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Download - Radcliffe Institute for Advanced Study - Harvard University

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V AROUND THE INSTITUTE<br />

<strong>Radcliffe</strong> Day, May 31,2013<br />

The morning panel, “From Artist<br />

to Audience,” found a fitting home on<br />

the beach party–inspired set of the<br />

A.R.T. revival of Pirates of Penzance, a<br />

production newly adapted and directed<br />

by the incoming <strong>Radcliffe</strong> fellow Sean<br />

Graney RI ’14. As <strong>Radcliffe</strong> Dean Liza-<br />

beth Cohen noted in her introductory<br />

remarks, “What better test could there<br />

be of the obstacles to be overcome in<br />

moving art from artist to audience”<br />

The panel, which featured five<br />

<strong>Radcliffe</strong>-affi<br />

ffiliated artists, celebrated<br />

<strong>Radcliffe</strong>’s long and vibrant association<br />

with the arts and addressed the challenges<br />

that artists face in contemporary<br />

society.<br />

At the lunch in <strong>Radcliffe</strong> Yard, Dean<br />

Cohen awarded the <strong>Radcliffe</strong> Medal to<br />

the actor Jane Alexander, whom she<br />

called “a warrior <strong>for</strong> the arts.” Cohen<br />

recognized Alexander <strong>for</strong> “her critically<br />

acclaimed acting roles in films,<br />

theater, and television and her passionate<br />

advocacy <strong>for</strong> the arts as head of the<br />

National Endowment <strong>for</strong> the Arts from<br />

1993 to 1997.”<br />

“On this day, when we celebrate<br />

the arts at <strong>Radcliffe</strong>, we also celebrate<br />

the talent and accomplishments of a<br />

remarkable woman whose life’s work<br />

has touched us all,” Cohen said.<br />

Alexander said she felt especially<br />

honored to receive the <strong>Radcliffe</strong> Medal<br />

because of her past. After attending<br />

Sarah Lawrence College <strong>for</strong> two years<br />

and spending her junior year at the<br />

<strong>University</strong> of Edinburgh—where she<br />

“sowed many wild oats,” as she put it,<br />

but didn’t do well in school—her father<br />

insisted she apply to <strong>Radcliffe</strong>. When<br />

she wasn’t accepted, she headed to<br />

New York City with $40 in her pocket.<br />

“I never got a college degree,” she said,<br />

“but I did all right. So I thank you, <strong>Radcliffe</strong>.<br />

Thank you <strong>for</strong> turning me down<br />

and starting me on my career.”<br />

ê More online at www.radcliffe.harvard.edu.<br />

The day celebrated<br />

the arts—from the<br />

breakfast where<br />

<strong>Radcliffe</strong> fellow Lydia<br />

Diamond described<br />

working on plays<br />

at the <strong>Institute</strong> to<br />

the lunch where<br />

<strong>Radcliffe</strong> Medalist<br />

Jane Alexander<br />

advocated exploring<br />

the arts to encourage<br />

creativity.<br />

Drew Faust, Jane Alexander,<br />

and Lizabeth Cohen<br />

Jane Alexander<br />

As moderator, Diane Paulus ’88, artistic<br />

director of the American Repertory<br />

Theater, conveyed a question from<br />

the audience: What moves the artist<br />

panelists <strong>for</strong>ward when they get stuck<br />

The photographer and architect Mark<br />

Robbins RI ’03: “I leave it and take a<br />

walk.” The painter Beverly McIver RI<br />

’03: “I take a vacation and chill.” The<br />

composer Augusta Read Thomas BI ’91:<br />

“I know when my pieces are finished<br />

when I can sleep through the night.”<br />

The poet, essayist, and playwright<br />

Elizabeth Alexander RI ’08: “I get<br />

unstuck by looking at work that’s not<br />

in my medium.”<br />

12 radcliffe magazine Summer 2013 Photographs by Tony Rinaldo

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