20.01.2015 Views

theTICKET

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!). Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket. Whatever your tastes—and however “artsy,” or not, you consider yourself—I’m betting you’ll find something in these pages to pique your interest and get you out on the town. Want to sing “Red Solo Cup” along with Toby Keith? Find the when and where on page 34. Still think The Shining is the scariest movie ever made? Check it out in a historic theater (page 64). A major new Georgia O’Keeffe exhibit, beat-the-clock sketching sessions, and offbeat events like Oranje— they all start on page 47. Plus, there’s nothing like a holiday outing to The Nutcracker—and we have those in spades (page 28). This special issue also offers a glimpse into the indie artist colonies that are forming the next generation of the Indianapolis arts scene. What’s driving the city’s young culturati to strike out on their own, rather than come up through the more traditional channels of the big, established arts groups? Writer Marc Allan explores exactly that starting on page 16. Not sure where to begin? Consider the ideas shared by local arts types on page 13, where they explain which events they’re most anticipating this season. Or just dive in and start choosing your own adventures. In this special bonus issue of Indianapolis Monthly, we hope you find an event that excites you to hit the town.

Improv Shakespeare. Barbershop quartets. Psycho on the big screen (twice!).
Gallery happenings. And musical icons (hi, Willie Nelson!). The sheer variety of
what’s happening on the Indy arts scene this fall is staggering, and we at Indianapolis
Monthly are excited to offer a guide to it all in this first-ever issue of The Ticket.
Whatever your tastes—and however “artsy,” or
not, you consider yourself—I’m betting you’ll find
something in these pages to pique your interest and
get you out on the town. Want to sing “Red Solo Cup”
along with Toby Keith? Find the when and where on
page 34. Still think The Shining is the scariest movie
ever made? Check it out in a historic theater (page 64).
A major new Georgia O’Keeffe exhibit, beat-the-clock
sketching sessions, and offbeat events like Oranje—
they all start on page 47. Plus, there’s nothing like a
holiday outing to The Nutcracker—and we have those
in spades (page 28).
This special issue also offers a glimpse into the
indie artist colonies that are forming the next generation of the Indianapolis arts
scene. What’s driving the city’s young culturati to strike out on their own, rather
than come up through the more traditional channels of the big, established arts
groups? Writer Marc Allan explores exactly that starting on page 16.
Not sure where to begin? Consider the ideas shared by local arts types on page
13, where they explain which events they’re most anticipating this season.
Or just dive in and start choosing your own adventures. In this special bonus
issue of Indianapolis Monthly, we hope you find an event that excites you to hit
the town.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

LISTINGS<br />

CONTINUED FROM PAGE 52<br />

parks, contemporary Native<br />

American artist DG House will<br />

travel east to reside at the Eiteljorg<br />

in October. Meet her and<br />

watch her work on Saturdays.<br />

eiteljorg.org<br />

Walter Knabe<br />

OCTOBER 12 Long-Sharp<br />

Gallery celebrates the threedecade<br />

career of master screenprinter<br />

Walter Knabe—including<br />

that time he was the official<br />

artist of the 2012 Super Bowl<br />

and when he did design work<br />

for Madonna. modernmasters<br />

fab.com<br />

Art in Odd Places<br />

OCTOBER 17–18 Market Street<br />

is an odd place for art, so keep<br />

your eyes peeled for visual and<br />

performance art popping up<br />

as this international idea roots<br />

itself in Indy for the first time—<br />

but it will probably be hard to<br />

miss. artinoddplaces.org<br />

Pumpkin Carving<br />

OCTOBER 24 Don’t settle for<br />

triangle eyes and a lopsided<br />

smile for your jack-o-lantern<br />

this year. Head to the IMA and<br />

let professional artists lead you<br />

in carving a jack-o-masterpiece.<br />

imamuseum.org<br />

The Rise of American<br />

Modernism<br />

OCTOBER 24–JULY 26 The IMA<br />

presents a collection of prints,<br />

drawings, watercolors, and<br />

photographs from Man Ray,<br />

Marsden Hartley, John Marin,<br />

Charles Sheeler, and Katherine<br />

Dreier to illustrate the early<br />

days of American Modernism.<br />

imamuseum.org<br />

Freiteljorg<br />

OCTOBER 31 Take your haunting<br />

haute at the Eiteljorg’s new<br />

Halloween party, where you<br />

can trick-or-treat the adult<br />

way—from tap to tap—and<br />

monster-mash to a DJ mixed<br />

with the Indianapolis Chamber<br />

Orchestra. eiteljorg.org<br />

Al-Mutanabbi Street<br />

Starts Here<br />

OCTOBER 31–NOVEMBER 19<br />

When a car bomb exploded<br />

in the centuries-old heart of<br />

Baghdad’s literary district,<br />

book artists from around the<br />

world came together to create<br />

this extensive art show in<br />

solidarity. IUPUI is the only<br />

American host for the collection,<br />

part of which will be on<br />

display in the Herron School of<br />

Art and Design’s Basile Gallery.<br />

herron.iupui.edu<br />

Q&A<br />

Sarah Urist Green<br />

As host of the PBS web video series The Art<br />

Assignment, Green hands out “homework”<br />

every other week from a different artist.<br />

IM: How did the idea for the series come about<br />

I think it is important to see the artist trying to do something<br />

or be in the middle of that thought process. I think people<br />

have the misconception that inspiration is like a bolt of<br />

lightning and it’s magical, and it’s not—artists, just like<br />

anyone else, struggle.<br />

IM: How has the public responded<br />

People are actually doing these things. With each assignment,<br />

I think to myself, are people actually going to do<br />

this And they do. Some assignments get 1,000 responses,<br />

and some get a couple hundred, and I like that.<br />

For the Love of Venus by Walter Knabe<br />

IM: The Fault in Our Stars was huge this summer.<br />

Has your husband [John Green]’s book and movie<br />

success affected your work<br />

One of the reasons that this show has been fun to work<br />

on together is that it gives us an excuse to travel together.<br />

I do the large majority of the work for the art assignment,<br />

and he shows up to film. I write everything for it, but we<br />

talk things through when an artist comes to me with an<br />

idea. John’s general role is adviser, and he also kind of<br />

plays the everyman that knows less about art than I do.<br />

IM: What do you hope the series achieves<br />

I hope that it opens previously closed minds to art being<br />

made today. I hope people feel more comfortable in<br />

museums and galleries. I hope people are less dismissive<br />

and afraid or skeptical of contemporary art. I hope that<br />

people make things and learn from that experience.<br />

—Samantha Stutsman<br />

GREEN PHOTO BY MARK OLSEN, PRINT COURTESY WALTER KNABE<br />

56 IM | THE TICKET 2014

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!