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22<br />
THE ATTIC PYxJ§<br />
SALLY RUTHERFUaD RoaERTS<br />
2J<br />
Lid: tongues. black band bct"cen resened lin~. running<br />
palmette scroll (Dinsmoor. I)PC IVa). Side of lid: interlocking<br />
maeanders; moulding: reser;ed crenellc pattern. Interior of lid:<br />
rescn'ed; bollom; resen'ed.<br />
Fri,.:e: palmettes. ailemntely \'crtical and resen"ed. linked by<br />
tendrils .....ith crosses in the field.<br />
The Painter of Athens 18577. black-figure. patterned: AJA 50<br />
()946) 118. PuralifJo",.·nu. 306.<br />
Ca. 5/0-500 H.C.<br />
J. Atlu·tls Acr. 560. from Athens. Pis. 8.1-8.2. 9.2. Fig. Id.<br />
Lid missing. about t .....o-thirds of wall preserved. H. 0.076. D. t.'lJot.~t<br />
rim 0.09.<br />
Inset flange for lid, concave·sided, black base moulding. bottom<br />
l1at lIo'ilh deprc'\scd ('colral loodo.<br />
BOtlom: two concentric circle.; near ('enter and 11100 OUler<br />
concentric circles.<br />
Black band.' reserved line above .od below<br />
ErPA4>IEN]. KA(A01:··Hlm]OAAM.U KME.<br />
[..,KA] AE. NAYl:lnPA[T]E. [M]ENTA, KA[AE]·<br />
frieze. MAKP(ON:<br />
1:18[.., KME].<br />
Makron. red·figure: women in the home: AR V. 479, JJ6 and 458:<br />
JHS 14 (1894) pI. 3.2; Langlot'l.. Die 0",0(('" Vase" wm di'r<br />
AkropoJis:u Athen, pI. 43.<br />
Ca. 500 B.C.<br />
4. Brussels. Hibliothl~q"I' Royule 9. from Attica.<br />
Knob missing. H. 0.051. lota1 preserved H. 0.Ob3. D. of lid 0.085.<br />
D. of base 0,09.<br />
Inset flange for lid, conc3\'e-sided. moulding at base. lid inlerior:<br />
reserved: bottom: two concentric circles. outer circle.<br />
Black line. reserved line abo\'c frieze, reserved line below. "The<br />
inscription MEKAKI\E~ EnOIEIEN is modern, whether over an<br />
ancitmt inscription or not" (Reazley).<br />
Pistoxcnos Painter, fed-figure; women: ARV. 863.31; O.<br />
Fcytmans. Les Vases grecs dl' la Bibliotheque Royule dj' Bt·lgique.<br />
pis. 21-22 and pI. SI (profile).<br />
Ca, 480 RC.<br />
• Actual ktur rorms an: DOt ~ ill lhb or the rouo...ing illKription$,<br />
Tbe \a~ abme ha\c bt-cn loosel) grouped IOgether as the} .. hOY<<br />
• curious mixture of cunservative and progressiH: features, On the<br />
consenath'e side wuuld appear their small size. base mouldings and<br />
lack of foot. The inset l1ange at the top of the hod) and consequent<br />
tllperimenlation ....ilh the proper shape of lid to fit do.....n o\'er such a<br />
nange are progressi\e in the sense that these features are ronstallll)'<br />
presenl in the fiflh-centuf)' conca\'"e pyxis. The first ell3mple in<br />
red-figure technique appears about 5(X) D.e. and introduces the<br />
predominantlY female subjet'1 matter typical of the fifth cenlury.<br />
Alhens 18577 (no. I. PI. 6.1) and Alhens 18578 (no. 2. PI. 7,1)<br />
wf;re probably made as a pair in the same .....orkshop and det'orated<br />
by the same hand. They are similar in shape and construction<br />
though lhere arc subtle differences in prolile. Bolh italic the<br />
canonical b:lse moulding and complementary moulding at the lOp<br />
of the body but the form of the hase mouldings are cOnlrasted: a<br />
disk for no. 2 to counter a moulding ..... ith a conca\'e face for no. I.<br />
The lids ha\'e bluntly rectangular down·turned rims identical in<br />
profile to those of the Classes of Berlin 2034 (PI. 15. J) and the<br />
Painter of Oxford 137 (PI. 11). The lid patterns are identical. a<br />
running palmene scroll IDinsmoor t)'pe IVa).1<br />
The first red-figured pyxis (no. J. Fig. Id) is of a very simple<br />
conscrvati\e shape. The body is slightly conca\'e with a rounded<br />
mOUlding al the b3sc. It seems likdy by comparison with an earlier!<br />
and 1\100 later p)Xides (no. 4 and the singleton. Athens 12149)' Ihat<br />
tile missing lid had a rounded moulding at Ihe edge to complement<br />
that at the base. There has been a realignment of members. Ihe<br />
Upper moulding ha\'ing been mO\'ed from the top of the body tu Ihe<br />
lid.<br />
The artist is Makrun. who chiefly paiOled cups. Throughoul Ihe<br />
fifth century the great majority of artists who paint pyxides<br />
specialize in the decoration of ClipS.<br />
The inscriptions have been fully recorded in the catalogue entry<br />
follOWing the order in which they appear in Langlolz's drawing.·<br />
Recent examination sho.....s thal all the inscriptions appear to ha\'e<br />
h«n originally white.s With regard to the missing letlers it should be<br />
stated that there is :l chip in front of EMTA and no Irace of any<br />
lener could ever h3\"e been visible.' The chip may be seen in