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Industry<br />
NEWS<br />
Chris Martens<br />
Mary Cardas Joins NHT<br />
On August 28, 2006, Benecia, California-based<br />
NHT (Now Hear This) announced that industry<br />
veteran Mary Cardas had joined the firm as its North<br />
American Sales Manager. Cardas is a second-generation<br />
contributor to the high-end audio industry, following in<br />
the footsteps of her father George Cardas, founder of<br />
the cable manufacturing company that bears his name.<br />
Prior to joining NHT, Mary Cardas worked as<br />
Managing Director of Cardas Audio and then as<br />
National Sales Manager for Theta Digital. She later<br />
worked for Sunfire Corporation and—most recently—<br />
for Classic Records, a firm she helped to become one<br />
of the most successful operations of its kind. Cardas<br />
brings a wealth of experience to the table, which we<br />
expect will benefit both NHT and its customers.<br />
Directed Electronics Acquires Polk Audio<br />
On September 25, 2006, Vista, California-based Directed Electronics announced<br />
that it had successfully closed its acquisition of Polk Audio, purchasing the company for<br />
approximately $136 million in cash. As many enthusiasts know, Directed Electronics entered<br />
the home-audio market in a significant way via its 2004 acquisition of Definitive Technology,<br />
another major manufacturer of loudspeakers. Now, with the Polk Audio acquisition, the firm<br />
will vault to “the #1 position in the U.S. home-speaker market,” according to Jim Minarik,<br />
President and CEO of Directed.<br />
Under Directed ownership, Polk Audio will continue to operate as an independent entity,<br />
just as Definitive Technology has done since it was bought by Directed two years ago. Many<br />
believe, however, that the acquisition will create opportunities for active cooperation between<br />
the two speaker manufacturers, in part because there is considerable shared history between<br />
the companies. For example, Sandy Gross, founder of Definitive Technology and President<br />
Emeritus and Chief Strategist for the Directed Home Audio group, began his career as a<br />
founding partner of Polk Audio.<br />
According to a Directed press release “Polk co-founders Matthew Polk and George<br />
Klopfer will remain actively engaged after the transaction by using their 35 years of industry<br />
experience to advise on the direction of Directed’s home-audio strategy.”<br />
Reference Recordings<br />
Celebrates 30th Anniversary<br />
The year 2006 marks the 30 th anniversary of the founding of Reference<br />
Recordings, an independent record label whose goal is and has always been<br />
to create records that capture “the sound of real musicians making music<br />
in real spaces.” Throughout its history, Reference Recordings has been led<br />
by J. Tamblyn Henderson, Founder, President, and Producer; Keith O.<br />
Johnson, Chief Engineer and Technical Director; and Marcia Martin, Vice<br />
President and head of Business Affairs.<br />
Johnson has received six Grammy nominations for “Best Engineered,<br />
Classical” records, while Henderson was nominated for “Classical Producer<br />
of the Year” in 1998. Apart from this recognition, Reference Recordings’<br />
artists and productions have garnered five other nominations, producing<br />
two winners. These awards seem even more remarkable in light of the<br />
fact that Reference has been extremely selective in issuing new material,<br />
releasing only about 110 titles in the label’s 30-year history.<br />
Part of the label’s success can be attributed to the creativity and technical<br />
acumen of Keith Johnson, an acknowledged audio legend. Johnson<br />
was co-developer of the High Definition Compatible Digital (HDCD)<br />
process, the creator of the optical tracking servos now standard in CD<br />
players, the developer of the first polyphonic sound-sampling synthesizer,<br />
and the engineer for the world’s first direct-to-CD recordings [RR-30DCD<br />
and RR-50DCD]—recordings that demonstrated the now well-known<br />
importance of low digital jitter. But impressive though these technical<br />
accomplishments are, the music, in the end, is what matters most.<br />
We asked Reference representatives to name six recordings that could<br />
serve as an introduction to the label’s overall catalogue, and the following<br />
titles were culled from Keith Johnson’s personal list of favorites:<br />
1. RR-2102: Medinah Sessions/<br />
Chicago Pro Musica<br />
2. RR-57: Rutter Requiem/Turtle<br />
Creek Chorale and Dallas<br />
Women’s Chorus, Timothy<br />
Seelig, conductor<br />
3. RR-59: From the Age of Swing/Dick Hyman with Phil<br />
Bodner, Urbie Green, Milt Hinton, Butch Miles, Bucky<br />
Pizzarelli, Joe Temperly, Frank Wess, and Joe Wilder<br />
4. RR-71: Exotic Dances From the Opera/Minnesota<br />
Orchestra, Eiji Oue conductor<br />
5. RR-76: Holidays and Epiphanies: Music of Ron Nelson/<br />
Dallas Wind Symphony, Jerry Junkin conductor<br />
6. RR-96: Rachmaninoff Symphonic Dances/Minnesota<br />
Orchestra, Eiji Oue conductor<br />
Anniversaries are times for looking back, but also for looking ahead, and<br />
Reference Recordings is at work on new releases that will do a bit of both.<br />
Looking back, Reference plans to restore and then release a recording of<br />
Virgil Fox’s 1976 San Francisco Bach Gamut concert (Johnson recorded<br />
the concert, but the material was never previously released). Reference<br />
most recently issued World Keys (reviewed in Issue 165), the solo debut<br />
album of pianist Joel Fan, who is a member of Yo Yo Ma’s Silk Road<br />
Ensemble. We hope Reference will continue to capture the sound of real<br />
musicians performing in real spaces for many years to come.<br />
18 December 2006 The Absolute Sound