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DIGITAL SOURCE COMPONENTS

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go to: Contents | Feature | On The Horizon | DACs | CD Players | Music Servers | Integrated Amps with DACs | Portable | Our Top Picks<br />

In 2010 I reviewed the original version<br />

of the Wyred 4 Sound DAC-2. Besides<br />

excellent sound and ergonomics<br />

the DAC-2’s features included<br />

upgradeablity. Over the years I’ve seen<br />

many products that were supposed<br />

to be upgradeable, but never fulfilled<br />

their promise of a longer, more useful<br />

lifespan. In 2014, four years after its<br />

initial release, the Wyred 4 Sound DAC-2<br />

is still going strong with three versions—<br />

the base model, a DSD model, and the<br />

DSDse. And if you purchased one of the<br />

original DAC-2s back in 2010, it can be<br />

upgraded to the latest, most advanced<br />

model for $1299. That’s kind of nice,<br />

don’t you think<br />

All the DAC-2s use the same chassis with<br />

the identical number of inputs, outputs, and<br />

hardware connections. The base-level DAC-2<br />

costs $1495 and supports PCM formats up to<br />

192/24 via USB or SPDIF. The DAC-2 DSD is<br />

only $100 more and adds asynchronous USB<br />

support for up to 384/32 PCM and 128X DSD.<br />

According to Wyred 4 Sound, the DAC-2 DSD<br />

also offers “improved audio quality through<br />

USB input” and “galvanic isolation,” which are<br />

two features not listed in the basic DAC-2’s<br />

feature set. Given what you get for the extra<br />

$100 upcharge, I can’t imagine why anyone<br />

would still buy the base model.<br />

Wyred 4 Sound’s top model is the DAC-2 DS-<br />

Dse. It costs $1050 more than the base model,<br />

which brings it to $2549. Added features<br />

include custom Vishay Z-foil resistors with a<br />

0.1% tolerance, a “Femto” clock that reportedly<br />

has just 82 femtoseconds of jitter, ultralow-noise<br />

discrete regulators that are over<br />

100x quieter than the regulators on the other<br />

two models, Schottkey diodes, premium-grade<br />

inductor coils, a rhodium-plated Furutech<br />

fuse, and improved galvanic isolation with a<br />

further refined USB interface.<br />

The review sample used throughout the review<br />

was the original 2010 DAC-2 upgraded<br />

twice by Wyred 4 Sound. First it was changed<br />

into a DAC-2 DSD then converted to current<br />

DAC-2 DSDse specifications. These upgrades<br />

are not something that a local dealer or enduser<br />

can do “in the field,” since they require<br />

firmware upgrades in addition to replacing<br />

circuit boards. But Wyred 4 Sound has a simple<br />

order form with complete instructions on<br />

its Web site to make the upgrade process as<br />

quick and painless as possible. Upgrades start<br />

at $495 to convert an original DAC-2 to a<br />

DAC-2 DSD. For an additional $125 the Femto<br />

clock option can also be included in that upgrade<br />

package.<br />

Tech Tour and Ergonomics<br />

The DAC-2 DSDse uses a 9018 ESS Sabre DAC<br />

at its heart, which is the same chip found in<br />

the base and DSD models. The “secret” to<br />

the DAC-2 DSDse’s superior measured performance<br />

and sound isn’t necessarily the chip,<br />

although the 9018 ESS Sabre is considered<br />

to be one of the top current options. No, the<br />

formula for better sound in the DAC-2 DSDse<br />

is all the other parts and design that surround<br />

the Sabre DAC. My recent experiences with<br />

the Antelope Audio Zodiac Platinum DSD with<br />

its external rubidium atomic clock reinforced<br />

my opinion that the clock is a critical element<br />

in a DAC’s overall sound. The new Femto-grade<br />

clock option in the DSDse lowers phase jitter<br />

by over 80% when compared with Wyred 4<br />

Sound’s original DAC-2 clock.<br />

The front panel of a DAC-2 is simplicity objectified.<br />

It has three centrally located pushbuttons<br />

arranged in a triangle. Above the<br />

buttons is a two-line OLED display. That’s it.<br />

On the back of the DAC-2 you will find an on/<br />

off switch, two RCA coaxial SPDIF inputs, two<br />

TosLink inputs, one AES/EBU input, one I 2 S input<br />

(via HDMI), and one USB input. The DAC-2<br />

also has a pair of balanced XLR outputs, a pair<br />

of unbalanced RCA outputs, and a pair of “Bypass”<br />

analog inputs.<br />

The I 2 S digital input technology seems to be<br />

making something of a comeback these days.<br />

The DAC-2 DSDse’s inclusion of this input allows<br />

it to connect to I 2 S sources that also use<br />

an HDMI connector. PS Audio supports I 2 S<br />

output on its Perfect Wave Transport, as does<br />

Empirical Audio in its Off-Ramp USB converter.<br />

The primary disadvantage of using HDMI<br />

connection hardware is that a naive user could<br />

assume it’s a standard HDMI connection and<br />

wonder why the audio output from his HDMIenabled<br />

Blu-Ray or DVD player doesn’t work<br />

when plugged into the DAC-2’s “HDMI” input.<br />

Fortunately, if you do mistakenly plug an HDMI<br />

cable into the HDMI connector on the back of<br />

the DAC-2, nothing bad will happen except silence,<br />

which has a history of being golden.<br />

Setup and Daily Use<br />

The DAC-2 DSDse is capable of accepting up<br />

to a 384kHz/32-bit signal. It accomplishes<br />

31 Buyer's Guide to Digital Source Components 2014 www.theabsolutesound.com<br />

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