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CANADIAN POST~WAR & CONTEMPORARY ART - Heffel

CANADIAN POST~WAR & CONTEMPORARY ART - Heffel

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HEFFEL FINE <strong>ART</strong> AUCTION HOUSE 41<br />

30 JACK LEONARD SHADBOLT<br />

BCSFA CGP CSPWC OC RCA 1909 ~ 1998<br />

Storm Warning<br />

acrylic on paper board triptych, signed and dated 1984<br />

and on verso signed, titled and dated<br />

60 x 120 in, 152.4 x 304.8 cm<br />

PROVENANCE:<br />

Bau~Xi Gallery, Vancouver<br />

Private Collection, Vancouver<br />

LITERATURE:<br />

Scott Watson, Jack Shadbolt, 1990, page 193<br />

The core of Jack Shadbolt’s painting springs from the rich imagery of West<br />

Coast nature, based on abstracted biomorphic forms. Storm Warning is a<br />

strong example of his painting of the early 1980s, with its dense patches<br />

of colour which create depth through contrasts of receding dark and<br />

advancing light hues. Organic shapes rise, twist, undulate and float across<br />

the surface of the work, as if rushing in reaction to an impeding event.<br />

Also emerging are emblematic forms ~ Shadbolt was fascinated with<br />

heraldry, banners and flags ~ and their more geometric and linear<br />

elements provide a dynamic contrast with organic forms. Colour shapes<br />

were seen as “tugging free of the pictorial matrix toward a psychological<br />

freedom of their own identities ~ a pure primordial urge.” The struggle for<br />

freedom of these elements was most likely a reflection of Shadbolt’s own<br />

striving for liberation and identity, and of his modernist, intellectual<br />

concerns vying with emotional and unconscious urges. Because of this,<br />

Shadbolt’s work was never static, but always evolving. Storm Warning<br />

exudes vitality and a sense of urgency ~ a painting in the midst of a<br />

spontaneous, living process.<br />

ESTIMATE: $25,000 ~ 35,000<br />

30

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