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Architect Steven Holl’s<br />
Refusal to<br />
Play by the Rules<br />
Yields Beauty<br />
Across the Globe<br />
Uncompromising<br />
Vision<br />
BY STUART<br />
GLASCOCK<br />
PHOTOS BY<br />
ANIL KAPAHI<br />
constructed a three-story treehouse and<br />
an underground clubhouse. Holl’s father,<br />
93 and still living in Kitsap County, owned<br />
a business installing heating systems in<br />
buildings. Holl remembers long hours in<br />
his father’s shop laying out complex duct<br />
work and tinkering with building infrastructure<br />
geometry.<br />
Holl <strong>of</strong>ten credits UW pr<strong>of</strong>essors <strong>of</strong> architecture,<br />
art and philosophy for influencing<br />
his work, too. He calls Pr<strong>of</strong>essor<br />
Hermann Pundt’s lectures “amazing.” A<br />
pivotal moment in Holl’s college career occurred<br />
during his sophomore year, when<br />
UW Pr<strong>of</strong>essor Astra Zarina encouraged<br />
him to apply to an architectural program at<br />
the <strong>University</strong> <strong>of</strong> <strong>Washington</strong> Rome Center.<br />
Ed Weinstein (B.A., Architecture, ’71),<br />
founder <strong>of</strong> Weinstein AU, was Holl’s<br />
roommate at the Rome Center.<br />
“He is extremely focused and hardworking,<br />
inquisitive, driven and passionate,”<br />
Weinstein says. “Everything he does is<br />
about risks. Beyond his innate talent is an<br />
incredible almost relentless focus and passion<br />
for making architecture.”<br />
Today, Holl is a prodigious watercolor<br />
artist, starting his mornings with watercolors<br />
and green tea. In fact, his buildings begin<br />
as 5x7 watercolor drawings. This year,<br />
he published a book <strong>of</strong> watercolors called<br />
Scale. Watercolor, he says, readily lends itself<br />
to the poetic properties <strong>of</strong> light.<br />
The quality <strong>of</strong> light in the Pacific Northwest—the<br />
low angles <strong>of</strong> the winter sun in<br />
its northern latitudes—frequently pull Holl<br />
back to the renowned oyster skies that<br />
served as some <strong>of</strong> his earliest influences.<br />
“It’s home,” he says, “still home.” ■<br />
—Stuart Glascock is a Seattle freelance writer.<br />
A longer <strong>version</strong> <strong>of</strong> this article can be found at<br />
UWalum.com/Columns.<br />
UWalum.com/Columns June 2012<br />
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