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A N N U A L R E P O R T - The Ashmolean Museum

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38 / Highlights of the Annual Report 2004–05<br />

<strong>The</strong> Virgin and Child with<br />

Saint Anne<br />

Anonymous Flemish artist, c.1500. Oil on<br />

oak panel, 41.0 x 28.5 cm. Presented by Dr<br />

Kenneth Garlick.<br />

Dr Kenneth Garlick, a distinguished<br />

former Keeper of Western Art in the<br />

<strong>Ashmolean</strong>, generously presented this<br />

charming Flemish devotional painting,<br />

made around 1500. <strong>The</strong> unknown artist<br />

seems close to the Master of the<br />

Embroidered Foliage; named for his<br />

stylized, delicate treatment of leaves and<br />

plants, this painter was active in the<br />

southern Netherlands around<br />

1495–1500 and was much influenced by<br />

Rogier van der Weyden and Hugo van<br />

de Goes.<br />

Bronze lamp (or inkwell) in the form of<br />

the head of an African boy<br />

Italian, Padua, attributed to the workshop of<br />

Severo da Ravenna, c.1510–1530. Bronze, H. 7.0<br />

cm. Presented by Brenda, Lady Cook, in memory<br />

of her husband Sir Francis Cook.<br />

Ancient Roman lamps in the form of African<br />

boys’ heads were known in the Renaissance.<br />

This is a handsome example of a version<br />

made in the workshop of Severo, one of the<br />

principal art bronze workshops in<br />

Renaissance Padua, and an eloquent example<br />

of the Renaissance workshop’s homage to<br />

Antiquity. <strong>The</strong> Cook Collection, from which<br />

the gift has been made, was formed in<br />

Victorian England and was one of the<br />

greatest private art collections ever assembled.

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