A N N U A L R E P O R T - The Ashmolean Museum
A N N U A L R E P O R T - The Ashmolean Museum
A N N U A L R E P O R T - The Ashmolean Museum
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38 / Highlights of the Annual Report 2004–05<br />
<strong>The</strong> Virgin and Child with<br />
Saint Anne<br />
Anonymous Flemish artist, c.1500. Oil on<br />
oak panel, 41.0 x 28.5 cm. Presented by Dr<br />
Kenneth Garlick.<br />
Dr Kenneth Garlick, a distinguished<br />
former Keeper of Western Art in the<br />
<strong>Ashmolean</strong>, generously presented this<br />
charming Flemish devotional painting,<br />
made around 1500. <strong>The</strong> unknown artist<br />
seems close to the Master of the<br />
Embroidered Foliage; named for his<br />
stylized, delicate treatment of leaves and<br />
plants, this painter was active in the<br />
southern Netherlands around<br />
1495–1500 and was much influenced by<br />
Rogier van der Weyden and Hugo van<br />
de Goes.<br />
Bronze lamp (or inkwell) in the form of<br />
the head of an African boy<br />
Italian, Padua, attributed to the workshop of<br />
Severo da Ravenna, c.1510–1530. Bronze, H. 7.0<br />
cm. Presented by Brenda, Lady Cook, in memory<br />
of her husband Sir Francis Cook.<br />
Ancient Roman lamps in the form of African<br />
boys’ heads were known in the Renaissance.<br />
This is a handsome example of a version<br />
made in the workshop of Severo, one of the<br />
principal art bronze workshops in<br />
Renaissance Padua, and an eloquent example<br />
of the Renaissance workshop’s homage to<br />
Antiquity. <strong>The</strong> Cook Collection, from which<br />
the gift has been made, was formed in<br />
Victorian England and was one of the<br />
greatest private art collections ever assembled.