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Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!). Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket. Whatever your tastes—and however “artsy,” or not, you consider yourself—I’m betting you’ll find something in these pages to pique your interest and get you out on the town. Want to sing “Red Solo Cup” along with Toby Keith? Find the when and where on page 34. Still think The Shining is the scariest movie ever made? Check it out in a historic theater (page 64). A major new Georgia O’Keeffe exhibit, beat-the-clock sketching sessions, and offbeat events like Oranje— they all start on page 47. Plus, there’s nothing like a holiday outing to The Nutcracker—and we have those in spades (page 28). This special issue also offers a glimpse into the indie artist colonies that are forming the next generation of the Indianapolis arts scene. What’s driving the city’s young culturati to strike out on their own, rather than come up through the more traditional channels of the big, established arts groups? Writer Marc Allan explores exactly that starting on page 16. Not sure where to begin? Consider the ideas shared by local arts types on page 13, where they explain which events they’re most anticipating this season. Or just dive in and start choosing your own adventures. In this special bonus issue of Indianapolis Monthly, we hope you find an event that excites you to hit the town.

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!).
Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of
what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis
Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket.
Whatever your tastes—and however “artsy,” or
not, you consider yourself—I’m betting you’ll find
something in these pages to pique your interest and
get you out on the town. Want to sing “Red Solo Cup”
along with Toby Keith? Find the when and where on
page 34. Still think The Shining is the scariest movie
ever made? Check it out in a historic theater (page 64).
A major new Georgia O’Keeffe exhibit, beat-the-clock
sketching sessions, and offbeat events like Oranje—
they all start on page 47. Plus, there’s nothing like a
holiday outing to The Nutcracker—and we have those
in spades (page 28).
This special issue also offers a glimpse into the
indie artist colonies that are forming the next generation of the Indianapolis arts
scene. What’s driving the city’s young culturati to strike out on their own, rather
than come up through the more traditional channels of the big, established arts
groups? Writer Marc Allan explores exactly that starting on page 16.
Not sure where to begin? Consider the ideas shared by local arts types on page
13, where they explain which events they’re most anticipating this season.
Or just dive in and start choosing your own adventures. In this special bonus
issue of Indianapolis Monthly, we hope you find an event that excites you to hit
the town.

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They had nothing against the arts establishment;<br />

they just saw an opportunity to add to what was<br />

already here. Their DIY battle cry: If work isn’t<br />

coming to me, I can make my own. In NoExit’s<br />

case, that meant a collaborative effort performing<br />

innovative work at non-traditional spaces, venues,<br />

and stages. Smith, who joined the company in<br />

2008, says site-specific work became a necessity<br />

because permanent space was unaffordable.<br />

“Theater isn’t a competitive<br />

sport. Even if you had five<br />

different companies all<br />

doing a production of the<br />

same show that opened on<br />

the same date, it still really<br />

wouldn’t be a competition<br />

because you would be doing<br />

it in a different way.”<br />

Also almost everyone involved in an indie<br />

company has a day job. Know No Stranger’s<br />

Goffinski is a social worker. Smith’s day job is<br />

head of the acting program for Young Actors<br />

Theatre, and NoExit runs largely on the strength<br />

of volunteers. Artists are paid a modest stipend,<br />

but the administrators work for free. “It’s hard<br />

for artists and performing artists to stay in the<br />

city because there’s a lot of work, but there’s not<br />

a lot of money behind the work,” says Smith,<br />

echoing a sentiment expressed over and over by<br />

different groups. “We want to get to a point where<br />

we can pay people, to have lots of opportunities for<br />

artists to have paying work.”<br />

All the arts activity “is making the city come<br />

alive in kind of an underground, rising way,” says<br />

Ben Asaykwee, a founder of the theater company<br />

Q Artistry, which opened shop in Irvington in<br />

summer 2010 and does four shows a year featuring<br />

original work. Asaykwee, an Indianapolis native<br />

who makes his living as an actor and writer, was<br />

based in Chicago when the company started.<br />

When he returned to Indy, he looked in vain for a<br />

group that solely produced plays by Indiana playwrights.<br />

“Even finding places in Indiana to submit<br />

your work was difficult,” he says.<br />

Q Artistry started with a show called Cabaret<br />

Poe, a musical Asaykwee wrote and the company<br />

performs annually based on the works of Edgar<br />

Allan Poe. Since then, its shows have included<br />

East Side Story, a West Side Story parody pitting<br />

adults against neighborhood kids (the young<br />

actors audition and get mentoring from the<br />

working professionals in the show), and Zirkus<br />

Grimm—a circus-style retelling of the Brothers<br />

Grimm fairytales.<br />

Grimm featured Georgeanna Smith from<br />

NoExit and Thomas Cardwell from Eclectic<br />

Pond, one of the many new Shakespeare/classics<br />

Pattern .<br />

how they describe themselves: A new way of thinking about and doing fashion<br />

in Indianapolis. As such, it endeavors to become a safe space for fashion-minded<br />

individuals to engage with each other, creating a network of people with diverse<br />

backgrounds and ambitions. /// what they’re known for: Monthly meetups in<br />

various locations and Pattern, the magazine, which circulates in seven countries and<br />

almost exclusively features the work of the Indianapolis fashion community.<br />

Q Artistry .<br />

how they describe themselves: A non-profit collection of artists dedicated<br />

to enlightening, educating, and entertaining through original and re-imagined<br />

productions, presentations, and events. /// what they’re known for: Cabaret Poe,<br />

a musical featuring the work of Edgar Allan Poe, and East Side Story, a musical romp<br />

about a friendship on the east side of Indianapolis that parodies West Side Story.<br />

MOTUS, ROVING CINEMA, PATTERN BY TONY VALAINIS; Q ARTISTRY COURTESY Q ARTISTRY<br />

20 IM | THE TICKET 2014

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