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22<br />

THE ATTIC PYxJ§<br />

SALLY RUTHERFUaD RoaERTS<br />

2J<br />

Lid: tongues. black band bct"cen resened lin~. running<br />

palmette scroll (Dinsmoor. I)PC IVa). Side of lid: interlocking<br />

maeanders; moulding: reser;ed crenellc pattern. Interior of lid:<br />

rescn'ed; bollom; resen'ed.<br />

Fri,.:e: palmettes. ailemntely \'crtical and resen"ed. linked by<br />

tendrils .....ith crosses in the field.<br />

The Painter of Athens 18577. black-figure. patterned: AJA 50<br />

()946) 118. PuralifJo",.·nu. 306.<br />

Ca. 5/0-500 H.C.<br />

J. Atlu·tls Acr. 560. from Athens. Pis. 8.1-8.2. 9.2. Fig. Id.<br />

Lid missing. about t .....o-thirds of wall preserved. H. 0.076. D. t.'lJot.~t<br />

rim 0.09.<br />

Inset flange for lid, concave·sided, black base moulding. bottom<br />

l1at lIo'ilh deprc'\scd ('colral loodo.<br />

BOtlom: two concentric circle.; near ('enter and 11100 OUler<br />

concentric circles.<br />

Black band.' reserved line above .od below<br />

ErPA4>IEN]. KA(A01:··Hlm]OAAM.U KME.<br />

[..,KA] AE. NAYl:lnPA[T]E. [M]ENTA, KA[AE]·<br />

frieze. MAKP(ON:<br />

1:18[.., KME].<br />

Makron. red·figure: women in the home: AR V. 479, JJ6 and 458:<br />

JHS 14 (1894) pI. 3.2; Langlot'l.. Die 0",0(('" Vase" wm di'r<br />

AkropoJis:u Athen, pI. 43.<br />

Ca. 500 B.C.<br />

4. Brussels. Hibliothl~q"I' Royule 9. from Attica.<br />

Knob missing. H. 0.051. lota1 preserved H. 0.Ob3. D. of lid 0.085.<br />

D. of base 0,09.<br />

Inset flange for lid, conc3\'e-sided. moulding at base. lid inlerior:<br />

reserved: bottom: two concentric circles. outer circle.<br />

Black line. reserved line abo\'c frieze, reserved line below. "The<br />

inscription MEKAKI\E~ EnOIEIEN is modern, whether over an<br />

ancitmt inscription or not" (Reazley).<br />

Pistoxcnos Painter, fed-figure; women: ARV. 863.31; O.<br />

Fcytmans. Les Vases grecs dl' la Bibliotheque Royule dj' Bt·lgique.<br />

pis. 21-22 and pI. SI (profile).<br />

Ca, 480 RC.<br />

• Actual ktur rorms an: DOt ~ ill lhb or the rouo...ing illKription$,<br />

Tbe \a~ abme ha\c bt-cn loosel) grouped IOgether as the} .. hOY<<br />

• curious mixture of cunservative and progressiH: features, On the<br />

consenath'e side wuuld appear their small size. base mouldings and<br />

lack of foot. The inset l1ange at the top of the hod) and consequent<br />

tllperimenlation ....ilh the proper shape of lid to fit do.....n o\'er such a<br />

nange are progressi\e in the sense that these features are ronstallll)'<br />

presenl in the fiflh-centuf)' conca\'"e pyxis. The first ell3mple in<br />

red-figure technique appears about 5(X) D.e. and introduces the<br />

predominantlY female subjet'1 matter typical of the fifth cenlury.<br />

Alhens 18577 (no. I. PI. 6.1) and Alhens 18578 (no. 2. PI. 7,1)<br />

wf;re probably made as a pair in the same .....orkshop and det'orated<br />

by the same hand. They are similar in shape and construction<br />

though lhere arc subtle differences in prolile. Bolh italic the<br />

canonical b:lse moulding and complementary moulding at the lOp<br />

of the body but the form of the hase mouldings are cOnlrasted: a<br />

disk for no. 2 to counter a moulding ..... ith a conca\'e face for no. I.<br />

The lids ha\'e bluntly rectangular down·turned rims identical in<br />

profile to those of the Classes of Berlin 2034 (PI. 15. J) and the<br />

Painter of Oxford 137 (PI. 11). The lid patterns are identical. a<br />

running palmene scroll IDinsmoor t)'pe IVa).1<br />

The first red-figured pyxis (no. J. Fig. Id) is of a very simple<br />

conscrvati\e shape. The body is slightly conca\'e with a rounded<br />

mOUlding al the b3sc. It seems likdy by comparison with an earlier!<br />

and 1\100 later p)Xides (no. 4 and the singleton. Athens 12149)' Ihat<br />

tile missing lid had a rounded moulding at Ihe edge to complement<br />

that at the base. There has been a realignment of members. Ihe<br />

Upper moulding ha\'ing been mO\'ed from the top of the body tu Ihe<br />

lid.<br />

The artist is Makrun. who chiefly paiOled cups. Throughoul Ihe<br />

fifth century the great majority of artists who paint pyxides<br />

specialize in the decoration of ClipS.<br />

The inscriptions have been fully recorded in the catalogue entry<br />

follOWing the order in which they appear in Langlolz's drawing.·<br />

Recent examination sho.....s thal all the inscriptions appear to ha\'e<br />

h«n originally white.s With regard to the missing letlers it should be<br />

stated that there is :l chip in front of EMTA and no Irace of any<br />

lener could ever h3\"e been visible.' The chip may be seen in

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