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PREFIX<br />
AUDIOFILE<br />
midnight movies<br />
The natural and the unearthly share space with L.A.’s<br />
elegant surrealists.<br />
Words: alexander posell photo: marc goldstein<br />
During the day, the modern world and its straight<br />
lines prevail–money and machines, time and technology,<br />
order and organization… but after dark,<br />
the winds of the imagination come into play. In<br />
the middle of the night, strange creatures appear,<br />
unusual events occur, familiar objects take on new<br />
aspects, the real becomes the ethereal.<br />
Like a story told in the late hours, the music<br />
on Midnight Movies’ self-titled debut conjures<br />
these dreamlike images–autumn mists at twilight,<br />
hazy, multi-shaded tableaus, psychedelic colors<br />
and shapes. Their name comes from a book about<br />
‘60s-era underground films, and it fits perfectly<br />
with their spacey, kaleidoscopic sound. Far from<br />
presenting some sort of contrived image, however,<br />
the band’s style comes simply from a natural ease<br />
between its members. Having met through musicians’<br />
wanted ads, they originally got together as<br />
a group of six, but quickly whittled themselves<br />
down to three whose visions and aesthetics<br />
aligned effortlessly.<br />
Midnight Movies is a first for two of its members–drummer/singer<br />
Gena Olivier and keyboardist/guitarist<br />
Jason Hammons had never been in<br />
serious bands before, having both previously been<br />
involved in electronic projects. Their prior experience<br />
makes itself plain on the album, as Hammons’<br />
pulsating synth tones and lush keyboard landscapes<br />
blend seamlessly with Olivier’s vocals<br />
and Larry Schemel’s reverberating guitars. The<br />
result A moving, hauntingly ethereal cult thriller<br />
soundtrack that is as palpably vibrant on record as<br />
it is on stage.<br />
Their conspicuous live presence has helped<br />
contribute to the buzz surrounding the band–<br />
Hammons plays with a laptop but, preferring to<br />
keep the human element as tangible as possible,<br />
uses almost no sequences. Schemel tackles his<br />
instrument like a man on a mission, and the sight<br />
of Olivier crooning in her eerie tone while briskly<br />
pounding her kit is both electrifying and exhilarating.<br />
Though the music itself is otherworldly, the process<br />
by which it comes about is surprisingly natural.<br />
The band members, in their own words, don’t “try”<br />
to write music, they simply allow the songs to come<br />
into being. Schemel says the songs can come from<br />
anything: “…other music, dreams, art–we’ll all<br />
write parts and kind of flesh out the idea. It’s like<br />
we’re creating this little creature.”<br />
Midnight Movies is available now on Emperor Norton/Rykodisc.<br />
www.midnightmovies.net<br />
Midnight Movies: Larry Schemel, Jason Hammons, and Gena Olivier<br />
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