GEODGE FDIDEDIC - Harmonia Mundi
GEODGE FDIDEDIC - Harmonia Mundi
GEODGE FDIDEDIC - Harmonia Mundi
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
HMX 2908292.95 • 4 h 57’ • HM 31x4 • 4ZX15<br />
7:+JEIIB=]^XYWx.3<br />
Concertos • 4 CDs<br />
Op. 3, 4 & 6<br />
CD 1-2 Concerti grossi op.6 nos. 1-12<br />
“Manze and his players give virtuosic, high energy performances of these exuberant works, in a<br />
crystal clear recording.” The Observer<br />
“ …altogether this is an issue of joyous vitality, to which I am sure I shall be returning with<br />
pleasure.” Gramophone award issue, 1998<br />
CD 3 Concerti grossi op.3 nos. 1-6<br />
Sonata a 5<br />
“Sparkles with character and invention.” The Independent<br />
“The Academy of Ancient Music is in world-beating form once more with this magnificent Handel<br />
disc. Egarr and the musicians play with dynamism and warmth which suggests that Egarr’s<br />
tenure with this band is going to be a rewarding one. Long may it last.” Gramophone.<br />
CD 4 Organ Concertos op.4 nos. 1-6<br />
“Brio, inventivité et raffinement se conjuguent dans l’interprétation de Richard Egarr avec<br />
l’Academy of Ancient Music qui renouvelle notre écoute de ces opus.”<br />
Classica-Répertoire, avril 2008<br />
“Richard Egarr’s charisma is infectious and the recorded sound sensational.”<br />
BBC Music Magazine.<br />
Academy of Ancient Music<br />
Andrew Manze, Richard Egarr<br />
George Frideric<br />
HANDEL<br />
1759 - 2009<br />
Publicité • Advertising october<br />
Diapason 1 page (F), Rondo (D),Gramophone (GB), BBC Music Magazine (GB), Klassieke Zaken (NL), CD Compact (ES).<br />
Partenariat le monde.fr - arte “coup de cœur arte”<br />
LIVRETS DE PRÉSENTATION INCLUS<br />
BOOKLETS INCLUDED<br />
avec textes de présentation et textes chantés<br />
with liner notes and sung texts.<br />
5 Special luxury Boxes<br />
To celebrate the 250 th anniversary of the composer’s death.<br />
5 coffrets exceptionnels<br />
pour célébrer le 250 e anniversaire de la disparition du compositeur<br />
PRÉCO N° DC091081.1 • Début 01/09/08 • Fin 09/10/08 • Sortie 16 octobre 2008 • SIX5
HMX 2908241.49 • 10 h 35’ • HM 28x9 • 9ZX05<br />
7:+JEIIB=]^XUW|.7<br />
Coproductions with:<br />
Staatsoper Unter der Linden, Berlin (Rinaldo)<br />
(Flavio / Giulio Cesare)<br />
Operas • 9 + 1 CDs<br />
Rinaldo • Flavio • Giulio Cesare<br />
conducted by / sous la direction de René Jacobs<br />
CD 1-3 Rinaldo, Opera in 3 Acts<br />
Vivica Genaux (Rinaldo), Miah Persson (Almirena), Inga Kalna (Armida)<br />
Lawrence Zazzo (Goffredo), James Rutherford (Argante)<br />
Christophe Dumaux (Eustazio), Dominique Visse (Mago cristiano)<br />
Freiburger Barockorchester<br />
“A great recording of a great opera”. The Absolute Sound<br />
“Le travail d’équipe, la somptuosité musicale atteinte ici sont sans concurrence”. Opera mag, mai 2003.<br />
CD 4-5 Flavio, Opera in 3 Acts<br />
Jeffrey Gall (Flavio), Derek Lee Ragin (Guido), Lena Lootens (Emilia)<br />
Bernarda Fink (Teodata), Christina Högman (Vitige)<br />
Gianpaolo Fagotto (Ugone), Ulrich Messthaler (Lotario)<br />
Ensemble 415, Chiara Banchini<br />
“Dans le Flavio de Haendel, la farce fait bon ménage avec l’émotion. Un régal total !”<br />
Télérama, 21 mars 1990<br />
CD 6-9 Giulio Cesare, Opera in 3 Acts<br />
Jennifer Larmore (Giulio Cesare), Barbara Schlick (Cleopatra), Bernarda Fink (Cornelia)<br />
Marianne Rørholm (Sesto), Derek Lee Ragin (Tolomeo), Furio Zanasi (Achilla)<br />
Dominique Visse (Nireno), Olivier Lallouette (Curio)<br />
Concerto Köln<br />
“Jacobs nous donne peut-être le premier, ou en tout cas le plus dense opéra baroque de l’histoire du<br />
disque”. Le Monde de la Musique, janvier 1992<br />
“Un enregistrement grandiose, qu’on écoute les oreilles dans les étoiles et la peau labourée de<br />
frissons”. L’Evènement du Jeudi, 15 janvier 1992<br />
“René Jacobs has assembled a strong cast who bring to the piece its real strength, a sense of genuine<br />
music theatre engaged from beginning to end.” Gramophone<br />
Bonus<br />
Duetti e cantate da camera<br />
Concerto Vocale<br />
+ 1 CD<br />
Librettos<br />
in pdf<br />
italiano<br />
FranÇais<br />
english<br />
deutsch<br />
HMX 2908288.91 • 5h 10’ • HM 31x4 • 4ZX15<br />
7:+JEIIB=]^XXWy.4<br />
Famous Arias • 4 CDs<br />
Lorraine Hunt • Dorothea Röschmann<br />
Andreas Scholl • Mark Padmore<br />
CD 1<br />
CD 2<br />
Lorraine Hunt, soprano, mezzo-soprano<br />
Clori, Theodora, Ottone, Arianna, Susanna, Messiah, Radamisto, Agrippina<br />
Philharmonia Baroque Orchestra, Nicholas McGegan<br />
Dorothea Röschmann, soprano<br />
German Arias + Telemann: Quartets in E minor / G major<br />
Akademie für Alte Musik Berlin<br />
“La musicienne partout triomphe, sans vanité ni effort. Pour varier les plaisirs et chasser l’ennui,<br />
l’ensemble berlinois multiplie les combinaisons : flûte, hautbois, violon et viole d’amour dessus ;<br />
violoncelle, basson, luth, orgue et clavecin dessous.” Diapason, avril 2000.<br />
“Exquisite Singing, poised but full of passion, in Handel’s nine German Arias, interspersed with<br />
two Telemann quartets. Listen to ‘Die ihr aus dunklen Grüften’ and you won’t be able to resist it.”<br />
Gramophone<br />
CD 3 Andreas Scholl, countertenor<br />
Admeto, Serse, Giulio Cesare, Radamisto, Rodelinda, Alcina, Alexander’s Feast<br />
Akademie für Alte Musik Berlin<br />
“Glorious music, superlative singing.” The Daily Telegraph<br />
“La voix y donne tout ce qu’un falsetto quasi parfait peut donner : timbre pur mais chaud, conduite<br />
solide mais raffinée, articulation élégante : du grand art !” Diapason, avril 1999<br />
CD 4 Mark Padmore, tenor<br />
Arias & Scenes from: Alceste, Semele, Il Trionfo del Tempo e del Disinganno, Tamerlano<br />
Samson, Rodelinda, Esther, Jephtha, L’Allegro, il Penseroso ed il Moderato<br />
The English Concert, Andrew Manze<br />
“… un des plus beaux récitals du genre.” Le Monde de la Musique, juin 2007<br />
“This is one of the most alluring recitals of its kind that has come my way for a very long time.”<br />
BBC Music Magazine, June 2007<br />
Oratorios • 4 CDs<br />
Saul • Messiah<br />
conducted by / sous la direction de René Jacobs<br />
CD 1-2 Saul, Oratorio in three Acts<br />
Rosemary Joshua (Michal), Emma Bell (Merab), Lawrence Zazzo (David)<br />
Jeremy Ovenden (Jonathan), Michael Slattery (High Priest, Witch of Endor)<br />
Finnur Bjarnason (Amalekite, Abner), Henry Waddington (Doeg, Samuel), Gidon Saks (Saul)<br />
RIAS Kammerchor<br />
Concerto Köln<br />
“Jacobs is dramatic in every number, and among his soloists Rosemary Joshua as Michal and<br />
countertenor Laurence Zazzo are outstanding.” The Guardian<br />
“A wonderful achievement, bursting with youthful energy.” The Independent<br />
“Rarement Haendel aura été aussi fulgurant.” La Croix, octobre 2005<br />
Arias for... • 4 CDs<br />
Cuzzoni • Durastanti • Senesino • Montagnana<br />
Arias written for Handel’s favorite singers from Acis and Galatea, Agrippina, Alessandro, Arianna,<br />
Athalia, Deborah, Esther, Ezio, Flavio, Giulio Cesare, Muzio Scevola, Orlando, Ottone, Radamisto,<br />
Riccardo Primo, Rodelinda, Scipione, Sosarme, Tamerlano, Tolomeo<br />
Lisa Saffer, soprano (Cuzzoni)<br />
Lorraine Hunt, mezzo-soprano (Durastanti)<br />
Drew Minter, countertenor (Senesino)<br />
David Thomas, bass (Montagnana)<br />
Philharmonia Baroque Orchestra<br />
Nicholas McGegan<br />
HMX 2908280.83 • 4 h 48’ • HM 31x4 • 4ZX15<br />
7:+JEIIB=]^XVW{.6<br />
Coproduction with:<br />
(Saul)<br />
CD 3-4 Messiah, 1750 version (conducted by the composer)<br />
Kerstin Avemo (soprano), Patricia Bardon (alto), Lawrence Zazzo (countertenor)<br />
Kobie van Rensburg (tenor), Neal Davies (bass)<br />
The Choir of Clare College<br />
Freiburger Barockorchester<br />
“Pas un silence, pas une modulation, pas une altération n’échappe à l’oeil du lynx. Pour René Jacobs,<br />
rien n’est acquis : avant de répondre, il questionne. Un orchestre décidément fantastique. Une<br />
présentation fastueuse.” Diapason, novembre 2006<br />
“Avoiding the tics that betray most non-English performers, Jacobs and the Freiburg Baroque Orchestra<br />
give us an up-to-the minute Messiah – a model of period-instrument style, with ravishing ornaments,<br />
intelligent accents and crystal-clear diction from the mixed-voice Choir of Clare College, Cambridge.<br />
An ideal Christmas stocking-filler”. The Financial Times, November 2006<br />
HMX 2908284.87 • 4h 35’ • HM 31x4 • 4ZX15<br />
7:+JEIIB=]^XWWz.5<br />
“I heartily recommend Lorraine Hunt’s gorgeous Arias for Durastanti” The Sunday Times<br />
“Enthusiastic and invigorating performances of great music that no Handelian can afford to miss.”<br />
Gramophone, December 1991<br />
“Bravo!... A must for Handelians of every persuasion.” Stereophile<br />
“David Thomas has a range equal to Handel’s demands. He is an artist of rare taste.”<br />
Opera Quarterly, volume 8, number 1.