Downloadable - IA.TSE Local 80
Downloadable - IA.TSE Local 80
Downloadable - IA.TSE Local 80
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year contract concluded in April of<br />
this year and covers both the Arena<br />
and the Theater. Wage increases<br />
were achieved in each of the three<br />
years and there was significant language<br />
clean up done to better memorialize<br />
the practices that the parties<br />
had been operating under.<br />
<strong>Local</strong> 322, Charlotte, NC<br />
Vice President Cahill was assigned<br />
to assist <strong>Local</strong> 322 in its negotiations<br />
with the Blumenthal Performing<br />
Arts Center. The Arts Center<br />
has five theaters in three buildings. A<br />
four-year contract was reached, with<br />
wage increases in each of the four<br />
years. Sideletters were also agreed<br />
to covering any Festival Calls, Symposium<br />
Calls and Motion Picture/<br />
Television Recording done in the<br />
theaters. All sideletters can be terminated<br />
by either party at the end of<br />
one year. Contract language was also<br />
improved and clarified.<br />
<strong>Local</strong> 200, Bethlehem, PA<br />
Representative Hartnett was assigned<br />
to assist the <strong>Local</strong> with the<br />
Sands Bethlehem Casino’s new entertainment<br />
venue. Vision Entertainment<br />
had been managing the facility<br />
and had utilized <strong>Local</strong> 200 but has<br />
since been replaced by SMG. A meeting<br />
was held and a six-month agreement<br />
was secured to provide “over<br />
hire” labor. The <strong>Local</strong> has performed<br />
well and SMG has expressed an interest<br />
in a long-term deal once the<br />
current contract expires.<br />
<strong>Local</strong> 336, Phoenix, AZ<br />
Representative Youngerman reported<br />
that <strong>Local</strong> 336 has established<br />
an organizing committee to address<br />
Rhino Staging and other labor contractors<br />
in the area. The employers<br />
continue to threaten any employee<br />
that speaks with the union but <strong>Local</strong><br />
336 is committed for the long haul<br />
against these labor contractors.<br />
<strong>Local</strong> 415, Tucson, AZ<br />
With the assistance of Representative<br />
Youngerman, this <strong>Local</strong> continues<br />
to work on organizing drives<br />
with the Arizona Theater Company<br />
staff/crew and accreting the hair<br />
and makeup workers at the Arizona<br />
Opera Company into the existing<br />
bargaining unit. The Arizona Opera<br />
organizing is being done in conjunction<br />
with <strong>Local</strong> 336 in Phoenix.<br />
Representative Youngerman noted<br />
that the <strong>Local</strong> has new, young<br />
leadership and they have become<br />
active both politically and within the<br />
labor community. They have been<br />
focusing a great deal of energy on<br />
preparing a bid for the city RFP and<br />
believe they have the best chance in<br />
years to win this bid.<br />
<strong>Local</strong> 504, Orange County/<br />
Parts of Corona, CA<br />
Representative Marley reported<br />
that the negotiations between the<br />
<strong>Local</strong> and Disneyland Resorts in<br />
Anaheim are slowly continuing. Geography<br />
and conflicting schedules<br />
continue to plague the scheduling<br />
of negotiations. The next round of<br />
meetings will take place July 30-31,<br />
2012, in Florida.<br />
<strong>Local</strong> 720, Las Vegas, NV<br />
The <strong>Local</strong> sought assistance from<br />
the International in its negotiations<br />
with the Smith Center for the Performing<br />
Arts in Las Vegas. After presenting<br />
its proposal to the company,<br />
the <strong>Local</strong> discovered that the Center<br />
did not wish to be the employer for<br />
any personnel except those in supervisory<br />
positions and that it plans to<br />
enter into an exclusive arrangement<br />
with Showpay to provide all entertainment-related<br />
labor. Negotiations<br />
continue with Showpay and the <strong>Local</strong><br />
is close to finalizing a deal.<br />
<strong>Local</strong> 784, San Francisco, CA<br />
The <strong>Local</strong> was assisted by Representative<br />
Marley in its negotiations<br />
with the San Francisco Opera. A prenegotiation<br />
meeting proved helpful<br />
and within two days of formal negotiations,<br />
a deal was reached. Major<br />
changes were made in the “Media”<br />
section of the contract, and new language<br />
for “Non-Produced Educational<br />
Services” and for “Community Outreach<br />
Performances”. Wages were<br />
increased, show call rates and benefits<br />
were increased. Representative<br />
Marley expressed his appreciation<br />
for how prepared <strong>Local</strong> 784 Business<br />
Agent Andrea Pelous was and how<br />
much he enjoyed working with the<br />
<strong>Local</strong>, its officers and its members.<br />
<strong>Local</strong> 675, Eugene-Corvallis-Bend,<br />
OR<br />
Representative Bateman was assigned<br />
to assist the <strong>Local</strong> in negotiations<br />
with the City of Eugene Hult<br />
Center. The principal goal of the<br />
bargaining team was to reduce the<br />
disparity in the three tier wage rates<br />
and to stop the erosion of work in<br />
other areas of the theater building.<br />
By using creative thinking, the <strong>Local</strong><br />
was able to achieve both goals, by<br />
closing the gap in the wage rates and<br />
capturing the industrial work in the<br />
complex, which will increase work<br />
opportunities.<br />
<strong>Local</strong> 339, Great Falls, MT<br />
Representative Bateman provided<br />
educational and practical assistance<br />
for organizing and negotiating contracts<br />
to <strong>Local</strong> 339. He researched the<br />
<strong>Local</strong>’s jurisdiction and identified several<br />
organizing targets, including the<br />
State Fairgrounds and the Symphony,<br />
which is the promoter of Broadway<br />
Productions. He also met with the<br />
<strong>Local</strong> membership and went over the<br />
outline of a standard contract, the<br />
importance of the contract to both<br />
the employer and the employee, and<br />
how it protects workers on the job.<br />
The <strong>Local</strong> has since successfully<br />
obtained their first-ever collective<br />
bargaining agreement with the local<br />
baseball stadium that is producing a<br />
concert.<br />
Wardrobe<br />
Director White reported that she<br />
and Vice President Cahill were assigned<br />
to assist Theatrical Wardrobe<br />
<strong>Local</strong> 722 in its negotiations with<br />
Live Nation for work at the Warner<br />
Theater in Washington, DC. This past<br />
June, the <strong>Local</strong> secured a new threeyear<br />
agreement that includes wage<br />
increases of 8% over the term of the<br />
contract. The <strong>Local</strong> was also able to<br />
obtain a positive jurisdictional clarification.<br />
Atlanta <strong>Local</strong> 859 requested assistance<br />
from the International in its<br />
negotiations with the Atlanta Ballet.<br />
Director White assisted the <strong>Local</strong> in<br />
obtaining a three-year agreement for<br />
wardrobe work at the Cobb Entergy<br />
Center effective June 1, 2012. The <strong>Local</strong><br />
was able to gain scope and recognition<br />
language, dues check-off,<br />
a grievance and arbitration clause,<br />
and for the first time in their history,<br />
health and welfare contributions.<br />
Hair and Makeup<br />
Director White reported that Hair<br />
and Makeup <strong>Local</strong>s are not being<br />
properly staffed while traveling under<br />
pink contracts. The <strong>Local</strong>s are<br />
urged to pay close attention to this<br />
issue and to report to the International<br />
if any department is not appropriately<br />
staffed.<br />
Global Spectrum<br />
Vice President Barnes reported<br />
on Global Spectrum, the arena management<br />
company owned by Comcast.<br />
The <strong>IA</strong> has a national agreement<br />
covering facilities managed by<br />
this company throughout the United<br />
States and Canada. Since the last<br />
Board meeting, additional facilities<br />
have been added, including the Salina<br />
Bicentennial Center located in<br />
Salina, Kansas, in the jurisdiction of<br />
<strong>Local</strong> 484, and the Sun Dome Arena<br />
University of South Florida, a multipurpose<br />
arena in the jurisdiction of<br />
Tampa <strong>Local</strong> 321.<br />
The current three-year agreement<br />
with Global Spectrum expires February<br />
28, 2013. The company continues<br />
to be aggressive in obtaining arena<br />
facilities.<br />
InfoComm 2012<br />
The International exhibited again<br />
this year at InfoComm which was<br />
held in Las Vegas from June 13-15,<br />
2012. The <strong>IA</strong><strong>TSE</strong> was a co-sponsor of<br />
the rigging and staging demo. Assistant<br />
to the President Sean McGuire<br />
and International Representative<br />
Mark Kiracofe joined Vice President<br />
Lawlor in the booth while Kent Jorgenson<br />
of <strong>Local</strong> <strong>80</strong> and Alan Rowe of<br />
<strong>Local</strong> 728, both members of the ICAP<br />
committee, directed the demo area.<br />
Lighting Dimensions International<br />
(LDI)<br />
The LDI show was attended by<br />
Vice President Lawlor, Assistant to<br />
the President McGuire and Representative<br />
Kiracofe. This show has been<br />
revitalized with its partnership with<br />
PLASA and the Stagecraft Department<br />
will continue to monitor its involvement<br />
to make certain it fits with<br />
the <strong>IA</strong><strong>TSE</strong>’s needs and goals.<br />
Live Nation<br />
Vice President Lawlor was assigned<br />
by President Loeb to renegotiate<br />
a tri-party agreement between<br />
the International, <strong>Local</strong> 3 and Live<br />
Nation. Negotiations were held in<br />
October 2011 and June 2012 for an<br />
agreement that had expired on December<br />
31, 2011. The <strong>Local</strong> was<br />
able to negotiate some classification<br />
changes the first year in lieu of<br />
a wage increase. It will also receive<br />
the negotiated increases the balance<br />
of the years under the national agreement,<br />
increases of 2% in 2013, 3% in<br />
2014, and 3% in 2015.<br />
NETWorks<br />
The International’s contract with<br />
NETWorks expired on June 30, 2011.<br />
Bargaining began in December 2011<br />
and progress was non-existent. After<br />
President Loeb met directly with Ken<br />
Gentry, the owner of NETWorks, and<br />
NETWorks retained new lead counsel,<br />
the parties were able to move<br />
forward.<br />
A full committee of pink contract<br />
employees, NETWorks employees<br />
and staff from the International met<br />
in April of this year and within three<br />
days a deal was reached. Improvements<br />
were achieved in every aspect<br />
of the agreement, which mutated<br />
into two agreements. One agreement<br />
mirrors the League’s modified contract,<br />
and the other is for split weeks<br />
and one-nighters.<br />
The Agreement has since been<br />
38 Official Bulletin Third Quarter 2012 39