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1 Death and the Lighthouses (1 January 2001)

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. It’s a shame he did it to <strong>the</strong> exclusion of my political<br />

activism. Stuck me in a ludicrous tripartite plot involving Sigmund Freud<br />

<strong>and</strong> a spaceship fleeing a destroyed earth. Worst of all, had me sent to New<br />

York in 1917 to open a political folly, <strong>the</strong> Manhattan — Manhattan! —<br />

branch of <strong>the</strong> Bolshevik party, absenting me entirely from <strong>the</strong> October<br />

Revolution in Petrograd! Even Stalin didn’t go to those extremes! Pah! These<br />

English novelists! No grasp of dialectics. As if one can’t have a revolutionary<br />

<strong>and</strong> a romantic life at one <strong>and</strong> <strong>the</strong> same time! As if <strong>the</strong>se seeming opposites<br />

are not always <strong>and</strong> everywhere bound up in a dynamic unity! Witness<br />

Orwell: acknowledged my political work. But how did he choose to depict<br />

this most human side of me He portrayed me, literally, !”<br />

“There was Cabrera Infante, too, I believe. Didn’t he have a section on you<br />

in ”<br />

“You mean ‘The <strong>Death</strong> of Trotsky as Described by Various Cuban Writers,<br />

Several Years After <strong>the</strong> Event — or Before’ That was a typically shabby<br />

surfictional enterprise. Simply used me as an excuse to parody his rivals.<br />

Didn’t even leave <strong>the</strong> Cuban Embassy in Brussels to consult me about it.<br />

Ditto Saul Windbag Bellow. Sends his Augie March character down from<br />

Chicago to meet me, without checking <strong>the</strong> facts out for himself. Some of <strong>the</strong><br />

ones who come are no more bearable, mind you. Alan Brien wanted my<br />

life story<br />

. I ask you!”<br />

Hesitantly you say, “Isn’t that underst<strong>and</strong>able”<br />

“Underst<strong>and</strong>able”<br />

“Given, I mean, that Lenin himself is dead”<br />

“Lenin dead” Trotsky cackles drily at <strong>the</strong> back of his throat. “Vladimir<br />

Ilyich is alive <strong>and</strong> living in Africa, fattened on a diet of Solzhenitsyn,<br />

Alex<strong>and</strong>ra Kollontai, Mikhail Shatrov <strong>and</strong> Ellis Sharp! We still swap <strong>the</strong> odd<br />

e-mail.”<br />

There is silence while Trotsky taps keys <strong>and</strong> shuffles mouse, calling into<br />

his local America Online server <strong>and</strong> opening its Web browser. He<br />

like Trotsky. The notion that <strong>the</strong> man is an actor, <strong>the</strong> product of a newfangled<br />

trend in museum management, a virtual substitute, a player who<br />

refuses ever to drop his mask, has been bo<strong>the</strong>ring you for some time. But<br />

his air of erudition is too keen to be contrived. After all, <strong>the</strong> opportunity —<br />

this opportunity — needs to be grasped.<br />

“Lev Davidovich, what would you say is <strong>the</strong> role of revolutionary socialists<br />

in a post-industrial, post-Fordist, post-Marxist, postmodernist age”<br />

“Pah!” says Trotsky, twiddling <strong>and</strong> fiddling. “Talk about slow dialups! I’ve<br />

put a 166MHz Cyrix processor in this fucker, <strong>the</strong>re’s <strong>the</strong> mo<strong>the</strong>r of all<br />

mo<strong>the</strong>rboards in <strong>the</strong>re, a Tyan S1562S, <strong>the</strong> kind of animal <strong>the</strong> HX chipset<br />

was invented for! And what happens I have to call into an AOL point of<br />

presence run through an impotent 14,400 b.p.s. modem! Jeez!” He rattles<br />

<strong>the</strong> desk impatiently with his fingernails. “At last!” He flags triumphantly at<br />

1 (1 <strong>January</strong> <strong>2001</strong>) 32

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