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V AROUND THE INSTITUTE<br />

Story<br />

First<br />

“WE TAKE YOU around the world . . . into people’s minds.”<br />

by Deborah Blagg<br />

Melissa Block ’83 feigned dismay<br />

as she began her lecture shortly after<br />

4:00 p.m. on March 11, facing a capacity<br />

crowd at <strong>Radcliffe</strong> Gymnasium.<br />

Addressing an audience that normally<br />

would have been listening to her on<br />

their car or kitchen radios at that hour,<br />

the veteran cohost of National Public<br />

Radio’s All Things Considered d joked,<br />

“There’s going to be a big dip in the ratings<br />

<strong>for</strong> our local stations today.”<br />

Block was introduced by the Nieman<br />

Foundation curator Ann Marie<br />

Lipinski, who praised the prizewinning<br />

reporter <strong>for</strong> doing “what the best<br />

journalists do: she steps out of the way<br />

and puts the story ever first.” During<br />

a tightly scripted presentation that<br />

included reflections on the history of All<br />

Things Considered, the growing impact<br />

of digital media, and the increasingly<br />

compressed daily news cycle, Block<br />

did step out of the way several times,<br />

sharing audio clips that conveyed both<br />

an insider’s view of radio and a sense of<br />

the medium’s reach and 21st-century<br />

relevance.<br />

From a tongue-in-cheek segment on<br />

a day in the life of an All Things Considered<br />

reporter to a reprise of her haunting,<br />

on-the-scene coverage of a 2008<br />

earthquake that killed close to 70,000<br />

people in China’s Sichuan Province, the<br />

audio snapshots demonstrated the range<br />

and <strong>for</strong>ce of what Block later called<br />

NPR’s “intimate mode of storytelling.”<br />

“We take you around the world and<br />

deep into people’s minds,” she commented.<br />

Block said that style of reporting has<br />

remained a constant during her nearly<br />

three decades at the network, as has the<br />

extent to which women’s voices have<br />

defined NPR’s broadcasts. In the tradi-<br />

tion of the network’s “founding moth-<br />

DURING HER DAY at <strong>Radcliffe</strong>, NPR’s Melissa Block met with <strong>Harvard</strong> students and advised<br />

aspiring journalists to play an instrument, learn a language, and, most important of all, listen.<br />

ers” Susan Stamberg, Cokie Roberts,<br />

Nina Totenberg, and Linda Wertheimer,<br />

Block said, the new generation of “fearless<br />

women reporters” who are covering<br />

violent uprisings in countries such as<br />

Libya, Syria, Egypt, and Yemen “have<br />

produced some of the most riveting<br />

journalism I’ve ever heard, under extraordinarily<br />

difficult circumstances.”<br />

Block noted aspects of her daily work<br />

that have changed during her NPR<br />

tenure: unwieldy, reel-to-reel tape machines<br />

have been replaced by tiny flash<br />

card recorders; the network’s <strong>for</strong>eign<br />

bureaus have grown from one in 1984 to<br />

20 today; and communicating with farflung<br />

correspondents is now a matter<br />

of “a couple of clicks on a cell phone”<br />

instead of hours of dialing and redialing<br />

via Telex.<br />

But progress has come at a price.<br />

Along with the positive changes brought<br />

by expanding coverage and evolving<br />

technologies has come the reality of<br />

“a news cycle in overdrive,” Block noted.<br />

“No one waits <strong>for</strong> the evening news<br />

to find out what’s going on.” The pitfalls<br />

of what she termed “the headlong<br />

rush to be first” were plainly apparent<br />

in the immediate aftermath of the<br />

Supreme Court’s ruling on the Af<strong>for</strong>d-<br />

able Care Act, when several major<br />

news outlets (not NPR) misreported<br />

that a central tenet of the law had been<br />

struck down.<br />

“What’s the shame in taking the time<br />

to digest a complicated story” Block<br />

asked. “How much credibility is lost<br />

when you get the story exactly wrong I<br />

would say it’s immeasurable.”<br />

TONY RINALDO<br />

2 radcliffe magazine Summer 2013

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