CANADIAN POST~WAR & CONTEMPORARY ART - Heffel
CANADIAN POST~WAR & CONTEMPORARY ART - Heffel
CANADIAN POST~WAR & CONTEMPORARY ART - Heffel
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HEFFEL FINE <strong>ART</strong> AUCTION HOUSE 13<br />
6 EDWARD JOHN (E.J.) HUGHES<br />
BCSFA CGP RCA 1913 ~ 2007<br />
Unloading Logs, Comox Harbour<br />
graphite on card, signed and dated 1952<br />
and on verso signed, titled and dated<br />
14 x 19 1/4 in, 35.6 x 48.9 cm<br />
PROVENANCE:<br />
Acquired directly from the Artist<br />
By descent to the present Private Collection, Vancouver Island<br />
LITERATURE:<br />
Ian M. Thom, E.J. Hughes, Vancouver Art Gallery, 2002, the canvas<br />
produced from this drawing entitled Unloading Logs, Comox Harbour,<br />
1953, in The Barbeau Foundation Collection, reproduced page 120<br />
Jacques Barbeau, A Journey with E.J. Hughes, 2005, the canvas produced<br />
from this drawing entitled Unloading Logs, Comox Harbour reproduced<br />
page 12 and a related drawing entitled Log Dump at Royston, Comox<br />
Harbour reproduced page 34<br />
In 1951, E.J. Hughes moved to Shawnigan Lake; from there he explored<br />
the coastline of eastern Vancouver Island, finding great interest in all the<br />
activities he saw, including working boats and harbours. On Vancouver<br />
Island, logging followed farming as the mainstay of the economy. This<br />
scene is of the log dump at Royston, started by R.J. Filberg, owner of<br />
Comox Valley Logging. His son purchased this vigorous cartoon drawing<br />
with lots 5 and 7 in this sale from Hughes’s studio in Shawnigan Lake.<br />
Hughes’s ability to capture not just the details of the scene but its unique<br />
feeling and clarity of atmosphere in highly finished graphite drawings<br />
such as this is truly remarkable. These tonal drawings, called cartoons,<br />
are rare, as he stopped doing them around 1959. His practice of executing<br />
them at night from his annotated field drawings caused eyestrain, and he<br />
was under pressure from Max Stern, his dealer at Dominion Gallery, to<br />
produce watercolours and oils during daylight. However, Hughes was<br />
known to have expressed a longing to return to making cartoons, for the<br />
sheer enjoyment of the process of doing them.<br />
ESTIMATE: $10,000 ~ 15,000<br />
6