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THE ATTIC PYxIS<br />
SAllY KUTHE'Rfl1RD ROBEaTS .7<br />
Lid: debased tongue and dot. laurel. black band, rcsen'ed petals.<br />
Dot and concentric circle on bottom of receptacle.<br />
GroO'·e. rtsen'ed band abo1le and belo.... frieze.<br />
Painler of Bologna 417..... oman seated r.. on diphrO' looking<br />
back at double door. to right a .....oman mm'ing r.. but looking back.<br />
:1 Nikt.·. III the field fillets. sandals and t\lo"O kalathoi. For "tyle cf.<br />
Oxford 1%IAbB (pI. 36.3) and Munich 2721. Jerome M. Eisenberg.<br />
An of tlH'AIIl'iellt World I. 110. 17: Cm. ChriJ"til'. April JOand May<br />
I, 11:J74. no. 178. 1'1. lb.<br />
12. l\fiuissiflpi P IOH tex D.M. Robinson). PI. 43,2.<br />
Knnh missing. about half the lid restored, H. 0,121. tutal H.<br />
pres, 0.147, D, at rim 0,117, D. of lid 0.155. H. of foot 0.034,<br />
Lid: debased tongue and dot, black band, laurel. black band.<br />
reserved petals. Sidt, oflid: glazed .... ith cending preceded<br />
by ;I figure in himaliun and t.....o running figures. the first one<br />
fcmol\c \loith sakkO!> and chilon. Profile as in Penrhesilea Workshop.<br />
Walllhicker than in Brauron 176.<br />
e'l 4.fO H.C.<br />
Around 4-W D.e. a different stage in the forming of pyxid~ of<br />
t)-pe A bt..'Comes apparent in thc Penthesilea Workshop. The \'ases<br />
an: of standard siLe and red-figure technique. There is no cvidence<br />
that the production of while ground vases continued. The original<br />
canon has been exaggerated but is the basis for these later \ases.<br />
TIre canon prescribed a long body, a eonca\'c cun'e strengthened at<br />
the ha~e. a tripartite foot with rounded notches, a disk knob with<br />
cro.... nillg button and a fricze bordercd by Iinel>. III lhe later vases<br />
the lOllnC3\e cllne is dra.....n in tov. ards the base of the vase and then<br />
much inl'rea~ed. Compare the simple cun'e of Munich 2721 (PI.<br />
Iq,I), \Iilh the more pronounced cun'e of Athens 1661 (PI. 40). The<br />
cxaggeration of the curve necessitated a further change in the fonn<br />
of a p:lttcrn border set belo..... the frieze. It usually consisted of a<br />
deri\athe of the tongue pallern or egg and dot. In the exceptional<br />
cllse "here l>uch a border was not employed the consequent<br />
di"tClnion of ligural or architectural elements may be discerned. It<br />
i~ p.micularly e\'ident on Lou\·re LP 2692 (PI. 42). The Iov.cr part of<br />
tht: column has a distinct cun·e. E\'identl)', the painter sa.... the<br />
csthctic ad\'antagc of confining the frieze to a rel3livel} Oat surface.<br />
The le\c1 of care e\'idenced in the ponerwork ne\er reachel> that<br />
achic\'ed in the first slage of the Penthesilca Workshop but remains<br />
at the :lxcrllge le\el exemplified by Munich 2721 (PI. 19.1). The disk<br />
knob "ith button rClaim the shape that \lo'as evoh'cd at th:1l st:lgl'.<br />
The lid profile has changed slighlly. The juncture of Ihe base of the<br />
lid .... ith the pot is \'ertlcal and suddenly slants out.... ard gi\ing the<br />
etlcct 01 a l>light hook. Athem 1661 (PI. 40) sho.... s this tendency<br />
\Iightly: ill London E 781 (PI. 44), the effect is pronounccd, The<br />
ILlpartite pallern band deeoration of the lids continues. Pride of<br />
\ll;h.'C i.. gi\en to the laurel .... reath. The paired lea\'cs are sloppily<br />
~h;Jpl'C! and lie c1use along the stem. as in LoUHC LP 2692 (PI.<br />
46 11. Hlal'k bands l'OIl1inuc to be used as acccllts. This stage<br />
appc;\~ hi lasl llnlil around 420 B.t'.