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OASYS: The Ultimate All-in-One Music Studio - Sweetwater.com

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SWEETNOTES | SPRING 2005 | PAGE 4<br />

A Virus Your Computer Will Love<br />

Software synths are great, but you have to give up the feel of hardware controls and<br />

carefully monitor your CPU use to run them. Likewise, you might love the character of<br />

hardware synths but fi nd they have limited user <strong>in</strong>terfaces and storage capability. Now<br />

Access has blended the two with their new VIRUS Total Integration synthesizers.<br />

<strong>The</strong> new TI synths l<strong>in</strong>k to your <strong>com</strong>puter with VIRUSControl <strong>com</strong>panion software,<br />

which ports the hardware <strong>in</strong>to your host sequencer for use as a VST/AU <strong>in</strong>strument,<br />

simultaneously offer<strong>in</strong>g 2-way audio and MIDI connectivity, control surface<br />

functionality, editor and librarian functions, and more.<br />

New synth features <strong>in</strong>clude greatly <strong>in</strong>creased<br />

80-voice polyphony, two new oscillator types,<br />

a per-patch programmable arpeggiator,<br />

delay/reverb effects, and more. <strong>The</strong> new<br />

VIRUS hardware has 24-bit/192kHz balanced<br />

analog <strong>in</strong>puts, S/PDIF I/O, and MIDI <strong>in</strong><br />

and out ports and could be<strong>com</strong>e the ma<strong>in</strong> audio and MIDI center for your entire rig.<br />

You can choose the model with 61 semi-weighted keys with velocity and aftertouch<br />

sensitivity, wood sides, and a bright, illum<strong>in</strong>ated logo on the back. Or go for the<br />

VIRUS TI Desktop, with a fl ip-back I/O panel and 4U rackmount<strong>in</strong>g kit. <strong>The</strong><br />

VIRUS TI Polar is a beautiful all-white 37-key version. Jump onl<strong>in</strong>e to<br />

www.sweetwater.<strong>com</strong>/virusti to learn more!<br />

> > Access Virus TI Polar <strong>Sweetwater</strong> price $2560.97<br />

> > Access Virus TI Desktop <strong>Sweetwater</strong> price $1895.97<br />

Conduct Your Own<br />

Orchestra<br />

MOTU’s new Symphonic Instrument plug-<strong>in</strong> proves that the days of pay<strong>in</strong>g big bucks for orchestral<br />

sounds are over. This plug-<strong>in</strong> gives you easy access to an enormous 8GB library of quality orchestra sounds<br />

for <strong>com</strong>pos<strong>in</strong>g, sequenc<strong>in</strong>g, and render<strong>in</strong>g realistic orchestral performances. Plus, Symphonic Instrument<br />

<strong>in</strong>cludes a stunn<strong>in</strong>g convolution reverb to provide realistic sett<strong>in</strong>gs for your orchestral passages.<br />

<strong>The</strong> heart of any sample collection is the sounds, and Symphonic Instrument is guaranteed to please. It’s<br />

loaded with solo <strong>in</strong>struments and woodw<strong>in</strong>d (<strong>in</strong>clud<strong>in</strong>g saxes), brass, and str<strong>in</strong>g sections, plus orchestras and choirs. <strong>The</strong>re’s orchestral percussion<br />

and mallets, Ste<strong>in</strong>way and Yamaha grand pianos, Baroque and cathedral pipe organs, harps, classical guitar, and many historic <strong>in</strong>struments<br />

<strong>in</strong>clud<strong>in</strong>g lute, recorder, crumhorn, and more. Symphonic Instrument is driven by the same 32-bit UVI eng<strong>in</strong>e that powers the MOTU MachFive universal sampler.<br />

<strong>The</strong> plug-<strong>in</strong> is 16-part multitimbral per <strong>in</strong>stance, and each part is editable with an envelope, an LFO, two fi lters, fi lter envelope, tone controls, pitch controls, and velocity response.<br />

This programm<strong>in</strong>g fl exibility means that you can duplicate a variety of play<strong>in</strong>g styles.<br />

A fi rst for symphonic <strong>in</strong>strument plug-<strong>in</strong>s is the built-<strong>in</strong> convolution reverb that allows you to place your ensemble <strong>in</strong> authentic acoustic spaces, from sound stages to renowned<br />

concert halls to majestic cathedrals. You can adjust the sampled spaces to your taste with control of pre-delay, reverb time, high-pass and low-pass damp<strong>in</strong>g, and wet/direct<br />

balance.<br />

If you want to do more advanced layer<strong>in</strong>g and programm<strong>in</strong>g, load the samples directly <strong>in</strong>to MachFive to create <strong>com</strong>plex layers, splits, and stacks. You can take advantage of<br />

MachFive’s Expert Mode to help you design your own dynamic <strong>in</strong>struments and ensembles.<br />

<strong>The</strong> Symphonic Instrument can be used with any <strong>com</strong>patible Mac ® or PC host application (VST,<br />

Audio Units, DXi, MAS, and RTAS). With stunn<strong>in</strong>g sound, a huge library of sounds, fl exibility, and<br />

unbeatable price, you can’t go wrong!<br />

His book impressed us so much,<br />

we hired him!<br />

We th<strong>in</strong>k that Mitch Gallagher’s Pro Tools Cl<strong>in</strong>ic:<br />

Demystify<strong>in</strong>g LE for Mac<strong>in</strong>tosh and W<strong>in</strong>dows<br />

is the best Pro Tools LE book available, period. We also<br />

know that Mitch is one of the foremost experts on pro<br />

audio and music technology — as well as one of the best<br />

writers on the topic out there. In fact, when we recently<br />

had the chance to hire him as Editorial Director to head<br />

up our publications, we jumped at it.<br />

But now we face a dilemma. S<strong>in</strong>ce Mitch works here, you might th<strong>in</strong>k we’re simply<br />

fl atter<strong>in</strong>g him by featur<strong>in</strong>g his book <strong>in</strong> this newsletter. But noth<strong>in</strong>g could be farther<br />

from the truth. We’ll repeat: This is simply the best Pro Tools book out there.<br />

With no prior knowledge whatsoever, you’ll learn the <strong>in</strong>s and outs of music production<br />

<strong>in</strong> Pro Tools LE. Mitch generously gives you the benefi t of his 25 years <strong>in</strong> the music<br />

bus<strong>in</strong>ess as a studio musician, record<strong>in</strong>g eng<strong>in</strong>eer, and music technology expert.<br />

You’ll appreciate his clear and straightforward writ<strong>in</strong>g (honed dur<strong>in</strong>g his years as<br />

editor/writer for Keyboard and EQ magaz<strong>in</strong>es) and the 700-plus screenshots, tutorials,<br />

and real-world audio examples he provides. <strong>The</strong>se aren’t just “listen to this” examples,<br />

these are real tracks that you’ll be work<strong>in</strong>g on along with Mitch, learn<strong>in</strong>g Pro Tools <strong>in</strong><br />

easy step-by-step fashion.<br />

With Mitch Gallagher as your mentor, all you have to do is sit down at your DAW with<br />

Pro Tools Cl<strong>in</strong>ic and beg<strong>in</strong> — by the time you fi nish, you’ll know how to record, edit,<br />

and mix music professionally <strong>in</strong> Pro Tools LE.<br />

(800) 222-4700 | www.sweetwater.<strong>com</strong><br />

> ><br />

> > Symphonic Instrument <strong>Sweetwater</strong> price $279.97<br />

www.sweetwater.<strong>com</strong>/symph<strong>in</strong>st<br />

> > PTCl<strong>in</strong>ic <strong>Sweetwater</strong> price $24.95<br />

www.sweetwater.<strong>com</strong>/ptcl<strong>in</strong>ic

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