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THE GREAT GATSBY Production Notes - Visual Hollywood

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<strong>THE</strong> <strong>GREAT</strong> <strong>GATSBY</strong> (2013)<br />

PRODUCTION NOTES<br />

for her first and only appearance at one of Gatsby's parties—a pinnacle moment in the film. To<br />

complete the look, Daisy wears a pearl and diamond headband from Tiffany's, as well as the stunning<br />

engagement ring she wears throughout the film.<br />

"I've never worked on a film that's had such scale but also such intricate detail in the design of it—<br />

in every costume I wear and on every set that I walk into," says Mulligan. "Every time I put on a<br />

pair of Daisy's shoes or I wear some Tiffany jewelry... For example, the engagement ring that Daisy<br />

has is just this enormous diamond, and every time I put it on, I feel so different, so...Daisy."<br />

DOING UP <strong>THE</strong> TOWN, DOWN UNDER<br />

"New York in 1922. The tempo of the city had changed. The buildings<br />

were higher, the parties were bigger, the morals were looser and<br />

the liquor was cheaper. The restlessness approached...hysteria."<br />

—Nick Carraway<br />

From 1920s costumes to New York in the 1920s, for the filmmakers, topography was equally integral<br />

to the story: the hot, gritty, bustling streets of New York City; the lusciousness of the playground<br />

of the rich, Long Island; and The Valley of Ashes, the dusty wasteland in between.<br />

"The book is really set in Manhattan and East and West Egg on Long Island," explains Pearce. "We<br />

had to understand the geography. We studied maps but then we went there and it was a very hot<br />

summer, and we purposely stayed in the garment district, which is sort of one of the few parts of<br />

Manhattan that isn't terribly gentrified. It was a bit like New York would've been in Fitzgerald's<br />

time. And that really informed us."<br />

Although much of the research and writing process took place in New York—including numerous<br />

field trips to Long Island to visit the stately homes—most of the film was shot at Sydney's Fox Studios.<br />

"If you say to a New Yorker that the film was shot in Australia, they sort of laugh. 'Are you kidding<br />

me You made the film in Australia'" says Catherine Knapman. "Of course, Baz would have loved<br />

to make the movie in New York, but the opportunity to make most of the film here came up as being<br />

the most efficient. Building sets is really what Catherine Martin does best with her team. Filming<br />

in Australia brought a lot of advantages, including generous incentives from the Australian and<br />

New South Wales governments. There are a lot of talented people in Australia. We had an enormous<br />

crew, in excess of a thousand people, and a background cast of 960. We had close to 300 extras<br />

on set on the 'party days.'"<br />

So, 1920s New York was brought to Sydney, carefully recreated in great detail, from the most lavish<br />

sets to the smallest props.<br />

"What was amazing to me was the storytelling in the sets. I would notice certain elements that were<br />

incorporated into the set, and everything felt so authentic, it made it easy to believe it was real,"<br />

Maguire remarks.<br />

Perhaps the most paramount sets to be built were the magnificent homes of Gatsby and the<br />

Buchanans, as these showcase the important differences between the neighborhoods, and residents,<br />

of East and West Egg.<br />

© 2013 Warner Bros. Pictures<br />

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