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n - Historia Antigua

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THE ATTIC PYxIS<br />

SAllY KUTHE'Rfl1RD ROBEaTS .7<br />

Lid: debased tongue and dot. laurel. black band, rcsen'ed petals.<br />

Dot and concentric circle on bottom of receptacle.<br />

GroO'·e. rtsen'ed band abo1le and belo.... frieze.<br />

Painler of Bologna 417..... oman seated r.. on diphrO' looking<br />

back at double door. to right a .....oman mm'ing r.. but looking back.<br />

:1 Nikt.·. III the field fillets. sandals and t\lo"O kalathoi. For "tyle cf.<br />

Oxford 1%IAbB (pI. 36.3) and Munich 2721. Jerome M. Eisenberg.<br />

An of tlH'AIIl'iellt World I. 110. 17: Cm. ChriJ"til'. April JOand May<br />

I, 11:J74. no. 178. 1'1. lb.<br />

12. l\fiuissiflpi P IOH tex D.M. Robinson). PI. 43,2.<br />

Knnh missing. about half the lid restored, H. 0,121. tutal H.<br />

pres, 0.147, D, at rim 0,117, D. of lid 0.155. H. of foot 0.034,<br />

Lid: debased tongue and dot, black band, laurel. black band.<br />

reserved petals. Sidt, oflid: glazed .... ith cending preceded<br />

by ;I figure in himaliun and t.....o running figures. the first one<br />

fcmol\c \loith sakkO!> and chilon. Profile as in Penrhesilea Workshop.<br />

Walllhicker than in Brauron 176.<br />

e'l 4.fO H.C.<br />

Around 4-W D.e. a different stage in the forming of pyxid~ of<br />

t)-pe A bt..'Comes apparent in thc Penthesilea Workshop. The \'ases<br />

an: of standard siLe and red-figure technique. There is no cvidence<br />

that the production of while ground vases continued. The original<br />

canon has been exaggerated but is the basis for these later \ases.<br />

TIre canon prescribed a long body, a eonca\'c cun'e strengthened at<br />

the ha~e. a tripartite foot with rounded notches, a disk knob with<br />

cro.... nillg button and a fricze bordercd by Iinel>. III lhe later vases<br />

the lOllnC3\e cllne is dra.....n in tov. ards the base of the vase and then<br />

much inl'rea~ed. Compare the simple cun'e of Munich 2721 (PI.<br />

Iq,I), \Iilh the more pronounced cun'e of Athens 1661 (PI. 40). The<br />

cxaggeration of the curve necessitated a further change in the fonn<br />

of a p:lttcrn border set belo..... the frieze. It usually consisted of a<br />

deri\athe of the tongue pallern or egg and dot. In the exceptional<br />

cllse "here l>uch a border was not employed the consequent<br />

di"tClnion of ligural or architectural elements may be discerned. It<br />

i~ p.micularly e\'ident on Lou\·re LP 2692 (PI. 42). The Iov.cr part of<br />

tht: column has a distinct cun·e. E\'identl)', the painter sa.... the<br />

csthctic ad\'antagc of confining the frieze to a rel3livel} Oat surface.<br />

The le\c1 of care e\'idenced in the ponerwork ne\er reachel> that<br />

achic\'ed in the first slage of the Penthesilca Workshop but remains<br />

at the :lxcrllge le\el exemplified by Munich 2721 (PI. 19.1). The disk<br />

knob "ith button rClaim the shape that \lo'as evoh'cd at th:1l st:lgl'.<br />

The lid profile has changed slighlly. The juncture of Ihe base of the<br />

lid .... ith the pot is \'ertlcal and suddenly slants out.... ard gi\ing the<br />

etlcct 01 a l>light hook. Athem 1661 (PI. 40) sho.... s this tendency<br />

\Iightly: ill London E 781 (PI. 44), the effect is pronounccd, The<br />

ILlpartite pallern band deeoration of the lids continues. Pride of<br />

\ll;h.'C i.. gi\en to the laurel .... reath. The paired lea\'cs are sloppily<br />

~h;Jpl'C! and lie c1use along the stem. as in LoUHC LP 2692 (PI.<br />

46 11. Hlal'k bands l'OIl1inuc to be used as acccllts. This stage<br />

appc;\~ hi lasl llnlil around 420 B.t'.

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