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1 Death and the Lighthouses (1 January 2001)

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“I see. Haven’t settled on a title yet. Okay. Let’s just call it — provisionally<br />

— . Snappy, huh” Trotsky is typing. “<br />

by — your name, my friend”<br />

“My name. Er — Binns.”<br />

“Binns”<br />

“Binns.”<br />

“ ”<br />

“Yes. Binns.”<br />

“That’s dreadful! You can’t be a writer with a name like Binns.”<br />

“Actually —”<br />

“You need something sharper, more cutting — less —”<br />

“— Ronald Binns.”<br />

“— .” Light has dawned in Trotsky’s piercing gaze. “Ah, I see.<br />

A fellow exile.”<br />

“No, that’s . Ronald Biggs. And he’s in Brazil, not Mexico.”<br />

“I beg your pardon. Please forgive me. All <strong>the</strong> same, it won’t do. With a<br />

name like that all you’d get away with is a book about sanitation, called<br />

something like<br />

, or —”. Trotsky frowns across <strong>the</strong> top of his<br />

spectacles. “I trust you don’t expect to appear in a book with a title like<br />

”<br />

“No. Lev Davidovich, I did not come here to write a book or a story or an<br />

epic poem or a biography or a play.”<br />

Trotsky sighs. “Alright! So it’s a brief libretto or a concise sonnet. I won’t<br />

pretend I’m not disappointed. But it’s better than nothing. It’s been a lean<br />

year so far.”<br />

By this time you are sitting. “Lev Davidovich, I came here expecting only<br />

to see <strong>the</strong> house. I didn’t anticipate —”<br />

“The house Not for sale, my friend. It has too much money-spinning<br />

potential as a museum, I suspect, to be within your price range. In any case,<br />

I only rent it.” He leans towards you. “Are you prepared to tell me,<br />

categorically, that you are not a writer”<br />

You pause. Then, cautiously: “I like to think of myself as primarily a<br />

reader.” But Trotsky notices that you cannot meet his searching gaze full<br />

on. “I admit to a h<strong>and</strong>ful of literary critical essays —”<br />

“A-ha!”<br />

“— a slim critical volume on <strong>the</strong> works of J.G.Farrell —”<br />

“Enough! Soooooo! You’ve just finished your stint on <strong>the</strong> Sheep’s Head<br />

peninsula, <strong>and</strong> now you’ve jetted over here in pursuit of your next project. I<br />

knew it! That’s good. You have <strong>the</strong> appropriate experience. It’s no secret that<br />

Farrell didn’t just slip off those rocks into <strong>the</strong> sea. It’s open knowledge that<br />

he was halfway through a historical reconstruction of <strong>the</strong> corruption of <strong>the</strong><br />

Soviet revolution. Stalin had to do something.”<br />

You make to protest — had you <strong>the</strong> chance you would say, “Farrell<br />

1 (1 <strong>January</strong> <strong>2001</strong>) 30

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