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n - Historia Antigua

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70 THE ATTIC PVXIS SAllY RUTHERfURO ROBERTS<br />

"<br />

The frieze represents three women approaching a door followed by<br />

a flying Eros." The vase is unattributed. The painter is<br />

contemporary with the Orollol Painter, but ahhough they use many<br />

similar motifs their SI)'les ditfer markedly. A certain similarity may<br />

be noted between the drallo'ing of the door on the Mississippi "ast<br />

and Ihat of Munich 2720 by the Drouot Painter n (PI. 49.2).<br />

Further. the drapery riStS up in a flounce from the heel of a<br />

running woman in bOlh. but the Drouot Painter's women always<br />

turn their heads 10 look back whence they came. The poncr's<br />

signature on the limel of the door on the Mb.sissippi pyxis has<br />

pro\'ed 10 be a modern forgel')'. JI<br />

The pyxis. Ttibingen E 156 (no. 12). by the Aberdeen Painter has<br />

been senrely damaged. The fOOl has been entirely reslored in<br />

plaster and also the bottom of Ihe box. Two fragmenls of the lower<br />

flange with a border of egg and dart ha\'e been presenied. The<br />

height of the box alone as restored is 0.135, probably dose to its<br />

original size. There sttms no doubl that the vase ~as of slandard<br />

si7..e and originally had a canonical tripartite fool. The 10"'er<br />

pattern border suggesls as a corollary the exaggerated concave<br />

curn of the .. ails. Similar egg and dart may be seen on two lebetes<br />

gamikoi attributed to Ihc Washing Painter and dated 430-420<br />

a.C.n<br />

A laurel wreath form!!. Ihe main pattern band on the majorilY of<br />

lids from the Penthesilea Workshop It. as it did in thc second,<br />

more mediocre stage of the Penthesilea Workshop I. The quality of<br />

workmanship continues to decline. The lids of Alhens 1661. Louvre<br />

CA 63tl (PI. 47.1), Lou\'re LP 2b92 (PI. 4b,O, Mayence 116 and<br />

Mississippi manifest the late form of paired leaves lying closely<br />

along thc slem. The leaVe!; lie limp and lifeless, no sap runs. Two<br />

black bands regularly accenwate Ihe main pallern. A IOngue and<br />

dot band surrounds Ihe knob wiln the exception of rays on Louvre<br />

LP 26C)2: the outer palterns vcry widely.<br />

The laurel and berry pallern of Athens 1707 by the Painter of<br />

London 0 12. seem rathcr to be linked wilh transitional lids sm'h<br />

as Oxford 1%1.468 (PI. 35) and especially Vienna 3720. 21 The<br />

laurel of the London market vase (no. 11) is just as in Oxford; the<br />

reserved petals connect it wilh Ihe next group.<br />

The llul('r border 01 rcsened pelals of the Mi\sis\ippi Pyxl~ (no.<br />

121 links it with Ihe earlier lid of Alhens 1741 (PI. 38), by Ihe Veii<br />

polinl~r. rhe main pallern band of Athen~ 1741 is composed of<br />

hnl..l-rl IlltuS bud~. This border also occurs on lIonolulu 3598 and<br />

umclnn E 777 lno. 7. PI. 39). in a less careful rendilion. The<br />

lragllll'ntaf) lid of I"ubingen [ ISblt recalls Athcm 1741. bOlh in<br />

Ihe poillt~ of ils 10lus buds linked by- arC'S and dOlled, Ihe accenting<br />

!;llacK !;land and the outer border of reserved petals.<br />

A lutu~ bud chain with points dO~'n~ards may oftcn be seen on<br />

,hl' 11\.'('1.... of red·figured column·kralcn. A considerable number of<br />

l' lumn-haters ~ ith such decoration come from tombs in the Valle<br />

rrchha atca al Spilla.)O<br />

rhe main wne of Ihe lid of London E 781 tno. 9) conlains an<br />

3nimal fricLc: a buar .... ith snout dO~'n confronting a lion and a<br />

repeat of Ihe pair. The t~o pain are set tail 10 lail. The animal<br />

fricLc h placed bct.... I.'e1l two ron~ntric circk":!> of egg and dOl<br />

p;lIlcrn. The lid should be compared to Ihe lid of London E 77-1<br />

(PI 47.2). altributl."d 10 the Drouol Painler,u ~ith two pairs of liom<br />

31ld boars confronted hcl\lt.'ell band.. ofegg and dot. The egg.. ha'·e<br />

been drawn on a slight slant in bolh ca!>t."'lJo. The lid of London E 774<br />

belongs to the class of Munich 2720, which has close amnitic~ ~ ith<br />

Ihe Penthesilea Workshop 11.<br />

The Painter of London 0 12, a Penlhesilcan, occasionally<br />

d~·oratl.'d pyxis lids \lith an animal frieze. Two appear on pyxides<br />

01 t~pe A: onc canonical example in Ihe Serpieri collection tno. 6,<br />

on p. ·n abm'e)n depicts a liberally spotted panther springing<br />

Hlward~ a bull followed hy a hoar. The olher pyxi.. , of uncanonical<br />

typc. is Harvard 1925.30.39 (PI. 4!s.2PI ~ith thrt.'e bulb walking in<br />

~eqllellce separated by 1"'0 boulders. 1 ~o additional animal friezn<br />

;lppear Ill! the tops of lids of pyxides of type B. one in Fulcla,l( the<br />

Iltht.:r ,llle on the Vienna ll1arket.l~ Pair~ of animal.. , eonfronled. do<br />

not I~Cllr on the lid.. by the "ainlcr of London J) 12. The Wedding<br />

Pallltcr. another Penthc~ilcan. once decor:lIed the lid of a PYX1\<br />

tYlw A (ull.:anonica1) ~ilh 311 animal frieze. 16<br />

1 he three cOIll'entril' bands ot" egg pallern '" ith double border!><br />

and dots in the inten;tices ldots missing in the inncrmO!>t circle).<br />

aCl'ented by two blal'k bands on Ihe lid of Yale 191.1.153 (no. 0). arc

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