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A N N U A L R E P O R T - The Ashmolean Museum

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40 / Highlights of the Annual Report 2004–05<br />

Elliptical Series V (2003)<br />

Martin Smith (b.1950). Oval vessel of brick red clay<br />

on a flat base of black-painted clay, the interior<br />

silvered, base, 42.9 x 35.8 cm, H. 15.5 cm. Purchased<br />

from Barrett Marsden Gallery with funds presented by<br />

an anonymous donor.<br />

Martin Smith is Professor of Ceramics and Glass<br />

at the Royal College of Art and one of Britain’s<br />

most original ceramic artists. This piece was made<br />

for his 2003 solo exhibition at the Galerie de<br />

Witte Voet in Amsterdam, a five-part<br />

investigation into the occupation of the space<br />

contained within a hollow elliptical cylinder.<br />

Each inner space was divided in two through the<br />

insertion of an elliptical block whose cut faces<br />

were treated with different colours that reflected<br />

in the platinum leaf covered inner surface of the<br />

cylinder.<br />

Ceramic vessel (c.1975)<br />

Hans Coper (1920–1980). Oval pot with indentations<br />

on cylindrical foot. Dark clay with black and white<br />

slips and incised lines around, H. 18.3 cm, impressed<br />

mark beneath: HC. Presented by Henry Rothschild.<br />

This characteristic vessel, monumental despite its<br />

small size, is the first work to enter the<br />

<strong>Ashmolean</strong> by Coper, the greatest and most<br />

influential exponent of sculptural vases in<br />

twentieth-century British ceramic vessel-making.<br />

<strong>The</strong> donor is one of Britain’s leading collectors<br />

and specialists in modern studio ceramics.

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