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About This Issue: Poetry<br />

Out of this multiplicity of voices from across the country and cutting<br />

at diagonals across poetic traditions grew a harmonious whole that<br />

filled our pages. It’s not the content of the poems that unites this group<br />

of work—we travel from the Donner Party’s demise to the checkout line<br />

at Wal-Mart (some might see a few similarities here, I grant) to Santorini.<br />

Instead, what binds these poems so snugly together is the poets’ sharp<br />

intellects. Here are poems, anchored in first-rate craftsmanship, that display<br />

not mere curiosity and descriptive prowess, but that truly comment,<br />

with cogent but lyrical logic, on the state of our shared world. The work<br />

collected here demonstrates that poetry, at its best, does not only reflect<br />

our social mores, but also offers us a place to engage them, to question<br />

them, and to ask ourselves what sort of a world we have made for ourselves<br />

and for one another. The poems before you aren’t ones about which<br />

the worn-out critic can wring his hands over poetry’s relevance to contemporary<br />

life; these are poems and voices that unquestionably matter.<br />

Perhaps what excites me most about the poetry in TLR’s inaugural<br />

volume is the breadth of the poets’ visions. These writers demonstrate<br />

a keen awareness of the arts as a creative conversation, not as an isolated<br />

practice. The poets represented here engage with much more than<br />

their own thoughts and experiences of the world; they explore music and<br />

the visual arts, they converse with poets who came before them, and they<br />

respond to received forms while adapting them to contemporary sensibilities.<br />

Instead of focusing solely on the personal and the private, the poets<br />

in TLR have both the finesse and the knowledge to allow their poems<br />

a life off the page—a life in conversation with culture. In short, the<br />

work you’re about to enjoy represents, to me, just what is right with American<br />

poetry.<br />

–KD<br />

VIII

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