xyXV4

Recommendations

Info

CLICK ADS FOR MORE INFO chiuni-fineartshow14-degreeshowguide 3_Layout 1 31/03/2014 16:41 Page 1 Fine Art Degree Show 2014 HARLEY ALDERTON LAUREN BATH OZ BHATTI EMILY BLACKLER LISAJANE BRAUN RACHEL BROMHEAD RHYS CANNON DAVID CARDEW JUDE CLOUGH DAN COLEBORN CHARLOTTE CROSS CONNOR DAVEY RACHAEL-MARIE DONHOU SARAH FENCOTT ELLENROSE HILL GEORGE HINTON AMY HOLLAND ALEXANDRA HOPSON KEIKO IWAMOTO SAMANTHA JOHNSON BRADLEY KENNY HOLLY LEWIS SAMUEL LLOYD NATY LOPEZ-HOLGUIN JASMINE LUCKING PENELOPE MCCALL RORY MCGRAIL ROSS MORGAN JESS MYERS HOLLY NEWNHAM HELEN PETERS ISLA PITHIE VALERIE QUINN JAMES RAPLEY RYAN READ GABY REYL DEAN ROSSITER NIKKI-ALICE RYAN TOM SAVAGE LAURA SILVESTER ERIN SMITH JADE SMITH MICHELLE SPENCER LEXY STEEL NATASHA STRINGER ELIZABETH TEHRANI TIGERFOX PIPPA TUCKER MOLLY TURNER ANDREA VASSALLO ELLIOTT WAY JANET WOODWARD BA FINE ART MA FINE ART BA DEGREE SHOW EXHIBITION • Saturday 17th & Sunday 18th May, 11.00am - 5.00pm • Monday 19th - Friday 23rd May, 11.00am - 6.00pm • Saturday 24th & Sunday 25th May, 11.00am - 5.00pm MA Exhibition - IMMINENT • 16 May - 21 June: 10am-5pm Monday – Friday (Closed weekends) Tel: 01243 816000 | Web: www.chiuni.ac.uk/fineart Please note: car parking is pay and display until 5.00 pm. For directions please visit: www.chi.ac.uk or Tel: 01243 816000. artOne and Otter Gallery, University of Chichester, Bishop Otter Campus, College Lane, Chichester, West Sussex, PO19 6PE. FACULTY OF MEDIA, ARTS AND DESIGN MAD DEGREE SHOWS 2014 12 MAY – 22 JUNE Locations across London • Art and Design • Fashion • Music • Photography • Television, Film and Moving Image westminster.ac.uk/madshows14 #madshows14 8
FIRST THOUGHTS Value judgements: the degree show in a changing world As new technologies transform how we interact with and understand the world around us, is the degree show keeping up or is art education turning its back on a new social reality it simply doesn’t understand By Justin McKeown 1 In terms of the art world’s own internal sense of time, the degree show is in many ways the equivalent of New Year’s Eve; it is a point at which to collectively celebrate the birth of the future, while taking stock of the events of the past year. Reflecting on the 2013-14 academic year, it’s clear that one of the most pressing subjects is the issue of value and the need to continually defend the arts in respect of this. With this in mind, it is interesting to note the difference between making art for yourself – an act that holds value for you as an individual – and pursuing a career as an artist by studying for a degree in fine art or a related field. By doing the latter, you are implicitly deciding that your creativity also holds value for other people. Ten years ago, when it came to discussions of creative processes, the question of value for others was not on the table. Today, however, as a result of continued pressure on the arts to justify its worth to society, the notion of value is very much becoming part of art school rhetoric. As this pressure manifests itself within educational institutions in such phenomena as the removal of government funding for all but STEM subjects and continual space auditing of fine art programmes, the question must be asked: to what extent can these programmes and their degree shows persist in their current form My consideration of this matter is informed by an awareness of technology; I am not only head of fine art at York St John University, I’m also head of computer science and a member of the Internet of Things Council. (The Internet of Things is an umbrella term used to describe a next step in the evolution of the internet; an internet of augmented ‘smart’ objects, accessible to human beings and each other over network connections.) Underpinning the Internet of Things is the ever-increasing proliferation of networked 2 1 Tom Skinn, York St John University, 2014 2 Justin McKeown 9
Page 1 and 2: Degree Shows Guide 2014 NEW TECHNOL
Page 5 and 6: Welcome 1 2 3 4 It’s 15 years sin
Page 7: Contents 09-11 FIRST THOUGHTS Justi
Page 11 and 12: 3 devices in everyday usage, includ
Page 13 and 14: PERSPECTIVES Views on show What mak
Page 15 and 16: PERSPECTIVES Kirsty Ogg, director,
Page 17 and 18: 1 Fiona Masterton, Blue Bayou 2 Fio
Page 19 and 20: 1 Mary Wood, Unstable Self, compres
Page 21 and 22: PERSPECTIVES Kevin Hunt, artist and
Page 23 and 24: “I am very nervous, but I’m als
Page 25 and 26: PERSPECTIVES Deirdre Figueiredo, di
Page 27: CLICK ADS FOR MORE INFO School of C
Page 30 and 31: CLICK ADS FOR MORE INFO CSU_2014_XX
Page 32 and 33: CLICK ADS FOR MORE INFO Art and Des
Page 34 and 35: CLICK ADS FOR MORE INFO FIRST IMPRE
Page 36 and 37: CLICK ADS FOR MORE INFO SIA ALAND-P
Page 38 and 39: CLICK ADS FOR MORE INFO Summer Degr
Page 40 and 41: CLICK ADS FOR MORE INFO flux Stoke-
Page 42 and 43: CLICK ADS FOR MORE INFO Your route
Page 44 and 45: CLICK ADS FOR MORE INFO Signpost St
Page 46 and 47: t your work and avoid getting rippe
Page 48: “huge resource of valuable and es

xyXV4

Create successful ePaper yourself

Delete template?

Save as template?