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Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!). Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket. Whatever your tastes—and however “artsy,” or not, you consider yourself—I’m betting you’ll find something in these pages to pique your interest and get you out on the town. Want to sing “Red Solo Cup” along with Toby Keith? Find the when and where on page 34. Still think The Shining is the scariest movie ever made? Check it out in a historic theater (page 64). A major new Georgia O’Keeffe exhibit, beat-the-clock sketching sessions, and offbeat events like Oranje— they all start on page 47. Plus, there’s nothing like a holiday outing to The Nutcracker—and we have those in spades (page 28). This special issue also offers a glimpse into the indie artist colonies that are forming the next generation of the Indianapolis arts scene. What’s driving the city’s young culturati to strike out on their own, rather than come up through the more traditional channels of the big, established arts groups? Writer Marc Allan explores exactly that starting on page 16. Not sure where to begin? Consider the ideas shared by local arts types on page 13, where they explain which events they’re most anticipating this season. Or just dive in and start choosing your own adventures. In this special bonus issue of Indianapolis Monthly, we hope you find an event that excites you to hit the town.

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!).
Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of
what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis
Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket.
Whatever your tastes—and however “artsy,” or
not, you consider yourself—I’m betting you’ll find
something in these pages to pique your interest and
get you out on the town. Want to sing “Red Solo Cup”
along with Toby Keith? Find the when and where on
page 34. Still think The Shining is the scariest movie
ever made? Check it out in a historic theater (page 64).
A major new Georgia O’Keeffe exhibit, beat-the-clock
sketching sessions, and offbeat events like Oranje—
they all start on page 47. Plus, there’s nothing like a
holiday outing to The Nutcracker—and we have those
in spades (page 28).
This special issue also offers a glimpse into the
indie artist colonies that are forming the next generation of the Indianapolis arts
scene. What’s driving the city’s young culturati to strike out on their own, rather
than come up through the more traditional channels of the big, established arts
groups? Writer Marc Allan explores exactly that starting on page 16.
Not sure where to begin? Consider the ideas shared by local arts types on page
13, where they explain which events they’re most anticipating this season.
Or just dive in and start choosing your own adventures. In this special bonus
issue of Indianapolis Monthly, we hope you find an event that excites you to hit
the town.

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THEATER LISTINGS & DANCE<br />

EVENTS<br />

Theater<br />

& Dance<br />

Calendar<br />

SEPTEMBER<br />

Oklahoma!<br />

THROUGH OCTOBER 5 … Where<br />

the wind comes sweepin’ down<br />

the plain. Don’t pretend you<br />

aren’t humming already. Beef &<br />

Boards will stage the Rodgers &<br />

Hammerstein classic. beefand<br />

boards.com<br />

Swing!<br />

SEPTEMBER 5–20 This original<br />

song-and-dance show from<br />

Civic Theatre at the Tarkington<br />

pays homage to all forms of<br />

swing—jive, Lindy hop, West<br />

Coast, hip-hop, and more—to<br />

The best of what’s taking<br />

the stage this fall<br />

Beef & Boards’ Oklahoma!<br />

some of the era’s best-known<br />

tunes. civictheatre.org<br />

Distracted<br />

SEPTEMBER 11–20 Jesse can’t<br />

sit still. He swears too much.<br />

He raps too much. He laughs<br />

and cries too much. Is he a<br />

casualty of a world in which<br />

distraction is an existential<br />

condition With comic (yes,<br />

comic) insight, this play at<br />

the IndyFringe Basile Theatre<br />

searches for answers. indy<br />

fringe.org<br />

Calendar Girls<br />

SEPTEMBER 12–OCTOBER 11<br />

British women of a certain<br />

age pose nude for a calendar<br />

to raise money for charity in<br />

this romp, by turns funny and<br />

heartwarming. Theatre on the<br />

STATE OF THE ARTS<br />

Poised for Change<br />

New time, new place, same jaw-dropping<br />

artistry from one of Indy’s top events.<br />

THE TUTUS WILL BE SPINNING in November instead of<br />

September this year, and at Clowes Hall instead of the Murat<br />

Theatre. But expect the typical excitement from “Evening<br />

with the Stars,” the annual Indianapolis City Ballet production<br />

that has become arguably the city’s marquee arts event.<br />

“We love the Murat,” says executive director Kevin Hesse.<br />

“We decided to try Clowes Hall to see how that works.<br />

Clowes called us and said that Indianapolis Opera canceled<br />

on November 22nd, and that we could have the slot.”<br />

The move to Clowes opens up several possibilities. The<br />

stage is significantly bigger, and the lighting capabilities<br />

are much more advanced. The company also wants to do<br />

more with film—this year, it plans to introduce the acts with<br />

a short video rather than through an emcee. Since the stage<br />

is so much larger, ICB has decided to include two ensembles<br />

along with the 12 other acts.<br />

This year, the audience can also look forward to some<br />

of the biggest current names in ballet, as well as some who<br />

haven’t graced the performance stage in a while.<br />

“We’ve got Alessandra Ferri, who retired from the Royal<br />

Ballet,” says Hesse. “She just did a Broadway show, and she<br />

is coming back to ballet. She is going to dance with Herman<br />

Cornejo. It will be a world-premiere performance. Two<br />

incredible dancers will be creating a new work that will debut<br />

in Indianapolis.”<br />

Hesse and his team are devoted to making ballet part of<br />

the signature of the city. “You’re constantly looking for what’s<br />

new and what’s interesting,” he says. “We are bringing the<br />

biggest stars from the biggest companies. You won’t get this<br />

anywhere else.” —Samantha Stutsman<br />

7:30 p.m. November 22 at Clowes Hall. Tickets: $35; patron<br />

seating $300–$1500.<br />

OKLAHOMA! COURTESY BEEF & BOARDS, EVENING WITH<br />

THE STARS COURTESY INDIANAPOLIS CITY BALLET<br />

26 IM | THE TICKET 2014

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