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CANADIAN POST~WAR & CONTEMPORARY ART - Heffel

CANADIAN POST~WAR & CONTEMPORARY ART - Heffel

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HEFFEL FINE <strong>ART</strong> AUCTION HOUSE 39<br />

28 JOSEPH FRANCIS PLASKETT<br />

BCSFA OC RCA 1918 ~<br />

Still Life After Breakfast<br />

oil on canvas, signed and dated 1981<br />

28 1/4 x 39 in, 71.7 x 99 cm<br />

PROVENANCE:<br />

Private Collection, Toronto<br />

LITERATURE:<br />

Joe Plaskett, Canadian Cultural Centre, Paris, 1977, pages 3 and 8<br />

Judy Stoffman, “Still Carrying the Group of Seven’s Torch”, The Star,<br />

Toronto, September 25, 2008<br />

Joe Plaskett has always enjoyed dissecting and reveling in the intimate<br />

expressions of the everyday, and Still Life After Breakfast is no exception.<br />

His paintings, and in particular the still lifes, as Judy Stoffman writes,<br />

“show an intimacy with past masters and a tender appreciation of the<br />

present moment.” In this fine painting, Plaskett takes the daily activity of<br />

breakfast and turns it into a sensuous and tactile celebration: half~eaten<br />

grapefruits, croissants and café au lait bowls, along with a half~filled<br />

marmalade jar, are the remnants of an animated morning complete with<br />

good conversation. It is likely that the setting for Still Life After Breakfast is<br />

Plaskett’s residence at 2 rue Pecquay in Paris, which hosted a plethora of<br />

Canadian artists and writers such as Bill Reid, Jean Paul Lemieux and the<br />

famed poet and writer Mavis Gallant. Plaskett comments on his painting,<br />

“My work may be said to descend from the Impressionists. What I do<br />

share with them is their subject matter ~ their delight in painting any<br />

aspect of life around them. I do find a micro~cosmos of the universe in the<br />

interior of a room. Its possibilities are inexhaustible, its variety infinite.”<br />

ESTIMATE: $10,000 ~ 15,000<br />

28

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