DIGITAL SOURCE COMPONENTS
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In 2010 I reviewed the original version<br />
of the Wyred 4 Sound DAC-2. Besides<br />
excellent sound and ergonomics<br />
the DAC-2’s features included<br />
upgradeablity. Over the years I’ve seen<br />
many products that were supposed<br />
to be upgradeable, but never fulfilled<br />
their promise of a longer, more useful<br />
lifespan. In 2014, four years after its<br />
initial release, the Wyred 4 Sound DAC-2<br />
is still going strong with three versions—<br />
the base model, a DSD model, and the<br />
DSDse. And if you purchased one of the<br />
original DAC-2s back in 2010, it can be<br />
upgraded to the latest, most advanced<br />
model for $1299. That’s kind of nice,<br />
don’t you think<br />
All the DAC-2s use the same chassis with<br />
the identical number of inputs, outputs, and<br />
hardware connections. The base-level DAC-2<br />
costs $1495 and supports PCM formats up to<br />
192/24 via USB or SPDIF. The DAC-2 DSD is<br />
only $100 more and adds asynchronous USB<br />
support for up to 384/32 PCM and 128X DSD.<br />
According to Wyred 4 Sound, the DAC-2 DSD<br />
also offers “improved audio quality through<br />
USB input” and “galvanic isolation,” which are<br />
two features not listed in the basic DAC-2’s<br />
feature set. Given what you get for the extra<br />
$100 upcharge, I can’t imagine why anyone<br />
would still buy the base model.<br />
Wyred 4 Sound’s top model is the DAC-2 DS-<br />
Dse. It costs $1050 more than the base model,<br />
which brings it to $2549. Added features<br />
include custom Vishay Z-foil resistors with a<br />
0.1% tolerance, a “Femto” clock that reportedly<br />
has just 82 femtoseconds of jitter, ultralow-noise<br />
discrete regulators that are over<br />
100x quieter than the regulators on the other<br />
two models, Schottkey diodes, premium-grade<br />
inductor coils, a rhodium-plated Furutech<br />
fuse, and improved galvanic isolation with a<br />
further refined USB interface.<br />
The review sample used throughout the review<br />
was the original 2010 DAC-2 upgraded<br />
twice by Wyred 4 Sound. First it was changed<br />
into a DAC-2 DSD then converted to current<br />
DAC-2 DSDse specifications. These upgrades<br />
are not something that a local dealer or enduser<br />
can do “in the field,” since they require<br />
firmware upgrades in addition to replacing<br />
circuit boards. But Wyred 4 Sound has a simple<br />
order form with complete instructions on<br />
its Web site to make the upgrade process as<br />
quick and painless as possible. Upgrades start<br />
at $495 to convert an original DAC-2 to a<br />
DAC-2 DSD. For an additional $125 the Femto<br />
clock option can also be included in that upgrade<br />
package.<br />
Tech Tour and Ergonomics<br />
The DAC-2 DSDse uses a 9018 ESS Sabre DAC<br />
at its heart, which is the same chip found in<br />
the base and DSD models. The “secret” to<br />
the DAC-2 DSDse’s superior measured performance<br />
and sound isn’t necessarily the chip,<br />
although the 9018 ESS Sabre is considered<br />
to be one of the top current options. No, the<br />
formula for better sound in the DAC-2 DSDse<br />
is all the other parts and design that surround<br />
the Sabre DAC. My recent experiences with<br />
the Antelope Audio Zodiac Platinum DSD with<br />
its external rubidium atomic clock reinforced<br />
my opinion that the clock is a critical element<br />
in a DAC’s overall sound. The new Femto-grade<br />
clock option in the DSDse lowers phase jitter<br />
by over 80% when compared with Wyred 4<br />
Sound’s original DAC-2 clock.<br />
The front panel of a DAC-2 is simplicity objectified.<br />
It has three centrally located pushbuttons<br />
arranged in a triangle. Above the<br />
buttons is a two-line OLED display. That’s it.<br />
On the back of the DAC-2 you will find an on/<br />
off switch, two RCA coaxial SPDIF inputs, two<br />
TosLink inputs, one AES/EBU input, one I 2 S input<br />
(via HDMI), and one USB input. The DAC-2<br />
also has a pair of balanced XLR outputs, a pair<br />
of unbalanced RCA outputs, and a pair of “Bypass”<br />
analog inputs.<br />
The I 2 S digital input technology seems to be<br />
making something of a comeback these days.<br />
The DAC-2 DSDse’s inclusion of this input allows<br />
it to connect to I 2 S sources that also use<br />
an HDMI connector. PS Audio supports I 2 S<br />
output on its Perfect Wave Transport, as does<br />
Empirical Audio in its Off-Ramp USB converter.<br />
The primary disadvantage of using HDMI<br />
connection hardware is that a naive user could<br />
assume it’s a standard HDMI connection and<br />
wonder why the audio output from his HDMIenabled<br />
Blu-Ray or DVD player doesn’t work<br />
when plugged into the DAC-2’s “HDMI” input.<br />
Fortunately, if you do mistakenly plug an HDMI<br />
cable into the HDMI connector on the back of<br />
the DAC-2, nothing bad will happen except silence,<br />
which has a history of being golden.<br />
Setup and Daily Use<br />
The DAC-2 DSDse is capable of accepting up<br />
to a 384kHz/32-bit signal. It accomplishes<br />
31 Buyer's Guide to Digital Source Components 2014 www.theabsolutesound.com<br />
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