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Music<br />
Rock etc.<br />
sunnO))) & Boris:<br />
Altar.<br />
sunnO))) and Boris, producers.<br />
Southern Lord/SUNN 62 (CD, limited<br />
two-CD, and three-LP).<br />
Something wicked this way has come. Pairing<br />
two of music’s heavyweight experimentalists,<br />
Altar is a collaboration in the truest sense of<br />
the term—a sensory-numbing capitulation<br />
to the power wrought by amplifier, guitar,<br />
drum, and volume, written, executed, and<br />
performed by sunnO))) and Boris. It arrives<br />
as interest in both groups has reached fever<br />
pitch, the timely result of increased exposure,<br />
tandem touring, and overdue recognition of<br />
their boundary-burning craft.<br />
Led by Greg Anderson, owner of the<br />
burgeoning Southern Lord label, sunnO)))<br />
emerged in the late 90s, its initial albums<br />
expounding upon the rough drone fields<br />
explored by Earth. Named in tribute to the<br />
now-defunct SUNN Amplifier company,<br />
the duo wears druid robes, generally forgoes<br />
vocals, and plays at volumes that make<br />
standing next to a thrusting jet engine a<br />
relaxing occasion. Gradually having attracted<br />
a loyal, still-growing following, the Los<br />
Angelinos’ surging influence can be directly<br />
traced to their artistic maturation. SunnO)))<br />
scaled new heights on last year’s Black One,<br />
an ambient work that eviscerates the lines<br />
between art-rock, trance, metal, minimalism,<br />
and the avant-garde.<br />
Boris pursues similarly unconventional<br />
paths, the veteran trio’s output ranging from<br />
soil-shoveling sludge to wallpaper-melting<br />
noise to tuneful garage-rock, all touched<br />
upon on the recent Pink, to date the band’s<br />
most accessible and representative release.<br />
Analogous to fellow Japanese peers Keiji<br />
Music<br />
Sonics<br />
Extraordinary Excellent Good Fair Poor<br />
148 December 2006 The Absolute Sound