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THE<br />
Cutting Edge<br />
Kuzma Stabi<br />
XL Turntable/<br />
Air Line Arm,<br />
Walker Proscenium<br />
Black Diamond<br />
Record Player<br />
As most of you already<br />
know, when analog<br />
records are mastered,<br />
the cutter head that inscribes the<br />
signal in the lacquer blank travels in<br />
a straight line from the outer edge<br />
toward the center of the spinning<br />
disc. It is generally accepted that,<br />
all other things being equal, the<br />
tonearm should follow the same<br />
line as the cutter head for the<br />
most accurate playback and lowest<br />
tangential error. Of course, all<br />
other things aren’t equal, but we<br />
will come to that in a moment.<br />
Both the $40k Walker<br />
Proscenium Black Diamond<br />
and the $28.5k Kuzma Stabi XL<br />
turntable with Air Line tonearm<br />
are air-bearing, tangential (straightline-tracking)<br />
record players. Both<br />
tonearms ride on a very thin<br />
(10-micron) cushion of air, which acts as a frictionless bearing; both<br />
arms trace the same straight line across the LP that the cutter head did,<br />
theoretically playing back discs with zero tracking error. Why, then, do<br />
they sound so different<br />
Well, part of the difference is attributable to the different ways these<br />
two superb record players spin LPs.<br />
The Kuzma Stabi XL is a suspensionless, modular, twin-belt-andmotor-driven<br />
turntable that depends on the carefully chosen materials<br />
it is made of for damping. Since it has no suspension and no means<br />
104 December 2006 The Absolute Sound<br />
Jonathan Valin<br />
to adjust level, the Kuzma ’table<br />
and arm must sit on a sturdy<br />
stand or air-suspension table,<br />
like a Vibraplane, that can itself<br />
be precisely leveled.<br />
The Stabi XL doesn’t have<br />
a traditional rectangular plinth.<br />
Instead, it has a 59-pound<br />
“base”—a beautifully machined<br />
cylindrical hunk of brass, with an<br />
inverted, oil-bathed, non-metallic,<br />
ruby-tipped bearing-shaft in its<br />
center. An aluminum subplatter<br />
is fitted snugly onto the bearingshaft,<br />
a 48-pound platter—made<br />
of a sandwich of aluminum and<br />
acrylic plates and topped with a<br />
proprietary rubber-and-textile<br />
mat—onto the subplatter. Drive<br />
is supplied to the platter by two<br />
cylindrical, brass-encased motors<br />
that fit into cutouts on either<br />
side of the turntable base. Twin belts run from both motors around the<br />
subplatter—a symmetrical setup that is said to maximize stability and<br />
minimize vibration. Motor speed is controlled by a quartz clock in the<br />
Stabi XL’s outboard power supply. The whole thing looks exceptionally<br />
cool—a genuine work of applied art. 1<br />
The Walker Proscenium Black Diamond is an air-suspended, singlebelt-and-motor-driven,<br />
air-bearing turntable. It, too, depends on the<br />
mass and composition of its component parts to provide damping,<br />
although the Walker also sits on air-suspension feet that decouple it from