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PREFIX<br />

AUDIOFILE<br />

midnight movies<br />

The natural and the unearthly share space with L.A.’s<br />

elegant surrealists.<br />

Words: alexander posell photo: marc goldstein<br />

During the day, the modern world and its straight<br />

lines prevail–money and machines, time and technology,<br />

order and organization… but after dark,<br />

the winds of the imagination come into play. In<br />

the middle of the night, strange creatures appear,<br />

unusual events occur, familiar objects take on new<br />

aspects, the real becomes the ethereal.<br />

Like a story told in the late hours, the music<br />

on Midnight Movies’ self-titled debut conjures<br />

these dreamlike images–autumn mists at twilight,<br />

hazy, multi-shaded tableaus, psychedelic colors<br />

and shapes. Their name comes from a book about<br />

‘60s-era underground films, and it fits perfectly<br />

with their spacey, kaleidoscopic sound. Far from<br />

presenting some sort of contrived image, however,<br />

the band’s style comes simply from a natural ease<br />

between its members. Having met through musicians’<br />

wanted ads, they originally got together as<br />

a group of six, but quickly whittled themselves<br />

down to three whose visions and aesthetics<br />

aligned effortlessly.<br />

Midnight Movies is a first for two of its members–drummer/singer<br />

Gena Olivier and keyboardist/guitarist<br />

Jason Hammons had never been in<br />

serious bands before, having both previously been<br />

involved in electronic projects. Their prior experience<br />

makes itself plain on the album, as Hammons’<br />

pulsating synth tones and lush keyboard landscapes<br />

blend seamlessly with Olivier’s vocals<br />

and Larry Schemel’s reverberating guitars. The<br />

result A moving, hauntingly ethereal cult thriller<br />

soundtrack that is as palpably vibrant on record as<br />

it is on stage.<br />

Their conspicuous live presence has helped<br />

contribute to the buzz surrounding the band–<br />

Hammons plays with a laptop but, preferring to<br />

keep the human element as tangible as possible,<br />

uses almost no sequences. Schemel tackles his<br />

instrument like a man on a mission, and the sight<br />

of Olivier crooning in her eerie tone while briskly<br />

pounding her kit is both electrifying and exhilarating.<br />

Though the music itself is otherworldly, the process<br />

by which it comes about is surprisingly natural.<br />

The band members, in their own words, don’t “try”<br />

to write music, they simply allow the songs to come<br />

into being. Schemel says the songs can come from<br />

anything: “…other music, dreams, art–we’ll all<br />

write parts and kind of flesh out the idea. It’s like<br />

we’re creating this little creature.”<br />

Midnight Movies is available now on Emperor Norton/Rykodisc.<br />

www.midnightmovies.net<br />

Midnight Movies: Larry Schemel, Jason Hammons, and Gena Olivier<br />

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