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nov dec issue FINAL.indd - Custom Home Furnishings Academy

nov dec issue FINAL.indd - Custom Home Furnishings Academy

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Step-by-Step<br />

Chris Watt<br />

Flat Roman Shades<br />

Kicked Up A Notch!<br />

Figure 1: Side Wall Before<br />

Thoughtful planning and vision can<br />

take a “simple” flat Roman shade<br />

and “kick it up a notch” resulting in<br />

an extraordinarily custom shade that<br />

can place your workroom reputation well above<br />

others. Our designers and clients often do not<br />

understand that there is a difference. It is within<br />

our abilities to educate them. But be careful, once<br />

they learn what the possibilities can be, their<br />

expectations (and yours) will never be the same!<br />

I recently completed a job, for Interior Designer, Jo Ann<br />

James, that is a perfect example of such a situation.<br />

The design of the shades—flat Roman shades made out of<br />

paisley fabric with plain contrast 3" bottom banding, the<br />

band exposed 2" when pulled up—was nothing unusual.<br />

However, this job had a number of special circumstances and<br />

illustrates why there are no “standards” for Roman shade<br />

construction in my workroom.<br />

The Project<br />

Window covering for side-by-side windows, Figures 1 and 2.<br />

8 flat Roman shades with contrast hems,<br />

3" exposed when lowered,<br />

2" skirt exposed when raised.<br />

4 shades, 34" x 70" (inside mount).<br />

4 shades, 34" x 92" (outside mount).<br />

The fabric is from Lee Jofa and has a 19.5" repeat.<br />

The Challenge<br />

1. All shades must have consistent fabric repeat placement,<br />

starting at the top.<br />

2. Each fold must have the same pattern placement.<br />

3. The shades must look identical when raised.<br />

4. No face fabric should be visible from the outside of the<br />

home.<br />

5. The clutch lift system must be concealed so it will not be<br />

seen from the outside or inside of the home.<br />

Figure 2: Back Wall Before<br />

The Planning Process<br />

1. Determine the ring spacing overall.<br />

Since the fabric has a 19.5" pattern repeat, I divided<br />

this number by 2 and established the primary spacing at<br />

9.75". This spacing results in every other fold showing<br />

the same pattern at the bottom. (For a 24" or 27" repeat,<br />

consider dividing into thirds, resulting in every third fold<br />

showing the same pattern at the bottom edge. This will<br />

still create a consistent and pleasing pattern of folds when<br />

the shades are raised.)<br />

2. Find a way to get side-by-side shades of different lengths<br />

to look identical when raised.<br />

I had already <strong>dec</strong>ided to start the first row of rings from<br />

the top of the board at 11.75", then space all other rows<br />

every 9.75" (1/2 of 19.5" pattern repeat). The last row<br />

of rings needed to be appropriately placed to reveal 2"<br />

of bottom skirt (the contrast). In a mock-up, I folded the<br />

shade and noted that the flap between the rings is about<br />

half the space between the rings (4 7/8"). I rounded this<br />

up to 5" and determined that to expose 2" of skirt, the<br />

48 The <strong>Custom</strong> <strong>Home</strong> <strong>Furnishings</strong> Magazine November/December 2006

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