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The Challenge - Stanford University Libraries & Academic ...

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Librarians and Humanists Exploring Virtual Worlds<br />

Working with Michael Shanks, Professor of Classics, the<br />

History of Science & Technology program in the Humanities<br />

Resource Group is collaborating with the <strong>Stanford</strong> Humanities<br />

Lab on a project in the virtual world Second Life. Together,<br />

they have created an archive of the works of media and film<br />

artist Lynn Hershman, who also contributed substantially to<br />

the project. Funded in part by the Daniel Langlois Foundation,<br />

the project built a historical archive of this important artist’s<br />

work in a 3-d virtual world owned and operated entirely by its<br />

residents. Many <strong>Stanford</strong> students populate areas in Second<br />

Life, including two islands for graduate students in the School<br />

of Education. Its virtual world was also used as a basis for<br />

projects in the “Humans and Machines” course offered to undergraduates<br />

in the Introduction to the Humanities Program.<br />

Henry Lowood<br />

Curator, Germanic and<br />

History of Science Collections<br />

Chinese Calligraphy and Stone Carvings As part of the ongoing<br />

effort to enhance the visitor experience at the East Asia<br />

Library, the calligraphic works of C.C. Wang and Niu Kesi’s<br />

stone carvings were exhibited over the past year. C.C. Wang<br />

(Wang Chi-Ch’ien or Wang Jiqian, 1907-2003), distinguished<br />

artist, collector and connoisseur, was born in Suzhou, Jiangsu<br />

Province, China, and studied traditional Chinese painting. He<br />

contributed greatly to upgrade both the art history value and<br />

art market value of Chinese painting. Niu Kesi (“Superior to<br />

Marx” in Chinese) was born in 1954 in Qingtian County, Zhejiang<br />

Province, China, and studied stone carvings under his<br />

father, Tingjiao Li (1921-1971). He has since been regarded<br />

as a pioneer of large scale stone carving, skillfully combining<br />

artistic vision with careful, precise carving.<br />

Zhaohui Xue<br />

Chinese Studies Librarian,<br />

East Asia Library<br />

Avant-Garde Remembered <strong>The</strong> Art and Architecture Library<br />

recently purchased three journals of the Parisian avantgarde<br />

– Le Coq (subsequently titled Le Coq Parisien) (1920),<br />

Réverbères (1938-39), and Néon (1948-49) – in honor of Alex<br />

Ross on his retirement as Head Librarian after 32 years of service.<br />

Editors and contributors include the Dadaist and Surrealist<br />

luminaries Tristan Tzara, Max Ernst, André Breton, and<br />

Jean Cocteau. <strong>The</strong>se rare ephemera build upon the Library’s<br />

growing collection of avant-garde journals, each exemplifying<br />

that medium’s multiple capacities for artistic interdisciplinarity,<br />

literary idiosyncrasy, political assertion, and graphic<br />

experimentalism. An exhibition of these journals kicks off<br />

the Library’s new exhibition program and will be on display<br />

through the 2007 Fall Quarter.<br />

Anna Fishaut<br />

Assistant Art Librarian, Art and<br />

Architecture Library<br />

Rejuvenating Art at the Visual Resources Center Formerly part<br />

of the Department of Art & Art History but transferred to the<br />

<strong>Libraries</strong> in September 2006, the Visual Resources Center<br />

completed its first year as a unit of the Art and Architecture<br />

Library. With strengths in European, American, Chinese and<br />

Japanese art and architecture, the VRC’s collection of over<br />

300,000 35mm slides and 34,000 digital images primarily<br />

supports teaching and research in art and art history. While<br />

work continues on migrating the existing collection from slide<br />

to digital, driven primarily by Art faculty request, important<br />

progress is being made in expanding the scope of the existing<br />

collection and extending VRC services to the greater <strong>Stanford</strong><br />

community.<br />

Peter Blank<br />

Head, Art and<br />

Architecture Library<br />

Left<br />

Artist Lynn Hershman’s<br />

presence in Second<br />

Life is informed by her<br />

decades of pioneering<br />

work in conceptual and<br />

video art.<br />

Right<br />

Calligraphy and Stone<br />

Carvings exhibition<br />

enriches the East Asia<br />

Library public area.<br />

Below<br />

Edison Diamond Disc<br />

Phonographs Sheraton<br />

Model C 150, 1917<br />

(left) and Chippendale<br />

Model C 250, 1919<br />

(right) housed in the<br />

Archive of Recorded<br />

Sound.<br />

Left<br />

Issue from Le Coq<br />

sheds light on early<br />

20th century artistic<br />

trends.<br />

Right<br />

Viewing traditional<br />

slides at a light table<br />

in the Visual Resources<br />

Center.<br />

Below<br />

Manipulating digital<br />

images in the Visual<br />

Resources Center.<br />

22 23

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