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Architect Steven Holl’s<br />

Refusal to<br />

Play by the Rules<br />

Yields Beauty<br />

Across the Globe<br />

Uncompromising<br />

Vision<br />

BY STUART<br />

GLASCOCK<br />

PHOTOS BY<br />

ANIL KAPAHI<br />

constructed a three-story treehouse and<br />

an underground clubhouse. Holl’s father,<br />

93 and still living in Kitsap County, owned<br />

a business installing heating systems in<br />

buildings. Holl remembers long hours in<br />

his father’s shop laying out complex duct<br />

work and tinkering with building infrastructure<br />

geometry.<br />

Holl <strong>of</strong>ten credits UW pr<strong>of</strong>essors <strong>of</strong> architecture,<br />

art and philosophy for influencing<br />

his work, too. He calls Pr<strong>of</strong>essor<br />

Hermann Pundt’s lectures “amazing.” A<br />

pivotal moment in Holl’s college career occurred<br />

during his sophomore year, when<br />

UW Pr<strong>of</strong>essor Astra Zarina encouraged<br />

him to apply to an architectural program at<br />

the <strong>University</strong> <strong>of</strong> <strong>Washington</strong> Rome Center.<br />

Ed Weinstein (B.A., Architecture, ’71),<br />

founder <strong>of</strong> Weinstein AU, was Holl’s<br />

roommate at the Rome Center.<br />

“He is extremely focused and hardworking,<br />

inquisitive, driven and passionate,”<br />

Weinstein says. “Everything he does is<br />

about risks. Beyond his innate talent is an<br />

incredible almost relentless focus and passion<br />

for making architecture.”<br />

Today, Holl is a prodigious watercolor<br />

artist, starting his mornings with watercolors<br />

and green tea. In fact, his buildings begin<br />

as 5x7 watercolor drawings. This year,<br />

he published a book <strong>of</strong> watercolors called<br />

Scale. Watercolor, he says, readily lends itself<br />

to the poetic properties <strong>of</strong> light.<br />

The quality <strong>of</strong> light in the Pacific Northwest—the<br />

low angles <strong>of</strong> the winter sun in<br />

its northern latitudes—frequently pull Holl<br />

back to the renowned oyster skies that<br />

served as some <strong>of</strong> his earliest influences.<br />

“It’s home,” he says, “still home.” ■<br />

—Stuart Glascock is a Seattle freelance writer.<br />

A longer <strong>version</strong> <strong>of</strong> this article can be found at<br />

UWalum.com/Columns.<br />

UWalum.com/Columns June 2012<br />

33

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