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Yamaha STAGEPAS Brochure - Full Compass

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L<br />

R<br />

Block Diagrams<br />

<strong>STAGEPAS</strong> 250M<br />

INPUT<br />

(CH1-2)<br />

[-60 ~ +15dBu]<br />

[-50~+25dBu]<br />

L/MONO<br />

INPUT<br />

(CH3/4-5/6)<br />

[-20 ~ +25dBu]<br />

R<br />

L/MONO<br />

INPUT<br />

(CH7/8)<br />

(CLICK)<br />

[-20 ~ +25dBu]<br />

L<br />

INPUT<br />

(CH9/10)<br />

R<br />

[-20 ~ +25dBu]<br />

R<br />

OFF<br />

(SLIDE SW)<br />

ON<br />

PHANTOM +15V<br />

HA<br />

[-36dBu]<br />

PAD: 30dB<br />

BA<br />

BA<br />

[-26dBu]<br />

BA<br />

BA<br />

MIC<br />

LINE<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

BA<br />

BA<br />

INV<br />

[-26dBu]<br />

[-26dBu]<br />

LIMIT/<br />

COMP<br />

[-26dBu]<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

DIGITAL<br />

EFFECT<br />

LIMIT<br />

COMP<br />

LOW<br />

HIGH<br />

HIGH<br />

HIGH<br />

[-26dBu]<br />

EQ BA<br />

HIGH<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

BA<br />

BA<br />

BA<br />

LEVEL<br />

BA<br />

BA<br />

BA<br />

BA<br />

[-8dBu]<br />

[-8dBu]<br />

REVERB<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

CLICK TO<br />

SP/PHONES<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

SP<br />

REVERB<br />

EFFECT<br />

L<br />

R<br />

INV<br />

INV<br />

CLICK TO<br />

PHONES<br />

PHONES<br />

SUM<br />

SUM<br />

SUM<br />

[-8dBu]<br />

[-8dBu]<br />

[-8dBu]<br />

MASTER LEVEL<br />

[-8dBu]<br />

[-8dBu]<br />

[0dBu]<br />

SUM<br />

INV<br />

SUM SP EQ LIMITER BA<br />

LIMITER<br />

SUM<br />

INV<br />

[0dBu]<br />

[-8dBu]<br />

[12dBu] 100<br />

SUM<br />

BA<br />

[-8dBu]<br />

100<br />

PHONES<br />

[-8dBu]<br />

[12dBu]<br />

SUM<br />

BA<br />

[-8dBu]<br />

[+4dBu]<br />

BA<br />

STEREO SUB<br />

HPF<br />

[-8dBu]<br />

OUT<br />

SPEECH<br />

MUSIC<br />

[+4dBu]<br />

BA<br />

MUSIC<br />

HPF<br />

SPEECH<br />

[-8dBu]<br />

MUSIC<br />

SPEECH/ MUSIC<br />

*1: plugged in STEREO LINK OUT (R)<br />

[+28dB/ +22dBu *1]<br />

SP EQ<br />

PA<br />

STEREO LINK OUT (R)<br />

[0dBu]<br />

L/MONO<br />

STEREO SUB OUT<br />

[+4dBu]<br />

R<br />

SPEAKER OUT<br />

(L/MONO)<br />

PHONES<br />

[20mW/40ohms]<br />

<strong>STAGEPAS</strong> 150M<br />

INPUT<br />

(CH1-2)<br />

[-60 ~ +15dBu]<br />

[-50 ~ +25dBu]<br />

L/MONO<br />

INPUT<br />

(CH3/4)<br />

[-20 ~ +25dBu]<br />

R<br />

L/MONO<br />

INPUT<br />

(CH5/6)<br />

(CLICK)<br />

[-20 ~ +25dBu]<br />

R<br />

L<br />

INPUT<br />

(CH7/8)<br />

[-20 ~ +25dBu]<br />

R<br />

BA<br />

BA<br />

BA<br />

BA<br />

BA<br />

BA<br />

HA<br />

PAD: 30dB<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

[-26dBu]<br />

MIC<br />

LINE<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

DIGITAL<br />

EFFECT<br />

[-26dBu]<br />

EQ<br />

LOW<br />

HIGH<br />

HIGH<br />

[-26dBu]<br />

HIGH<br />

[-26dBu]<br />

HIGH<br />

BA<br />

BA<br />

[-26dBu]<br />

[-26dBu]<br />

BA<br />

BA<br />

[-26dBu]<br />

[-26dBu]<br />

LEVEL<br />

[-11dBu]<br />

BA<br />

BA<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

BA<br />

BA<br />

REVERB<br />

[-8dBu]<br />

REVERB<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

CLICK TO<br />

SP/PHONES<br />

SP/PHONES<br />

[-8dBu]<br />

LEVEL<br />

[-8dBu]<br />

EFFECT<br />

INV<br />

INV<br />

CLICK TO<br />

PHONES<br />

PHONES<br />

SUM<br />

SUM<br />

SUM<br />

[-8dBu]<br />

[-8dBu]<br />

[-8dBu]<br />

HPF<br />

HPF<br />

MASTERLEVEL<br />

[0dBu]<br />

[-8dBu]<br />

SUM<br />

INV<br />

SUM<br />

[-8dBu]<br />

[-8dBu]<br />

SPEECH<br />

MUSIC<br />

MUSIC<br />

SPEECH<br />

MUSIC<br />

[-8dBu]<br />

SPEECH/<br />

INV<br />

[-8dBu]<br />

SUM<br />

SUM<br />

[0dBu]<br />

MUSIC<br />

BA<br />

BA<br />

[-11dBu]<br />

SUM SP EQ<br />

[-8dBu]<br />

[-8dBu]<br />

[+4dBu]<br />

STEREO SUB<br />

OUT<br />

[+4dBu]<br />

BA<br />

PHONES<br />

BA<br />

LIMITER<br />

LIMITER<br />

[12dBu]<br />

[12dBu]<br />

100<br />

100<br />

*1: plugged in STEREO LINK OUT(R)<br />

[+27dB/ +21dBu *1]<br />

BA PA<br />

SPEAKER OUT<br />

(L/MONO)<br />

STEREO LINK OUT (R)<br />

[0dBu]<br />

PHONES<br />

[20mW/40ohms]<br />

L/MONO<br />

STEREO SUB OUT<br />

[+4dBu]<br />

R<br />

BA<br />

[-8dBu]<br />

<strong>STAGEPAS</strong> 500 <strong>STAGEPAS</strong> 300<br />

OFF<br />

ON<br />

INPUT<br />

(CH1-2)<br />

[-60 ~ +15dBu]<br />

PHANTOM +15V<br />

HA<br />

COMP/LIMIT<br />

EQ<br />

BA<br />

[-8dBu]<br />

EFFECT<br />

L<br />

R<br />

[-50 ~ +25dBu]<br />

INPUT<br />

(CH3-4)<br />

[-60 ~ +15dBu]<br />

[-50 ~ +25dBu]<br />

INPUT<br />

(CH5/6)<br />

INPUT<br />

(CH7/8)<br />

[-20 ~ +25dBu]<br />

INPUT<br />

(CH9/10)<br />

L/MONO<br />

[-20 ~ +25dBu]<br />

[-20 ~ +25dBu]<br />

R<br />

L<br />

L<br />

R<br />

R<br />

L<br />

MIC/<br />

HA<br />

MIC/<br />

PAD: 30dB<br />

LINE<br />

LIMIT/<br />

PAD:30dB<br />

LINE<br />

BA<br />

BA<br />

BA<br />

BA<br />

BA<br />

COMP<br />

LOW<br />

HIGH<br />

EQ<br />

LOW<br />

HIGH<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

HIGH<br />

HIGH<br />

HIGH<br />

LEVEL<br />

BA<br />

LEVEL<br />

BA<br />

BA<br />

BA<br />

BA<br />

BA<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

REVERB<br />

REVERB<br />

[-8dBu]<br />

[-8dBu]<br />

[-8dBu]<br />

SUM<br />

SUM<br />

HPF<br />

HPF<br />

SPEECH/<br />

SPEECH<br />

MUSIC<br />

MUSIC<br />

SEECHP<br />

MUSIC<br />

MUSIC<br />

MASTER LEVEL<br />

BA<br />

BA<br />

[-8dBu]<br />

SP EQ<br />

SP EQ<br />

MONITOR<br />

OUT<br />

[+4dBu]<br />

[-10dBu]<br />

LIMITER<br />

LIMITER<br />

LIMITER<br />

BA<br />

BA<br />

L/MONO<br />

MONITOR OUT<br />

R<br />

L<br />

REC OUT<br />

R<br />

[+12dBu]<br />

-1<br />

PA<br />

PA<br />

[+25dBu]<br />

L<br />

SPEAKERS OUT<br />

R<br />

[-60 ~ +15dBu]<br />

INPUT<br />

(CH1~4)<br />

[-50 ~ +25dBu]<br />

INPUT<br />

(CH5/6)<br />

[-20 ~ +25dBu]<br />

INPUT<br />

(CH7/8)<br />

[-20 ~ +25dBu]<br />

L<br />

L<br />

R<br />

R<br />

L<br />

R<br />

HA<br />

BA<br />

BA<br />

BA<br />

BA<br />

MIC/<br />

PAD: 30dB<br />

LINE<br />

DIGITAL<br />

EFFECT<br />

EQ<br />

LOW<br />

HIGH<br />

EQ<br />

LOW<br />

EQ<br />

EQ<br />

LOW<br />

EQ<br />

HIGH<br />

HIGH<br />

BA<br />

BA<br />

LEVEL<br />

BA<br />

BA<br />

BA<br />

BA<br />

LEVEL<br />

LEVEL<br />

REVERB<br />

[-8dBu]<br />

REVERB<br />

[-8dBu]<br />

EFFECT<br />

L<br />

R<br />

[-8dBu]<br />

SP EQ<br />

LIMITER<br />

LIMITER<br />

MASTER LEVEL<br />

SP EQ<br />

LIMITER<br />

HPF<br />

SPEECH<br />

[+4dBu]<br />

BA<br />

SUM<br />

MUSIC<br />

MONITOR<br />

MUSIC<br />

OUT<br />

HPF<br />

SPEECH<br />

BA<br />

SUM<br />

MUSIC<br />

SPEECH/ MUSIC<br />

[-10dBu]<br />

SUM<br />

[+10dBu]<br />

[+23dBu]<br />

BA -1 PA<br />

BA<br />

PA<br />

L/L+R<br />

MONITOR OUT<br />

R<br />

L<br />

REC OUT<br />

R<br />

L<br />

SPEAKER OUT<br />

R<br />

R<br />

BA<br />

EQ<br />

BA<br />

DIGITAL<br />

EFFECT<br />

BA<br />

SUM<br />

REVERB<br />

General Specifications (Mixer)<br />

Maximum Output Power<br />

Output Power (RMS)<br />

Maximum Output Level<br />

Frequency Response<br />

(Nomimal output level @ 1 kHz)<br />

Total Harmonic Distortion<br />

Hum & Noise<br />

(Equivalent Input Noise, Rs = 150 Ω,<br />

MIC/LINE = MIC)<br />

Crosstalk (1 kHz)<br />

Power Consumption<br />

Weight<br />

Input Channel Equalization<br />

General Specifications (Speaker)<br />

Enclosure<br />

Crossover Frequency<br />

Frequency Range<br />

Speaker Unit<br />

<strong>STAGEPAS</strong> 500<br />

250 W + 250 W (±10 %)<br />

4 Ω@ 10 % THD at 1 kHz (SPEAKER L/R)<br />

200 W + 200 W<br />

4Ω @ 1 % THD at 1 kHz<br />

(SPEAKER L/R)<br />

116 dB (1 m)<br />

<<br />

= -106 dBu (CH1/2)<br />

<<br />

= -112 dBu (CH3/4)<br />

<<br />

= -65 dBu Residual output noise<br />

(SPEAKER L/R)<br />

65 W<br />

24 kg (52-7/8" lbs.) (Speaker x 2 + Powered Mixer)<br />

<strong>STAGEPAS</strong> 500<br />

LF: 10" (25 cm) Cone<br />

HF: 1" (2.54 cm) Compression Driver<br />

<strong>STAGEPAS</strong> 300<br />

150 W+150 W (±10 %)<br />

6 Ω @10 % THD at 1 kHz (SPEAKER L/R)<br />

100 W+100 W<br />

6 Ω @1 % THD at 1 kHz<br />

(SPEAKER L/R)<br />

112 dB (1 m)<br />

<strong>STAGEPAS</strong> 250M<br />

250 W (±10 %)<br />

4 Ω @ 10 %THD at 1 kHz (SPEAKER)<br />

200 W<br />

4 Ω @ 1 % THD at 1 kHz<br />

(SPEAKER)<br />

116 dB (1 m)<br />

<strong>STAGEPAS</strong> 150M<br />

150 W (±10 %)<br />

6 Ω @ 10 % THD at 1 kHz (SPEAKER)<br />

100 W<br />

4 Ω@ 1 % THD at 1 kHz<br />

(SPEAKER)<br />

112 dB (1 m)<br />

-3 dB, 0 dB, +1 dB @ 20 Hz-20 kHz, 1 W Output (MUSIC/SPEECH=MUSIC, without Speaker EQ)<br />

(<strong>STAGEPAS</strong> 500/300: SPEAKER L/R) (<strong>STAGEPAS</strong> 250M/150M: SPEAKER)<br />

0.5 % @ 20 Hz, 1 kHz, 20 kHz +14 dBu GAIN= nominal<br />

(<strong>STAGEPAS</strong> 500/300: MONITOR OUT, REC OUT) (<strong>STAGEPAS</strong> 250M/150M: ST SUB OUT, ST LINK OUT)<br />

<<br />

= -65 dBu Residual output noise<br />

(SPEAKER L/R)<br />

<<br />

= -106 dBu (CH1/2)<br />

<<br />

= -65 dBu Residual output noise<br />

<<br />

= -112 dBu (CH3/4)<br />

<<br />

= -65 dBu Residual output noise<br />

(SPEAKER)<br />

(SPEAKER)<br />

-70dB between input channels<br />

70 W<br />

35 W<br />

18 kg (39-5/8" lbs.) (Speaker x 2 + Powered Mixer) 13 kg (28-5/8" lbs.) (Speaker + Powered Mixer)<br />

±15 dB, HIGH 10 kHz shelving, LOW 100 Hz shelving<br />

<strong>STAGEPAS</strong> 300<br />

LF: 8" (20 cm) Cone<br />

HF: 1" (2.54 cm) Compression driver<br />

<strong>STAGEPAS</strong> 250M<br />

2-way bass-reflex type, Polypropylene, Black<br />

4.0 kHz (LF: 12 dB/oct, HF: 12 dB/oct)<br />

55 Hz-20 kHz (-10 dB)<br />

LF: 10" (25 cm) Cone<br />

HF: 1" (2.54 cm) Compression Driver<br />

20 W<br />

9.6 kg (21-1/8" lbs.) (Speaker + Powered Mixer)<br />

<strong>STAGEPAS</strong> 150M<br />

LF: 8" (20 cm) Cone<br />

HF: 1" (2.54 cm) Compression Driver<br />

• Specifications and appearance subject to change without notice.<br />

• All trademarks and registered trademarks are property of their respective owners.<br />

www.yamahaproaudio.com<br />

Printed in Japan<br />

This document is printed on chlorine-free (ECF) paper with soy ink.<br />

LPA549


Multi-purpose Portable PA<br />

Whether your Portable PA needs are Pro Audio (for music performance) or Public<br />

Address for school, church and meeting assemblies, the <strong>STAGEPAS</strong> systems are<br />

lightweight, compact and simple to setup—and fit a wide variety of applications.<br />

Versatility and Power—in Four Portable Systems<br />

Combining high-performance power and accurate sound reproduction<br />

with remarkable versatility in a portable package, <strong>Yamaha</strong>’s <strong>STAGEPAS</strong><br />

Series Portable PA Systems are fast becoming the standard for musicians<br />

and other PA users on the go.<br />

These combination mixer/amplifier/speaker systems are exceptionally<br />

lightweight, portable and full-featured. Since virtually everything you need<br />

is in one, easy-to-use package, you can be set up and playing within a<br />

matter of minutes. And when you’re done, you can be packed and back on<br />

the road again with the same ease and speed. Yet despite the simplicity<br />

and compact size, these systems cut no corners in sound quality or<br />

versatility, and in fact give you some advanced features not normally<br />

found in systems of this class.<br />

The series now includes the new single-speaker <strong>STAGEPAS</strong> 150M and<br />

250M, which can be expanded to a stereo system by simply adding a<br />

second speaker. They can also function either as an ultra-portable PA<br />

system, or as a powerful keyboard amplifier—with sound quality and<br />

portability that far surpasses any other conventional keyboard amp. No<br />

matter what system you choose, you have a high-power, highperformance<br />

sound system ready for a wide variety of venues and events,<br />

both indoors and out.<br />

All-in-one Systems<br />

Virtually everything you need is right here in each of<br />

these systems: one versatile, powerful mixer/amplifier,<br />

two top-quality speakers (or one speaker, with the<br />

<strong>STAGEPAS</strong> 250M and 150M systems), and even<br />

the necessary speaker cables for quick setup!<br />

Two-way <strong>Full</strong>-range Speaker System<br />

The <strong>STAGEPAS</strong> delivers a remarkably large and<br />

powerful sound despite its compact size—thanks<br />

to the two-way speaker system and bass reflex<br />

design. All models feature a 1" titanium tweeter.<br />

The 250M and 500 employ a 10" woofer while the<br />

150M and 300 have an 8" woofer. The sound is<br />

exceptionally clean, clear and free from break-up,<br />

even at high levels.<br />

Detachable Powered Mixer<br />

The high-performance combination<br />

mixer/amplifier comes in 8- and 10-<br />

channel configurations, providing all the<br />

inputs you need, as well as all the power<br />

you want. Fitting neatly inside one of the<br />

speaker cabinets, it can be used as is, or<br />

detached for<br />

convenient<br />

placement and<br />

easy access.<br />

Optional BMS-10A for Convenient<br />

Mic Stand Mounting<br />

The detachable mixer can<br />

be conveniently mounted<br />

on a conventional<br />

microphone stand for<br />

easy access, using the<br />

optional BMS-10A Mic<br />

Stand Adaptor.<br />

For Singers<br />

Vocalists will appreciate the built-in, high-quality<br />

reverb on all <strong>STAGEPAS</strong> systems. Plus, the 250M<br />

and 500 models feature a built-in<br />

limiter/compressor to let you dial in a smooth,<br />

punchy vocal sound.<br />

For Public Speakers<br />

If you’re a speaker or giving presentations, you can<br />

instantly optimize the system settings with the<br />

special Speech mode—giving you maximum clarity<br />

for speech applications. Naturally, you can mix<br />

background music from a CD player or other source<br />

with the mic input.<br />

For Bands<br />

Multiple microphone inputs make the <strong>STAGEPAS</strong><br />

series an ideal choice for band rehearsals and<br />

performances. The <strong>STAGEPAS</strong> 500 in particular is<br />

well suited for many sources and larger venues,<br />

while the optional MSR100 powered speakers can<br />

be used for monitoring.<br />

For Guitarists<br />

For Instrumentalists<br />

The versatile <strong>STAGEPAS</strong> mixer has more than<br />

enough input capability to directly handle many<br />

different instruments—from electric-acoustic<br />

guitars to electronic keyboards.<br />

For Keyboard Players<br />

Players needing a simple, yet exceptionally highquality<br />

keyboard amplifier will find ideal solutions in<br />

the <strong>STAGEPAS</strong> 150M and 250M. These compact,<br />

highly portable and easy-to-use systems can serve as<br />

your main system for small gigs, or as a sub-mixer for<br />

direct connection to the main mixer at large events.<br />

The <strong>STAGEPAS</strong> 150M and 250M are excellent systems<br />

for guitarists playing in small venues, since they deliver<br />

outstanding sound for the house as well as great monitor<br />

sound for the player.


Portable PA System / Keyboard Amplifier<br />

NEW<br />

Portable PA System / Keyboard Amplifier<br />

NEW<br />

10 Channels for More Sources,<br />

Plus 250 Watt of Power<br />

Exceptionally Compact System<br />

—8 Channels, 150 Watt Output<br />

Versatile 10-channel Powered Mixer<br />

The built-in yet detachable mixer of the <strong>STAGEPAS</strong> 250M<br />

provides a total of ten input channels: two mono<br />

microphone/line inputs and four stereo line inputs. In<br />

addition to a speaker output for the supplied speaker, the<br />

mixer has line outputs that can be used to connect additional<br />

powered speakers or to send the mixer’s output to a main<br />

mixer or recording device. It also features a convenient<br />

PHONES jack for connecting a set of headphones.<br />

250 Watt Class D Power Amplifier<br />

This high-power amplifier is capable of filling a relatively large<br />

club or room with sound, and can even project well outdoors.<br />

The advanced Class-D design delivers exceptional efficiency—<br />

ensuring high power amplification with low power consumption<br />

and minimal heat generation. This means you get superior<br />

sound quality and reliability in a remarkably compact unit.<br />

Built-in Compression/Limiting<br />

Channels 1 and 2 feature LIMIT/COMP switches that let you apply<br />

either limiting or compression to those channels. Limiting is useful in<br />

preventing input overload and distortion with sources that suddenly<br />

surge in level, while compression can smooth out vocals, bass, guitar<br />

and other signals that have widely varying dynamic range, giving<br />

those sources added punch and helping them “sit” better in the mix.<br />

Useful Features for keyboard players<br />

Stereo Link Out<br />

A dedicated Stereo Link Out jack is<br />

provided for connection to optional<br />

MSR250 powered speaker—allowing you<br />

to easily create a powerful stereo setup<br />

for larger venues and greater sound projection.<br />

Phantom Power for High-performance<br />

Condenser Microphones<br />

The <strong>STAGEPAS</strong> 250 mixer features switchable<br />

phantom power for the two mono microphone/line<br />

inputs. This lets you use high-performance phantompowered<br />

condenser microphones in situations where<br />

you want the extended, natural response they provide.<br />

Ideal for Monitor Speaker Use<br />

The <strong>STAGEPAS</strong> 250M is also effective as a monitor speaker<br />

system (especially for keyboard players, drummers and solo<br />

performers), thanks to its full-range reproduction,<br />

convenient mixing controls, and versatile speaker placement.<br />

Pole Mount Receptacle for Direct<br />

Speaker Stand Mounting<br />

The <strong>STAGEPAS</strong> 250M speaker is directly mountable on<br />

35mm pole with securing thumb screw.<br />

Common Features<br />

• Detachable Powered Mixer<br />

• Two-way <strong>Full</strong>-range Speaker System<br />

• Built-in EQ and High-quality Digital Reverb<br />

• MUSIC / SPEECH Switch<br />

• Auto Limiter<br />

• LED output level meter<br />

• One Speaker Cable Supplied<br />

Balanced ST SUB OUT<br />

These outputs let you connect<br />

additional powered speakers to<br />

the <strong>STAGEPAS</strong> 250M or send<br />

the mixer’s output to a main<br />

mixer or recording device.<br />

Dimensions<br />

■ Speaker<br />

342 (13-1/2")<br />

120 (4-3/4")<br />

Unit: mm (inch)<br />

544.5 (21-1/2")<br />

152 (6")<br />

298 (11-3/4")<br />

■ Mixer<br />

175<br />

(6-7/8")<br />

Tripod pole diameter 35-36 mm<br />

* Use of the stand should refer to stand<br />

manufacturer's instructions.<br />

2-M8 x 25<br />

330 (13")<br />

111.5<br />

(4-3/8")<br />

Flexible 8-channel Powered Mixer<br />

The <strong>STAGEPAS</strong> 150M provides a total of eight input<br />

channels: two mono microphone/line inputs and three<br />

stereo line inputs. Along with the output for the supplied<br />

speaker, the built-in yet detachable mixer also has line<br />

outputs that can be used to connect additional powered<br />

speakers or to send the mixer’s output to a main mixer<br />

or recording device. A convenient PHONES jack is also<br />

included for connecting a set of headphones.<br />

150 Watt Class D Power Amplifier<br />

This power amplifier is all you’ll need for most small<br />

venues and street performance situations, as well as<br />

personal monitoring applications.<br />

The advanced Class-D design delivers exceptional<br />

efficiency—ensuring high power amplification with low<br />

power consumption and minimal heat generation. This<br />

means you get superior sound quality and reliability in<br />

a remarkably compact unit.<br />

Useful Features for keyboard players<br />

Stereo Link Out<br />

A dedicated Stereo Link Out jack is<br />

provided for connection to optional MSR100<br />

powered speaker—allowing you to easily<br />

create a powerful stereo setup for larger<br />

venues and greater sound projection.<br />

Ideal for Monitor Speaker Use<br />

The <strong>STAGEPAS</strong> 150M is also effective as a monitor<br />

speaker system (especially for keyboard players,<br />

drummers and solo performers), thanks to its fullrange<br />

reproduction, convenient mixing controls, and<br />

versatile speaker placement.<br />

Speaker Stand Mountable<br />

(with optional accessory)<br />

The <strong>STAGEPAS</strong> 150M speaker can be<br />

mounted onto a standard speaker stand,<br />

using an optional mount adaptor such as<br />

the ADP138, the Ultimate BMB200,<br />

or an equivalent.<br />

Common Features<br />

• Detachable Powered Mixer<br />

• Two-way <strong>Full</strong>-range Speaker System<br />

• Built-in EQ and 1-bit Modulation Reverb<br />

• MUSIC / SPEECH Switch<br />

• Auto Limiter<br />

• LED output level meter<br />

• One Speaker Cable Supplied<br />

Balanced ST SUB OUT<br />

These outputs let you connect<br />

additional powered speakers<br />

to the <strong>STAGEPAS</strong> 150M or<br />

send the mixer’s output to a<br />

main mixer or recording device.<br />

137 (5-3/8")<br />

Dimensions<br />

■ Speaker<br />

275 (10-7/8")<br />

120 (4-3/4")<br />

2-M8 x 25<br />

455.5 (17-7/8")<br />

Unit: mm (inch)<br />

■ Mixer<br />

255 (10-1/8")<br />

160<br />

(6-1/4")<br />

96.3<br />

(3-3/4")<br />

290 (11-3/8")<br />

APPLICATION EXAMPLE<br />

APPLICATION EXAMPLE<br />

Click Assign Switches<br />

This convenient feature lets you connect a drum machine, synthesizer or<br />

metronome to Channels 7/8 and route a click/metronome or rhythm signal<br />

through the mixer for monitoring purposes only. Turning this switch on takes<br />

the Channel 7/8 signal out of the ST SUB OUT jacks. A second Click switch<br />

lets you route the click signal to the PHONES out for headphones monitoring.<br />

Comprehensive sub mixer<br />

for keyboard players<br />

In this versatile sub-mixing<br />

system, a click track can be<br />

monitored in the headphones or<br />

monitor speaker while the clickless<br />

keyboard signal is fed to the<br />

main mixer. The Stereo Link<br />

output lets you hook up an<br />

optional MSR250 powered<br />

speaker for stereo monitoring.<br />

To Main PA<br />

Optional MSR250<br />

for stereo monitoring<br />

<strong>STAGEPAS</strong><br />

SPEAKER<br />

Headphones<br />

ST SUB<br />

OUT<br />

Keyboard<br />

Mics<br />

OFF<br />

Keyboard<br />

ON<br />

Audio<br />

Supplied cable<br />

Click Assign Switches<br />

This convenient feature lets you connect a drum machine, synthesizer or<br />

metronome to Channels 5/6 and route a click/metronome or rhythm signal<br />

through the mixer for monitoring purposes only. Turning this switch on takes<br />

the Channel 5/6 signal out of the ST SUB OUT jacks. A second Click switch<br />

lets you route the click signal to the PHONES out for headphones monitoring.<br />

Monitoring for home<br />

studio owners and<br />

MIDI keyboard players<br />

This ideal solution provides<br />

excellent quality high-power<br />

sound for recording—and a<br />

compact live performance<br />

system as well. Play your<br />

synth/sample playback plug-ins<br />

(such as HALionOne, included<br />

with Cubase AI) with the KX MIDI<br />

keyboard, and use the<br />

AUDIOGRAM3 interface to feed<br />

the computer sound to the 150M.<br />

For live work, the computer click<br />

can be routed through the<br />

monitor only, and you can set the<br />

speaker on stage as a floor monitor.<br />

KX Series<br />

<strong>STAGEPAS</strong><br />

SPEAKER<br />

Headphones<br />

USB<br />

USB<br />

NOTE PC<br />

Keyboard<br />

Keyboard<br />

AUDIOGRAM3<br />

Audio<br />

Supplied cable<br />

USB


MONITOR<br />

OUT<br />

L<br />

L (MONO)<br />

L<br />

L<br />

OFF<br />

LOCK<br />

OPEN<br />

POWER<br />

AC IN<br />

R<br />

R<br />

R<br />

R<br />

R<br />

ON<br />

MIC<br />

LINE<br />

MIC<br />

LINE<br />

HIGH<br />

HIGH<br />

HIGH<br />

HIGH<br />

HIGH<br />

MIC<br />

LINE<br />

LIMIT<br />

COMP<br />

HIGH<br />

MIC<br />

LINE<br />

LIMIT<br />

COMP<br />

HIGH<br />

CH1-4<br />

OFF ON<br />

+6<br />

+3<br />

MONITOR<br />

OUT<br />

0<br />

-6<br />

-20<br />

LOW<br />

LOW<br />

LOW<br />

LOW<br />

LOW<br />

LOW<br />

LOW<br />

POWER<br />

LOCK<br />

MUSIC<br />

OPEN<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

LEVEL<br />

9/10<br />

7/8<br />

5/6<br />

4<br />

3<br />

2<br />

1<br />

MSC<br />

MSC<br />

MSC<br />

MSC<br />

1 2<br />

1<br />

2<br />

1<br />

2<br />

1<br />

3<br />

3<br />

3<br />

2<br />

3<br />

10 Channels and 250W + 250W Power<br />

for More Sources and Larger Venues<br />

Dual 250 Watt Class D Power Amplifier<br />

Two 250 Watt power amplifier can fill surprisingly large<br />

clubs or rooms, or project your sound over a<br />

considerable distance outdoors. The class-D power<br />

amplifier has been painstakingly designed to deliver<br />

superior sound quality as well as reliability in a<br />

remarkably compact unit.<br />

Versatile 10-channel Mixer with<br />

Monitor and Record Outputs<br />

If there are more members in your band than the<br />

<strong>STAGEPAS</strong> 300’s 8 input channels can handle, or you<br />

simply have a lot of sources to mix, the <strong>STAGEPAS</strong> 500<br />

gives you 10 input channels in all: four mono<br />

microphone/line inputs and three stereo line inputs.<br />

The additional stereo channel can be used for either a<br />

stereo or mono source. In addition to the main speaker<br />

outputs the mixer has line outputs that can be used to<br />

connect additional powered speakers for monitoring,<br />

and to send the mixer’s output to a recording device.<br />

Phantom Power for High-performance<br />

Condenser Microphones<br />

The <strong>STAGEPAS</strong> 500 mixer features switchable phantom<br />

power for the four mono microphone/line inputs. This<br />

lets you use high-performance phantom-powered<br />

condenser microphones in situations where you want<br />

the extended, natural response they provide.<br />

Useful Features for Band<br />

Phantom Power Switch<br />

Supplies phantom power to the microphone<br />

inputs on channels 1 through 4, for high<br />

performance condenser microphones.<br />

Digital Reverb<br />

Renowned <strong>Yamaha</strong> SPX reverb technology gives<br />

you studio-quality ambience on the road.<br />

Built-in Channel Compression/Limiting<br />

Channels 1 and 2 feature LIMIT/COMP switches that<br />

let you apply either limiting or compression to those<br />

channels. Limiting is useful in preventing input<br />

overload and distortion with sources that suddenly<br />

surge in level, while compression can smooth out<br />

vocals, bass, guitar and other signals that have widely<br />

varying dynamic range, giving those sources added<br />

punch and helping them “sit” better in the mix.<br />

Pole Mount Receptacle for<br />

Direct Speaker Stand Mounting<br />

The <strong>STAGEPAS</strong> 500<br />

speaker is directly<br />

mountable on 35mm pole<br />

with securing thumb screw.<br />

Convenient Accessory Compartment<br />

Neatly pack away your cables, microphones<br />

and other small necessities in the speaker<br />

accessory compartment, and enjoy a<br />

truly streamlined system when on the road.<br />

Common Features<br />

• Detachable Powered Mixer<br />

• Two-way <strong>Full</strong>-range Speaker System<br />

• Built-in EQ and High-quality Digital Reverb<br />

• MUSIC / SPEECH Switch<br />

• Auto Limiter<br />

• LED output level meter<br />

• Ideal for Monitor speaker use.<br />

• Speaker cables supplied.<br />

LIMIT / COMP Switches<br />

Apply limiting or compression<br />

to channels 1 and 2 for added<br />

sonic control and versatility.<br />

APPLICATION EXAMPLE<br />

Live performance<br />

with a full band<br />

This extensive yet compact<br />

stereo system has inputs for<br />

three mics, an acoustic/electric<br />

guitar and two keyboards. Two<br />

<strong>Yamaha</strong> POCKETRAK 2G units<br />

are connected—one for<br />

recording the performance and<br />

the other for playing an<br />

additional source. The<br />

speakers fit atop stands<br />

(without the need for<br />

adaptors) for maximum<br />

projection of the powerful,<br />

high-quality sound.<br />

Dimensions<br />

■ Speaker<br />

342 (13-1/2")<br />

120 (4-3/4")<br />

Monitor SP<br />

MSR 250<br />

<strong>STAGEPAS</strong><br />

SPEAKERS<br />

Unit: mm (inch)<br />

544.5 (21-1/2")<br />

152 (6")<br />

POCKETRAK 2G<br />

298 (11-3/4")<br />

■ Mixer<br />

SPEAKERS<br />

L L<br />

(MONO) L<br />

R R<br />

PHANTOM<br />

LIMITER<br />

–15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15<br />

–15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15 –15 +15<br />

REVERB REVERB REVERB REVERB<br />

0 10<br />

REVERB<br />

175<br />

(6-7/8")<br />

Tripod pole diameter 35-36 mm<br />

* Use of the stand should refer to stand<br />

manufacturer's instructions.<br />

2-M8 x 25<br />

Vocal Chorus X2<br />

Preamp for<br />

Acoustic Guitar<br />

Keyboard<br />

0 10<br />

SPEECH<br />

0 10<br />

0 10<br />

0 10<br />

0 10<br />

0 10<br />

0 10<br />

0 10<br />

0 10<br />

MASTER<br />

330 (13")<br />

111.5<br />

(4-3/8")<br />

Audio<br />

Supplied cable<br />

Electric<br />

-Acoustic<br />

Guitar<br />

Keyboard<br />

POCKETRAK<br />

2G<br />

The Ultimate In Portability with<br />

8 Channels and 150W + 150W Output<br />

Dual 150 Watt Class D Power Amplifier<br />

Two 150 Watt power amplifier is plenty for most small<br />

venues and street performance situations. And you get<br />

clean, reliable power from a Class-D design that provides<br />

high-efficiency amplification with low power consumption<br />

and minimal heat generation, allowing the amplifier to<br />

be built into a smaller, lighter, and cooler package.<br />

8-channel Mixer with Monitor and<br />

Record Outputs<br />

The powered mixer is normally stored in the rear of<br />

one of the speakers, but it can be easily detached (the<br />

only tool you need is a coin) for convenient operation.<br />

The <strong>STAGEPAS</strong> 300 mixer has a total of eight input<br />

channels: four mono microphone/line inputs and two<br />

stereo line inputs. In addition to speaker outputs for<br />

the supplied speakers, the mixer has line outputs that<br />

can be used to connect additional powered speakers<br />

for monitoring, and to send the mixer’s output to a<br />

recording device.<br />

Convenient Accessory Compartment<br />

Neatly pack away your cables,<br />

microphones and other small<br />

necessities in the speaker<br />

accessory compartment, and<br />

enjoy a truly streamlined<br />

system when on the road.<br />

Useful Features for performer<br />

MUSIC / SPEECH Switch<br />

This unique feature optimizes the system<br />

settings for maximum clarity with speech.<br />

1-bit Modulation Reverb<br />

Advanced 1-bit modulation technology<br />

delivers great-sound reverb for<br />

natural warmth and ambience.<br />

Speaker Stand Mountable<br />

(with optional accessory)<br />

The <strong>STAGEPAS</strong> 300 speakers can be<br />

mounted onto a standard speaker stands,<br />

using an optional mount adaptor such as<br />

the ADP138, the Ultimate BMB200,<br />

or an equivalent.<br />

Common Features<br />

• Detachable Powered Mixer.<br />

• Two-way <strong>Full</strong>-range Speaker System.<br />

• Built-in EQ and 1-bit Modulation Reverb.<br />

• MUSIC / SPEECH Switch<br />

• Auto Limiter<br />

• LED output level meter<br />

• Ideal for Monitor speaker use.<br />

• Speaker Cables Supplied.<br />

APPLICATION EXAMPLE<br />

Duo performers<br />

This is a perfect system for<br />

two guitarists/singers<br />

performing on the street or in<br />

small venues such as coffee<br />

houses. A CD player or<br />

portable player (such as the<br />

<strong>Yamaha</strong> POCKETRAK 2G)<br />

connects to provide prerecorded<br />

backing tracks.<br />

137 (5-3/8")<br />

Dimensions<br />

■ Speaker<br />

275 (10-7/8")<br />

120 (4-3/4")<br />

2-M8 x 25<br />

<strong>STAGEPAS</strong><br />

SPEAKERS<br />

455.5 (17-7/8")<br />

Mics<br />

Unit: mm (inch)<br />

255 (10-1/8")<br />

■ Mixer<br />

160<br />

(6-1/4")<br />

Electric-Acoustic<br />

Guitar<br />

Audio<br />

Preamp for<br />

Acoustic Guitar<br />

Preamp for<br />

Acoustic Guitar<br />

96.3<br />

(3-3/4")<br />

Electric<br />

-Acoustic<br />

Guitar<br />

POCKETRAK<br />

2G<br />

290 (11-3/8")

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