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theTICKET

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!). Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket. Whatever your tastes—and however “artsy,” or not, you consider yourself—I’m betting you’ll find something in these pages to pique your interest and get you out on the town. Want to sing “Red Solo Cup” along with Toby Keith? Find the when and where on page 34. Still think The Shining is the scariest movie ever made? Check it out in a historic theater (page 64). A major new Georgia O’Keeffe exhibit, beat-the-clock sketching sessions, and offbeat events like Oranje— they all start on page 47. Plus, there’s nothing like a holiday outing to The Nutcracker—and we have those in spades (page 28). This special issue also offers a glimpse into the indie artist colonies that are forming the next generation of the Indianapolis arts scene. What’s driving the city’s young culturati to strike out on their own, rather than come up through the more traditional channels of the big, established arts groups? Writer Marc Allan explores exactly that starting on page 16. Not sure where to begin? Consider the ideas shared by local arts types on page 13, where they explain which events they’re most anticipating this season. Or just dive in and start choosing your own adventures. In this special bonus issue of Indianapolis Monthly, we hope you find an event that excites you to hit the town.

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!).
Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of
what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis
Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket.
Whatever your tastes—and however “artsy,” or
not, you consider yourself—I’m betting you’ll find
something in these pages to pique your interest and
get you out on the town. Want to sing “Red Solo Cup”
along with Toby Keith? Find the when and where on
page 34. Still think The Shining is the scariest movie
ever made? Check it out in a historic theater (page 64).
A major new Georgia O’Keeffe exhibit, beat-the-clock
sketching sessions, and offbeat events like Oranje—
they all start on page 47. Plus, there’s nothing like a
holiday outing to The Nutcracker—and we have those
in spades (page 28).
This special issue also offers a glimpse into the
indie artist colonies that are forming the next generation of the Indianapolis arts
scene. What’s driving the city’s young culturati to strike out on their own, rather
than come up through the more traditional channels of the big, established arts
groups? Writer Marc Allan explores exactly that starting on page 16.
Not sure where to begin? Consider the ideas shared by local arts types on page
13, where they explain which events they’re most anticipating this season.
Or just dive in and start choosing your own adventures. In this special bonus
issue of Indianapolis Monthly, we hope you find an event that excites you to hit
the town.

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Motus Dance .<br />

how they describe<br />

themselves: A nonprofit<br />

modern-dance company<br />

based in Fountain Square<br />

that teaches classes, holds<br />

workshops, collaborates with<br />

other artists, and presents<br />

original, contemporary dance<br />

performances. /// what<br />

they’re known for: “Sitespecific<br />

dance works that<br />

are not conservative,” says<br />

executive artistic director Heidi<br />

Phillips. Their performances<br />

often take on topics like suicide,<br />

bullying, and exclusion.<br />

Roving Cinema .<br />

how they describe themselves: An offshoot of the Indianapolis International Film<br />

Festival that brings movies to unusual (but topic-appropriate) places. /// what they’re<br />

known for: Screening Fight Club in the catacombs beneath City Market (below), Field<br />

of Dreams at Victory Field, and The Big Lebowski at Jillian’s Hi-Life Lanes.<br />

theater companies in town. Indy went without<br />

Shakespeare for more than a decade after the<br />

Indianapolis Shakespeare Festival went bankrupt<br />

in 1991. Then came Heartland Actors Repertory<br />

Theatre in 2006, Garfield Shakespeare Company<br />

in 2008, and, more recently, Hoosier Bard,<br />

EclecticPond, and IndyShakes—each with its<br />

own approach.<br />

“Theater isn’t a competitive sport,” says<br />

EclecticPond founder Cardwell. “Even if you had<br />

five different companies all doing a production<br />

of the same show that opened on the same date,<br />

it still really wouldn’t be a competition because<br />

you would be doing it in a different way.”<br />

Cardwell, who’s from across the pond in<br />

England; his wife, Cat; and another friend started<br />

the company after moving to Indianapolis, Cat’s<br />

hometown. Their goal: Create a company that<br />

does adaptations of Shakespeare and other<br />

classic works, with a focus on taking the shows<br />

to schools. “To show that this is not stuffy and<br />

boring and dull,” said Cardwell, who works as an<br />

actor at The Children’s Museum and in the Indiana<br />

Repertory Theatre box office, “but fascinating,<br />

fantastic, fun, frightening, scary. Whatever you<br />

want them to do, they are still relevant.” So<br />

EclecticPond performs shows like a family-friendly<br />

version of Dracula, complete with songs and<br />

slapstick humor, and 10 x 10, which is Shakespeare’s<br />

top 10 plays in 10 minutes each.<br />

Hoosier Bard, by contrast, is giving Indy—<br />

and the world—a scholarly take. The troupe is<br />

run by IUPUI professor Terri Bourus, an Equity<br />

actor who’s also a general editor for the New<br />

Oxford Shakespeare Project. The university<br />

hired Bourus with marching orders to make<br />

meaningful connections between the campus<br />

and the Indianapolis arts community. She and<br />

company dramaturge Gary Taylor do that by<br />

using lots of local actors to examine and perhaps<br />

reconsider Shakespeare’s work. “Lots of people<br />

do Shakespeare, and lots of people do Shakespeare<br />

beautifully,” says Bourus. “But there are no other<br />

companies that I know of that do Shakespeare in<br />

quite the way we do it.”<br />

After putting her acting career on hold for<br />

several years while she raised a family, DePauw<br />

University theater professor Amy Hayes founded<br />

IndyShakes two and a half years ago to get back<br />

in the game presenting Shakespeare and classicsbased<br />

theater. She looked around Indianapolis<br />

and thought the time was right. “Mass Ave had<br />

exploded, and as I became acquainted with people,<br />

I thought something could happen here,” she says.<br />

“There seem to be people who pay to see art.”<br />

So she went to her friend Ronn Johnstone, who<br />

has a company called Wisdom Tooth Theatre<br />

Project, and asked him to produce her. IndyShakes<br />

is now a branch of Wisdom Tooth, which presents<br />

its first season at IndyFringe beginning this fall.<br />

THE TICKET 2014 | IM 2 1

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