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Here - Clickin Moms

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When<br />

I<br />

affected setting exposure actually hurt my brain. My first<br />

got my speedlite all I knew was that it went on top of my<br />

camera and that I could now bounce my flash. I had no<br />

idea which mode to put it in and thinking about how it<br />

few test shots were completely blown so I blindly fiddled with the settings until I got the<br />

exposure right. Then I bounced it off of every surface and angle imaginable. Once in<br />

a while I would luck out and get a shot that I thought looked like it should, but there was<br />

no rhyme or reason to it. I’m usually good at figuring out how things work, but flash was a<br />

mystery to me and I gave up on it pretty quickly and deemed myself a photographer who<br />

“shoots exclusively with natural light.” Sound familiar<br />

One of my resolutions for 2010 was to master<br />

my flash. While I’m far from that lofty goal,<br />

I did make a lot of progress. Using flash no<br />

longer terrifies me and I would even say that<br />

I am very comfortable with it. Getting to this<br />

point involved a lot of head banging, talking<br />

to myself, countless hours of learning by trial<br />

and error and more a-ha moments than I<br />

can count. <strong>Here</strong> are a few things that I wish<br />

I’d known when I took my speedlite out of<br />

the box for the first time.<br />

Put your camera in manual and your<br />

flash in TTL.<br />

While it’s true that manual flash is more<br />

consistent than TTL, it’s not practical for<br />

on-camera flash and situations where the<br />

photographer and subject are moving.<br />

Manual flash gives off a set amount of light<br />

each time it’s fired. That means, if you move<br />

closer or farther away from your subject and<br />

don’t change your settings, your shot will be<br />

over or underexposed.<br />

In TTL mode, your camera’s metering system<br />

measures the reflectivity and average<br />

tonal values of a scene and determines<br />

the amount of flash needed to produce a<br />

correct exposure. However, because it is<br />

exposing for average tones, the exposure<br />

will not always be perfect. It should be close<br />

though and flash exposure compensation<br />

(FEC) allows you to tweak it until it’s perfect.<br />

The rules for manual flash and TTL<br />

flash are different<br />

With manual flash, aperture controls the<br />

exposure of the area being lit by the flash<br />

and shutter speed controls the ambient light<br />

exposure of the background. With TTL flash,<br />

you are not limited to using shutter speed to<br />

control the amount of ambient light in the<br />

exposure. Aperture, ISO and shutter speed<br />

can all be used control ambient light. This<br />

creates endless possibilities and gives you<br />

almost complete control over the way the<br />

ambient light appears in your image.<br />

Your camera settings do matter.<br />

I discovered pretty quickly that with TTL<br />

flash and FEC, you can pick any camera<br />

settings (as long as you stay under the<br />

maximum shutter sync speed) and get a<br />

properly exposed photo. Unfortunately,<br />

when using flash, properly exposed photos<br />

are not necessarily good photos. A good<br />

rule of thumb is to meter for the location, use<br />

FEC to set flash exposure and then change<br />

the camera settings to underexpose the<br />

background a stop or two. This will separate<br />

your subject from the background and make<br />

your photo pop.<br />

Bounced flash is not the secret to good<br />

flash photography.<br />

51

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