the prestigious AIA award. “He has never compromised<br />
his poetic vision—never. He is one <strong>of</strong> few people in our business who<br />
has never compromised in his poetic integrity as a designer—never.”<br />
Instead <strong>of</strong> resting, Holl continues to win prestigious competitions and is<br />
currently in the construction phase <strong>of</strong> several projects: the Campbell<br />
Sports Center at Columbia <strong>University</strong>; the Glasgow School <strong>of</strong> Art; the Beirut<br />
Marina & Town Quay; the Nanjing Sifang Art Museum in China; the<br />
‘Sliced Porosity Block’ in Chengdu, China; and the Daeyang Gallery and<br />
House in Seoul. Earlier this year, Steven Holl Architects was chosen to design<br />
an addition to the Houston Museum <strong>of</strong> Fine Arts.<br />
Holl established Steven Holl Architects in New York City in 1976. The<br />
40-person firm has another <strong>of</strong>fice in Beijing, which allows his team to<br />
work “around the clock,” Holl says. New York, however, remains Holl’s<br />
home base. Holl is a tenured pr<strong>of</strong>essor <strong>of</strong> architecture at Columbia <strong>University</strong>,<br />
where he has taught since 1981.<br />
The roots <strong>of</strong> Holl’s genius, however, were first planted in his childhood<br />
backyard in Bremerton, Wash., where Holl and his brother, now a sculptor,<br />
32 UW 150 Years