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OASYS: The Ultimate All-in-One Music Studio - Sweetwater.com

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SWEETNOTES | SPRING 2005 | PAGE 12<br />

Captur<strong>in</strong>g the Perfect Moment<br />

<strong>The</strong>re’s noth<strong>in</strong>g more excit<strong>in</strong>g than be<strong>in</strong>g out <strong>in</strong> the fi eld captur<strong>in</strong>g a once-<strong>in</strong>-a-lifetime<br />

moment; levels are perfectly set; mics are <strong>in</strong> exactly the right places; it’s great to be alive!<br />

<strong>The</strong>n your laptop’s OS fl ashes an error message, your hard drive groans and dies, or your<br />

ever-hungry tape mach<strong>in</strong>e beg<strong>in</strong>s eat<strong>in</strong>g and digest<strong>in</strong>g your irreplaceable tape. You can’t<br />

ask the band to start their gig over; the congressman to restate his admission of guilt; or<br />

the rare heron to fl y back and repeat its mat<strong>in</strong>g call. Slowly that <strong>in</strong>describably sicken<strong>in</strong>g<br />

feel<strong>in</strong>g settles <strong>in</strong>to the pit of your stomach as you realize the moment is gone forever.<br />

It’s happened to us a few times, and each time we th<strong>in</strong>k: <strong>The</strong>re has to be a better way!<br />

<strong>The</strong> biggest problem with most portable recorders is that they’re based around mach<strong>in</strong>es<br />

with lots of mov<strong>in</strong>g parts — sp<strong>in</strong>n<strong>in</strong>g hard drives, rotat<strong>in</strong>g capstans and rollers, drive<br />

motors, eject mechanisms. <strong>The</strong> list is long, and any item on it can fail at any time<br />

— more than likely at the worst possible time. In the past few years, methods for stor<strong>in</strong>g<br />

data without use of mov<strong>in</strong>g parts have jumped to the fore. Solid-state recorders us<strong>in</strong>g<br />

Compact Flash (CF) cards do away with mov<strong>in</strong>g parts, can provide tons of record time,<br />

run for hours on batteries, and let you edit <strong>in</strong> the fi eld. Let’s check out a few of the<br />

models we’re fond of here at <strong>Sweetwater</strong>.<br />

Even though it’s brand new, the Edirol R-1 has already be<strong>com</strong>e one of our favorites. It<br />

<strong>in</strong>cludes tools that make it great for music record<strong>in</strong>g, <strong>in</strong>clud<strong>in</strong>g a built-<strong>in</strong> metronome<br />

and tuner. Plus, a dedicated effects processor makes it easy to set up EQ, hum and noise<br />

suppression, and add reverb to the stereo track, all right <strong>in</strong>side the box. <strong>The</strong> R-1 can<br />

record at n<strong>in</strong>e different quality levels from 24-bit/44.1kHz WAV fi les to 64kbps MP3s.<br />

Marantz has been build<strong>in</strong>g solid-state recorders for several years. Lately we’ve been very<br />

impressed with their PMD670. With phantom-powered mic <strong>in</strong>puts on XLR connectors,<br />

this is a great choice for sampl<strong>in</strong>g <strong>in</strong> the fi eld or handl<strong>in</strong>g audio for broadcast. It can<br />

A Q&<br />

HOW MUCH RAM DO I NEED?<br />

We hear this question frequently from customers. It’s<br />

tough to answer, because different products require<br />

different amounts. <strong>The</strong> easy answer? More than enough.<br />

For example, Digidesign states that a Digi002 requires<br />

384MB m<strong>in</strong>imum, 512MB or higher re<strong>com</strong>mended. But<br />

this doesn’t take <strong>in</strong>to account extra plug-<strong>in</strong>s or virtual<br />

<strong>in</strong>struments. Throw someth<strong>in</strong>g like MachFive, BFD,<br />

or Ivory <strong>in</strong>to the system, and you’ll want to start with<br />

1GB of RAM and consider add<strong>in</strong>g more. RAM demands<br />

always grow when software is updated and new software<br />

is added to the system. We re<strong>com</strong>mend 1GB as a start<strong>in</strong>g<br />

po<strong>in</strong>t for any DAW system.<br />

BIG BEN AND TERMINATION<br />

Users have observed that Apogee’s Big Ben Word Clock<br />

term<strong>in</strong>ation lights don’t always illum<strong>in</strong>ate. Big Ben<br />

is look<strong>in</strong>g for a 75-ohm load on the slave device. If a<br />

75-ohm load isn’t detected, Big Ben’s term<strong>in</strong>ation light<br />

won’t be on.<br />

While this <strong>in</strong>dicates the receiv<strong>in</strong>g device isn’t properly<br />

term<strong>in</strong>ated, it’s not necessarily a problem. Many<br />

devices have Word Clock <strong>in</strong>puts that aren’t term<strong>in</strong>ated;<br />

they don’t have the 75-ohm load. For example, I’ve<br />

worked with a Big Ben and just about every MOTU<br />

audio <strong>in</strong>terface. <strong>The</strong> Big Ben term<strong>in</strong>ation lights never<br />

illum<strong>in</strong>ate on ports connected to MOTU <strong>in</strong>terfaces. Yet,<br />

the MOTU audio <strong>in</strong>terfaces always lock without problem<br />

to the Big Ben.<br />

<strong>The</strong> Big Ben user guide has some useful<br />

<strong>in</strong>formation on term<strong>in</strong>ation, <strong>in</strong>clud<strong>in</strong>g how to<br />

add term<strong>in</strong>ation if necessary.<br />

A NERD EATS HIS WORDS<br />

[Editor’s Note: <strong>One</strong> of our techs admitted to the<br />

follow<strong>in</strong>g story dur<strong>in</strong>g a Technology Anonymous<br />

12-step meet<strong>in</strong>g. <strong>The</strong> names have been<br />

changed to protect the guilty….]<br />

record up to 5-1/2 hours at<br />

16-bit/48kHz resolution<br />

with a 4GB CF card and<br />

<strong>in</strong>cludes built-<strong>in</strong> limit<strong>in</strong>g<br />

plus high- and<br />

low-pass fi lters.<br />

You can <strong>in</strong>sert<br />

Edit Decision List<br />

PMD670<br />

(EDL) markers and set up EDL-sorted playback. S/PDIF I/O<br />

and a USB port make transferr<strong>in</strong>g fi les to a <strong>com</strong>puter or CD burner easy. If you need a<br />

rackmount solution, the PMD570 offers all the 670’s functions <strong>in</strong> a rugged 1U chassis.<br />

For a truly <strong>com</strong>pact recorder the Marantz PMD660 can’t be beat. It’s a high-powered,<br />

high-quality, high-reliability solid-state unit that fi ts <strong>in</strong> the palm of your hand! But that<br />

doesn’t mean it’s short on performance, offer<strong>in</strong>g two phantom-powered XLR mic <strong>in</strong>s and<br />

<strong>in</strong>-the-box edit<strong>in</strong>g. Need long record time? A s<strong>in</strong>gle 1GB CF card can hold up to 36 hours<br />

of un<strong>in</strong>terrupted audio (monaural MP3 at 64kbps)! You can also get over an hour of<br />

16-bit/44.1 or 48kHz l<strong>in</strong>ear PCM audio on the same 1GB card. Plus, it runs on just four<br />

AA batteries.<br />

<strong>The</strong>se mach<strong>in</strong>es have so many features, we could fi ll this entire issue of SweetNotes and<br />

still have more to say. To learn more, visit www.sweetwater.<strong>com</strong> or give your Sales Eng<strong>in</strong>eer<br />

a call. With a solid-state recorder, there’s no reason to miss captur<strong>in</strong>g that perfect<br />

moment ever aga<strong>in</strong>.<br />

(800) 222-4700 | www.sweetwater.<strong>com</strong><br />

> > Marantz PMD670 <strong>Sweetwater</strong> price $699.97<br />

www.sweetwater.<strong>com</strong>/pmd670<br />

“Last week I received my new iPod Shuffl e. When I got<br />

the ultra-cool, super-t<strong>in</strong>y MP3 player, I danced like a kid<br />

gett<strong>in</strong>g his bomb-pop from the ice cream man. <strong>All</strong> the<br />

guys <strong>in</strong> tech support ooh’d and aah’d along with me<br />

(for a few seconds, then we answered more tech calls).<br />

“That even<strong>in</strong>g I rushed home, kissed my wife, ran<br />

upstairs, plugged the iPod <strong>in</strong>to my Mac, and started<br />

cramm<strong>in</strong>g my favorite music <strong>in</strong>to the t<strong>in</strong>y wonder.<br />

“Th<strong>in</strong>gs didn’t go so well. It appeared as if tons of songs<br />

were on the iPod, but it wouldn’t play. It just fl ashed<br />

green and yellow lights with every button push. That<br />

night I said some hurtful th<strong>in</strong>gs to my iPod Shuffl e<br />

— terrible th<strong>in</strong>gs.<br />

“If you haven’t guessed, it wasn’t the iPod’s fault. I<br />

had skipped two simple steps: read<strong>in</strong>g the manual and<br />

follow<strong>in</strong>g the <strong>in</strong>structions. Oh, the shame.<br />

“I read the manual and learned some simple, yet<br />

important th<strong>in</strong>gs: My OS needed an update, and the<br />

latest iPod drivers needed to be <strong>in</strong>stalled. Everyth<strong>in</strong>g<br />

worked fi ne after that.”<br />

Pretty embarrass<strong>in</strong>g. So why share this story? To<br />

make a po<strong>in</strong>t we all often ignore: <strong>The</strong>re’s simply no<br />

substitute for read<strong>in</strong>g manuals and <strong>in</strong>structions!

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