Basic Digital Audio Effects

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Peak Filters (Cont.) The center/cut-off frequency, d, is given by: d = −cos(2πf c /f s ) The H 0 by relation to the gain, G, as before: H 0 = V 0 − 1 where V 0 = 10 G/20 CM0268 MATLAB DSP GRAPHICS 341 and the bandwidth, f b is given by the limits for boost, a B , or cut, a C are given by: 1 a B = tan(2πf b/f s ) − 1 tan(2πf b /f s ) + 1 a C = tan(2πf b/f s ) − V 0 tan(2πf b /f s ) − V 0 ◭◭ ◮◮ ◭ ◮ Back Close
Peak Filters Signal Flow Graph x(n) −1 H 0 /2 × × A(z) y 1 (n) + + y(n) CM0268 MATLAB DSP GRAPHICS 342 where A(z) is given by: x(n) T x(n − 1) x(n − 2) T × −a B/C × d(1 − a B/C ) × 1 + + + y(n) 1 × a B/C × −d(1 − a B/C ) T y 1 (n − 2) y 1 (n − 1) T ◭◭ ◮◮ ◭ ◮ Back Close
Page 1 and 2: Digital Audio Effects Having learne
Page 3 and 4: Classifying Effects Audio effects c
Page 5 and 6: Shelving and Peak Filters Shelving
Page 7 and 8: Shelving Filters (Cont.) The gain,
Page 9: Peak Filters A first-order shelving
Page 13 and 14: K = tan((pi * fc)/fs); V0 = 10ˆ(G/
Page 15 and 16: + (Kˆ2)/V0); a2 = (1 - root2/sqrt(
Page 17 and 18: %Do treble shelf filter fct = 600;
Page 19 and 20: Time-varying Filters Some common ef
Page 21 and 22: Time Varying Filter Implementation:
Page 23 and 24: The State Variable Filter Algorithm
Page 25 and 26: %%%%%%% EFFECT COEFFICIENTS %%%%%%%
Page 27 and 28: % write output wav files wavwrite(y
Page 29 and 30: Wah-wah Code Explained Three main p
Page 31 and 32: Wah-wah Code Explained (Cont.) Note
Page 33 and 34: Bandreject (BR)/Bandpass(BP) Filter
Page 35 and 36: Basic Delay Structure We build basi
Page 37 and 38: FIR Comb Filter Signal Flow Diagram
Page 39 and 40: IIR Comb Filter This simulates a si
Page 41 and 42: IIR Comb Filter MATLAB Code iircomb
Page 43 and 44: Universal Comb Filter Parameters CM
Page 45 and 46: Vibrato - A Simple Delay Based Effe
Page 47 and 48: for n=1:(LEN-1) M=MODFREQ; MOD=sin(
Page 49 and 50: Vibrato MATLAB Code Explained Click
Page 51 and 52: Comb Filter Delay Effects: Flanger,
Page 53 and 54: % to avoid referencing of negative
Page 55 and 56: Modulation Modulation is the proces
Page 57 and 58: MATLAB Ring Modulation Two examples
Page 59 and 60: Amplitude Modulation Amplitude Modu
Page 61 and 62:
Tremolo via Ring Modulation If you
Page 63 and 64:
Limiter A Limiter is a device that
Page 65 and 66:
MATLAB Limiter Example (Cont.) % do
Page 67 and 68:
Compressors/Expanders Compressors a
Page 69 and 70:
MATLAB Compressor/Expander (Cont.)
Page 71 and 72:
Overdrive, Distortion and Fuzz Dist
Page 73 and 74:
MATLAB Overdrive Example The MATLAB
Page 75 and 76:
Distortion/Fuzz A non-linear functi
Page 77 and 78:
MATLAB Fuzz Example (Cont.) An fuzz
Page 79 and 80:
Panning The simple problem we addre
Page 81 and 82:
MATLAB Panning Example The MATLAB c
Page 83 and 84:
Reverb Reverberation (reverb for sh
Page 85 and 86:
Reverb v. Echo Is reverb just a ser
Page 87 and 88:
Reverb Simulations There are many w
Page 89 and 90:
Schroeder’s Reverberator (Cont.)
Page 91 and 92:
% add the scaled direct signal y =
Page 93 and 94:
MATLAB Schroeder Reverb (Cont.) The
Page 95 and 96:
% sum the ouptut of the 4 comb filt
Page 97 and 98:
Moorer’s Reverberator CM0268 MATL
Page 99 and 100:
MATLAB Moorer Reverb (Cont.) % send
Page 101 and 102:
MATLAB Moorer Reverb (Cont.) %set g
Page 103 and 104:
Convolution Reverb If the impulse r
Page 105 and 106:
Room Impulse Responses Apart from p
Page 107 and 108:
MATLAB Convolution Reverb (Cont.) A
Page 109 and 110:
MATLAB Convolution Reverb (Cont.) C
Page 111:
MATLAB Convolution Reverb (Cont.) Y
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Basic Digital Audio Effects

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