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Issue 6 2010 - TLS - Victoria University

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His fears concerning his revolutionary theory are laid<br />

bare through the letters. In 1843: “I believe (though<br />

why should I trouble you with my belief, which must<br />

& ought to appear the merest trash and hypothesis)<br />

. . . P.S: Will you . . . keep this one letter of mine to<br />

be returned; as at some future year, I shall be curious<br />

to see what I think now.”<br />

Can you imagine such an exchange via email Most<br />

emails are deleted. And knowing they will be, why<br />

bother to make them good Never mind linguistic<br />

muscle or anything edging on profundity, most lack<br />

basic punctuation. And yet they are ubiquitous.<br />

The Radicati Group, a tech market research firm,<br />

estimates 247 billion emails were sent in 2009<br />

something over 3 million a second.<br />

Richard Sellick, professorial fellow at Melbourne<br />

<strong>University</strong>’s Centre for the Study of Higher<br />

Education, laments the surfeit of computer<br />

information. Everything a business does is on<br />

computer. Researching it is like watching that<br />

company’s history in real time. And the cost of<br />

archiving information means emails usually remain<br />

on computers. And even if a computer is kept for<br />

20 years, who after that time has the technology and<br />

know-how to access it<br />

Then there is the stuff of which letters are made.<br />

Handwriting can be as intimate and reminiscent<br />

as a person’s voice or scent. A letter arrives and you<br />

recognise the hand from the address. It is from a<br />

close friend you haven’t seen for years and you smile<br />

as a throb of memory passes through you.<br />

In 1846 Charles Dickens wrote to a friend,<br />

W.C.Macready:<br />

My Dear Macready,<br />

The welcome sight of your handwriting moves me<br />

(though I have nothing to say) to show you mine,<br />

and if I could recollect the passage in Virginius<br />

I would paraphrase it, and say, ‘Does it seem to<br />

tremble, boy Is it a loving autograph Does it beam<br />

with friendship and affection’<br />

A friend’s handwriting can beam with friendship,<br />

love and affection; it is their voice, and thus their<br />

spirit, laid magically before you. Historian John<br />

Barnes, now working on a biography of La Trobe,<br />

says the man’s handwriting became terrible when<br />

he was under pressure, a nightmare to decipher.<br />

Tweets, texts, emails and Facebook messages are at<br />

least easy to read. But then blots and crossings-out<br />

can say a lot about the state of mind of a person<br />

writing a letter, too. As an execution or an expedition<br />

approaches, the script becomes fevered with telling<br />

amendments.<br />

Strangely, the things that have killed the letter<br />

are not like the letter. They do not replace it or<br />

replicate it. Facebook differs from a posse of idle<br />

teens sitting in a mall only in that Facebook teens<br />

are wearing pyjamas and slathered with pimple<br />

lotions to resemble the Sioux made ready for war.<br />

It is more a spoken communication than a written<br />

one. A conversation. And like most conversations<br />

it is reflexive, speculative, inexact, rambling and<br />

repetitive. Thoughts and inanities are yammered<br />

as they occur. No editing, no shaping, no<br />

contemplation. The moment a comment is received<br />

an answer is expected.<br />

The historian who has taken to trawling through<br />

Facebook for anything of value has accepted the<br />

stone from Sisyphus. Unless some search engine is<br />

invented with a relevance filter fine enough to find<br />

a fact in this bletherworld, she will search forever<br />

because the content is limitless. Every second<br />

thought or musing is now sent to some acquaintance,<br />

or a group, many of whom will respond. Nearly all is<br />

dross. And Twitter Tweets can offer real-time newsbites<br />

of earth-shattering events that help determine<br />

how we see those events. But they are more often<br />

a form of mental dandruff that falls from the gods,<br />

offhand observations from the famous whose every<br />

act or musing is a fascination and a wonder to the<br />

followers who hang on their tweets half-believing<br />

they are eavesdropping on a conversation between<br />

semi-divines who might, at any moment, reveal some<br />

molten gossip about an all-star DNA swap-meet in a<br />

toilet cubicle at 30,000 feet.<br />

Not quite. Ever. Beyonce has just bought some<br />

cool black knee-high boots at Dolce and Gabbana.<br />

Andy Roddick hates trains. President Obama thinks<br />

English kids are cute. Wil Anderson is bored by<br />

awards nights. These are tweets.<br />

One might have optimistically expected<br />

communications to gain in potency as they<br />

diminished in size; that they would distil into poems,<br />

sonnets, haiku and aphorism. They didn’t. Most<br />

tweets resemble fortune cookies written by cats. And<br />

they are without number. (Without comprehensible<br />

number, anyway. Twitterers are tweeting 50 million<br />

messages a day; 6000 tweets a second.)<br />

Texts are something composed on a tram while an<br />

iPod is injecting Arctic Monkeys in your ears. I have<br />

taken the trouble to translate a famous letter into a<br />

text to demonstrate the relative paucity of this new<br />

communication from the historian’s point of view.<br />

The letter was written by the Koshoviy Otaman Ivan<br />

Sirko and signed by the Zaporozhian Cossacks of the<br />

Ukraine to the Turkish Sultan Muhammad IV who<br />

was demanding subjugation.<br />

Thou Turkish Devil!<br />

Brother and companion to the accursed Devil, and<br />

secretary to Lucifer himself, Greetings.<br />

What the hell kind of noble knight art thou Satan<br />

voids and thy army devours. Never wilt thou be fit to<br />

Page 58

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