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A N N U A L R E P O R T - The Ashmolean Museum

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Chairman’s Foreword / 5<br />

In parallel with these Plan-related activities, the more traditional museum<br />

functions of acquisitions, educational work, conservation, publications,<br />

exhibitions and loans to other museums were maintained at a high level.<br />

<strong>The</strong> same applied to our revenue fundraising efforts which in these days<br />

of tight budgets become more important than ever. As with the Plan,<br />

these activities too have required effective leadership from the Director,<br />

Dr Christopher Brown, and to him and all the staff I extend the Board’s<br />

thanks.<br />

<strong>The</strong> Board’s thanks are also due to the individuals co-opted to strengthen<br />

the Visitors’ committees: Michael Coates and Eric Gabriel on the<br />

Building Committee, Edwin Antill and Professor Antony Hopwood on<br />

the Finance Control Committee, and Frances Jackson on the Fundraising<br />

Committee. I also thank Lord Butler, the Chairman of the Finance<br />

Control Committee, which is still labouring under the difficulties arising<br />

from the University’s accounting systems.<br />

Part of the <strong>Ashmolean</strong>’s remit from Oxford is to reach much wider<br />

audiences than the University’s own members. At the same time the<br />

<strong>Ashmolean</strong> is recognised as the world’s best university museum, and we<br />

attach great importance to its university roles in teaching and research. All<br />

our curators are active scholars and I would particularly draw attention to<br />

the research section of this report on p.25. <strong>The</strong> <strong>Ashmolean</strong>’s curators also<br />

teach on several of the University’s degree courses, Archaeology, Classics and<br />

Oriental Studies. To this list in October 2004 we added Oxford’s new<br />

undergraduate degree in History of Art which is heavily based on the<br />

<strong>Ashmolean</strong>’s outstanding collections of sculptures, paintings, prints and<br />

drawings from both the western and oriental traditions.<br />

<strong>The</strong> <strong>Ashmolean</strong> is on the cusp of a major transformation. In its new<br />

guise it will more than ever be one of Britain’s finest museums outside<br />

London. Within easy reach of the many millions of people living within<br />

an hour from Oxford, it will become a magnet drawing many more<br />

visitors than in the past, offering an experience to inspire them to keep<br />

returning.<br />

Nicholas Barber, CBE<br />

Chairman

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