THE GREAT GATSBY Production Notes - Visual Hollywood
THE GREAT GATSBY Production Notes - Visual Hollywood
THE GREAT GATSBY Production Notes - Visual Hollywood
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<strong>THE</strong> <strong>GREAT</strong> <strong>GATSBY</strong> (2013)<br />
PRODUCTION NOTES<br />
for her first and only appearance at one of Gatsby's parties—a pinnacle moment in the film. To<br />
complete the look, Daisy wears a pearl and diamond headband from Tiffany's, as well as the stunning<br />
engagement ring she wears throughout the film.<br />
"I've never worked on a film that's had such scale but also such intricate detail in the design of it—<br />
in every costume I wear and on every set that I walk into," says Mulligan. "Every time I put on a<br />
pair of Daisy's shoes or I wear some Tiffany jewelry... For example, the engagement ring that Daisy<br />
has is just this enormous diamond, and every time I put it on, I feel so different, so...Daisy."<br />
DOING UP <strong>THE</strong> TOWN, DOWN UNDER<br />
"New York in 1922. The tempo of the city had changed. The buildings<br />
were higher, the parties were bigger, the morals were looser and<br />
the liquor was cheaper. The restlessness approached...hysteria."<br />
—Nick Carraway<br />
From 1920s costumes to New York in the 1920s, for the filmmakers, topography was equally integral<br />
to the story: the hot, gritty, bustling streets of New York City; the lusciousness of the playground<br />
of the rich, Long Island; and The Valley of Ashes, the dusty wasteland in between.<br />
"The book is really set in Manhattan and East and West Egg on Long Island," explains Pearce. "We<br />
had to understand the geography. We studied maps but then we went there and it was a very hot<br />
summer, and we purposely stayed in the garment district, which is sort of one of the few parts of<br />
Manhattan that isn't terribly gentrified. It was a bit like New York would've been in Fitzgerald's<br />
time. And that really informed us."<br />
Although much of the research and writing process took place in New York—including numerous<br />
field trips to Long Island to visit the stately homes—most of the film was shot at Sydney's Fox Studios.<br />
"If you say to a New Yorker that the film was shot in Australia, they sort of laugh. 'Are you kidding<br />
me You made the film in Australia'" says Catherine Knapman. "Of course, Baz would have loved<br />
to make the movie in New York, but the opportunity to make most of the film here came up as being<br />
the most efficient. Building sets is really what Catherine Martin does best with her team. Filming<br />
in Australia brought a lot of advantages, including generous incentives from the Australian and<br />
New South Wales governments. There are a lot of talented people in Australia. We had an enormous<br />
crew, in excess of a thousand people, and a background cast of 960. We had close to 300 extras<br />
on set on the 'party days.'"<br />
So, 1920s New York was brought to Sydney, carefully recreated in great detail, from the most lavish<br />
sets to the smallest props.<br />
"What was amazing to me was the storytelling in the sets. I would notice certain elements that were<br />
incorporated into the set, and everything felt so authentic, it made it easy to believe it was real,"<br />
Maguire remarks.<br />
Perhaps the most paramount sets to be built were the magnificent homes of Gatsby and the<br />
Buchanans, as these showcase the important differences between the neighborhoods, and residents,<br />
of East and West Egg.<br />
© 2013 Warner Bros. Pictures<br />
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