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70 THE ATTIC PVXIS SAllY RUTHERfURO ROBERTS<br />
"<br />
The frieze represents three women approaching a door followed by<br />
a flying Eros." The vase is unattributed. The painter is<br />
contemporary with the Orollol Painter, but ahhough they use many<br />
similar motifs their SI)'les ditfer markedly. A certain similarity may<br />
be noted between the drallo'ing of the door on the Mississippi "ast<br />
and Ihat of Munich 2720 by the Drouot Painter n (PI. 49.2).<br />
Further. the drapery riStS up in a flounce from the heel of a<br />
running woman in bOlh. but the Drouot Painter's women always<br />
turn their heads 10 look back whence they came. The poncr's<br />
signature on the limel of the door on the Mb.sissippi pyxis has<br />
pro\'ed 10 be a modern forgel')'. JI<br />
The pyxis. Ttibingen E 156 (no. 12). by the Aberdeen Painter has<br />
been senrely damaged. The fOOl has been entirely reslored in<br />
plaster and also the bottom of Ihe box. Two fragmenls of the lower<br />
flange with a border of egg and dart ha\'e been presenied. The<br />
height of the box alone as restored is 0.135, probably dose to its<br />
original size. There sttms no doubl that the vase ~as of slandard<br />
si7..e and originally had a canonical tripartite fool. The 10"'er<br />
pattern border suggesls as a corollary the exaggerated concave<br />
curn of the .. ails. Similar egg and dart may be seen on two lebetes<br />
gamikoi attributed to Ihc Washing Painter and dated 430-420<br />
a.C.n<br />
A laurel wreath form!!. Ihe main pattern band on the majorilY of<br />
lids from the Penthesilea Workshop It. as it did in thc second,<br />
more mediocre stage of the Penthesilea Workshop I. The quality of<br />
workmanship continues to decline. The lids of Alhens 1661. Louvre<br />
CA 63tl (PI. 47.1), Lou\'re LP 2b92 (PI. 4b,O, Mayence 116 and<br />
Mississippi manifest the late form of paired leaves lying closely<br />
along thc slem. The leaVe!; lie limp and lifeless, no sap runs. Two<br />
black bands regularly accenwate Ihe main pallern. A IOngue and<br />
dot band surrounds Ihe knob wiln the exception of rays on Louvre<br />
LP 26C)2: the outer palterns vcry widely.<br />
The laurel and berry pallern of Athens 1707 by the Painter of<br />
London 0 12. seem rathcr to be linked wilh transitional lids sm'h<br />
as Oxford 1%1.468 (PI. 35) and especially Vienna 3720. 21 The<br />
laurel of the London market vase (no. 11) is just as in Oxford; the<br />
reserved petals connect it wilh Ihe next group.<br />
The llul('r border 01 rcsened pelals of the Mi\sis\ippi Pyxl~ (no.<br />
121 links it with Ihe earlier lid of Alhens 1741 (PI. 38), by Ihe Veii<br />
polinl~r. rhe main pallern band of Athen~ 1741 is composed of<br />
hnl..l-rl IlltuS bud~. This border also occurs on lIonolulu 3598 and<br />
umclnn E 777 lno. 7. PI. 39). in a less careful rendilion. The<br />
lragllll'ntaf) lid of I"ubingen [ ISblt recalls Athcm 1741. bOlh in<br />
Ihe poillt~ of ils 10lus buds linked by- arC'S and dOlled, Ihe accenting<br />
!;llacK !;land and the outer border of reserved petals.<br />
A lutu~ bud chain with points dO~'n~ards may oftcn be seen on<br />
,hl' 11\.'('1.... of red·figured column·kralcn. A considerable number of<br />
l' lumn-haters ~ ith such decoration come from tombs in the Valle<br />
rrchha atca al Spilla.)O<br />
rhe main wne of Ihe lid of London E 781 tno. 9) conlains an<br />
3nimal fricLc: a buar .... ith snout dO~'n confronting a lion and a<br />
repeat of Ihe pair. The t~o pain are set tail 10 lail. The animal<br />
fricLc h placed bct.... I.'e1l two ron~ntric circk":!> of egg and dOl<br />
p;lIlcrn. The lid should be compared to Ihe lid of London E 77-1<br />
(PI 47.2). altributl."d 10 the Drouol Painler,u ~ith two pairs of liom<br />
31ld boars confronted hcl\lt.'ell band.. ofegg and dot. The egg.. ha'·e<br />
been drawn on a slight slant in bolh ca!>t."'lJo. The lid of London E 774<br />
belongs to the class of Munich 2720, which has close amnitic~ ~ ith<br />
Ihe Penthesilea Workshop 11.<br />
The Painter of London 0 12, a Penlhesilcan, occasionally<br />
d~·oratl.'d pyxis lids \lith an animal frieze. Two appear on pyxides<br />
01 t~pe A: onc canonical example in Ihe Serpieri collection tno. 6,<br />
on p. ·n abm'e)n depicts a liberally spotted panther springing<br />
Hlward~ a bull followed hy a hoar. The olher pyxi.. , of uncanonical<br />
typc. is Harvard 1925.30.39 (PI. 4!s.2PI ~ith thrt.'e bulb walking in<br />
~eqllellce separated by 1"'0 boulders. 1 ~o additional animal friezn<br />
;lppear Ill! the tops of lids of pyxides of type B. one in Fulcla,l( the<br />
Iltht.:r ,llle on the Vienna ll1arket.l~ Pair~ of animal.. , eonfronled. do<br />
not I~Cllr on the lid.. by the "ainlcr of London J) 12. The Wedding<br />
Pallltcr. another Penthc~ilcan. once decor:lIed the lid of a PYX1\<br />
tYlw A (ull.:anonica1) ~ilh 311 animal frieze. 16<br />
1 he three cOIll'entril' bands ot" egg pallern '" ith double border!><br />
and dots in the inten;tices ldots missing in the inncrmO!>t circle).<br />
aCl'ented by two blal'k bands on Ihe lid of Yale 191.1.153 (no. 0). arc