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PREFIX<br />
AUDIOFILE<br />
battles<br />
Four-string slingers who don’t do the<br />
math. Words: cameron macdonald photo: paul o’valle<br />
Battles pencils in rock and roll so pristine and mathematically<br />
precise that a slight breeze might shatter<br />
it. Each guitar note, microtone, and beat is fixed like<br />
leaves on a tree branch that break off and continue<br />
the music as they skitter down the sidewalk. Just<br />
don’t call the New York quartet “math rock.”<br />
“Is it fair to call a chef salad with a multitude<br />
of ingredients ‘lettuce’” quips guitarist Tyondai<br />
Braxton. Battles does not play songs as much as<br />
they concoct loops, with three guitars blurting their<br />
simple parts into a grand argument. The instrumental<br />
band’s excursions range from mechanical<br />
trance-rock to noise-loop experiments that flow like<br />
amniotic fluid in the womb.<br />
“The effect of it all could still add up to something<br />
that was complicated, but I wanted the phrases<br />
to be simple,” guitarist Ian Williams says. “From<br />
what I read about the band, people don’t always see<br />
it that way, but what you aim for and what you are<br />
aren’t always the same thing.”<br />
Battles, originally christened Abomination<br />
Restitution, formed in New York in 2002 when solo<br />
guitarist Braxton bounced ideas off of Williams (of<br />
Storm & Stress and Don Caballero fame). Guitarist<br />
David Konopka (Lynx), and heavyweight champion<br />
drummer John Stanier (Helmet, Tomahawk) later<br />
figured in. “The thing is [that] everyone in the band<br />
has a strong musical background already, so as far<br />
as that is concerned, we all knew the ingredients,”<br />
Braxton details. “It was just a matter of rehearsing and writing<br />
to see what would sift to the bottom.”<br />
Earlier this year, Battles toured the States with Scott<br />
Herren (Prefuse 73), who later joined them for an encore<br />
at the Sonar Festival in Barcelona. Braxton mentioned that<br />
Herren defended his honor at a Florida gig by throwing his<br />
sandwich and a fist at a drunk who tried to strangle Braxton.<br />
The poor victim later counter-attacked a UK heckler who<br />
hated on his The Fall shirt. “Well, we’re a seminal British<br />
band and if you’re from Britain, you should be kissing my ass<br />
right now,” Braxton recalled lying.<br />
As for Battles’ more peaceful side, their record covers<br />
typically strike the eye with simple, wordless photographs of<br />
pastoral fields and trees, heightening the band’s mystique.<br />
“The photos are really beautiful and that is the statement in<br />
itself,” Braxton said. “There is a sense of neutrality in the way<br />
we build our music and [we] wanted that same sense with our<br />
visuals. It lends itself to multiple interpretations.”<br />
Battles’ B, C, and Tras, Fantasy EPs are out now on Dim Mak, Monitor, and Cold<br />
Sweat, respectively. www.bttls.com<br />
Battles: Ian Wiliams, John Stanier,<br />
Tyondai Braxton, and David Konopka<br />
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