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Issue 03 - The Pilgrim - March 2012 - The newspaper of the Archdiocese of Southwark

The March 2012 issue of "The Pilgrim", the newspaper of the Archdiocese of Southwark

The March 2012 issue of "The Pilgrim", the newspaper of the Archdiocese of Southwark

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Editorial <strong>The</strong> <strong>Pilgrim</strong> <strong>March</strong> <strong>2012</strong><br />

<strong>the</strong><br />

<strong>2012</strong><strong>Pilgrim</strong><br />

50p<br />

December 2011/ January <strong>The</strong> <strong>newspaper</strong> <strong>of</strong> <strong>the</strong> Catholic <strong>Archdiocese</strong> <strong>of</strong> <strong>Southwark</strong>, covering s<br />

A bit <strong>of</strong> silence, please<br />

<strong>The</strong> <strong>Archdiocese</strong> <strong>of</strong> <strong>Southwark</strong><br />

Archbishop Peter Smith<br />

020 7928-2495<br />

archbishop@rcsouthwark.co.uk<br />

www.rcsouthwark.co.uk<br />

Area bishops<br />

Kent<br />

Bishop John Hine<br />

01732 845486<br />

jhine@absouthwark.org<br />

South-West London<br />

Bishop Paul Hendricks<br />

020 8643 8007<br />

bishop.hendricks@gmail.com<br />

South-East London<br />

Bishop Patrick Lynch<br />

020 8297 9219<br />

bishoplynch7@btinternet.com<br />

<strong>The</strong> <strong>Pilgrim</strong>,<br />

Archbishop’s House<br />

150 St George’s Road<br />

London SE1 6HX<br />

Editor: Greg Watts<br />

020 7928-2495<br />

pilgrim@rcsouthwark.co.uk<br />

Advertising: Chris Morley<br />

0161 214-1233<br />

chris.morley@totalcatholic.net<br />

Distribution: Andrea Black<br />

0161 214-1216<br />

andrea.black@totalcatholic.net<br />

Print management, design and<br />

distribution by <strong>The</strong> Universe Media<br />

Group Ltd<br />

Thomas Merton once said that<br />

some <strong>of</strong> us have to be alone to<br />

be ourselves. “Call it privacy if<br />

you like. But we have thinking<br />

to do and work to do which demands<br />

a certain silence and<br />

aloneness.”<br />

Most <strong>of</strong> us need to find some<br />

corners <strong>of</strong> silence in our minds.<br />

I certainly do. As a writer, it’s<br />

only in <strong>the</strong> sound <strong>of</strong> silence that<br />

I can discover ideas, sift<br />

through <strong>the</strong>m and <strong>the</strong>n use<br />

words to give <strong>the</strong>m meaning.<br />

I used to find bus and train<br />

journeys conducive to letting<br />

my mind freewheel. But sitting<br />

on a bus or train nowadays is<br />

like sitting in an <strong>of</strong>fice.<br />

Everyone around you is ei<strong>the</strong>r<br />

on <strong>the</strong>ir mobile, iPod or laptop.<br />

Wherever you go, it seems<br />

you can’t escape unnecessary<br />

noise. One <strong>of</strong> my local supermarkets<br />

churns out pop songs<br />

all day long, interspersed with<br />

<strong>the</strong> bouncy voice <strong>of</strong> some<br />

wannabe radio presenter trying<br />

his hardest to make two for one<br />

honey roast ham sound like <strong>the</strong><br />

deal <strong>of</strong> <strong>the</strong> century.<br />

Once, a library was a place<br />

where silence was sacrosanct.<br />

Not any more. Many libraries<br />

today are trying to be like a<br />

branch <strong>of</strong> Starbucks.<br />

And, let’s be honest, even<br />

Mass can be quite noisy. I’m not<br />

talking about babies crying. No.<br />

I’m talking about <strong>the</strong> hymn<br />

sandwich.<br />

St Augustine <strong>of</strong> Hippo is <strong>of</strong>ten<br />

quoted as saying that anyone<br />

who sings prays twice.<br />

Take it from me, he really<br />

meant to say anyone who sings<br />

well prays twice.<br />

It seems that if you want to<br />

find silence, <strong>the</strong>n <strong>the</strong> only place<br />

where you will definitely find it<br />

is in a court. But that seems too<br />

drastic a step to take.<br />

Pope Benedict has made <strong>the</strong><br />

need for silence <strong>the</strong> <strong>the</strong>me <strong>of</strong><br />

this year’s World Communications<br />

Day message, released on<br />

<strong>the</strong> feast <strong>of</strong> St Francis de Sales,<br />

patron saint <strong>of</strong> journalists.<br />

He says that in <strong>the</strong> absence <strong>of</strong><br />

silence “words rich in content<br />

cannot exist. In silence, we are<br />

better able to listen to and understand<br />

ourselves; ideas come<br />

to birth and acquire depth…”<br />

Perhaps our culture is beginning<br />

to discover this.<br />

When Into Great Silence,<br />

Philip Groning’s almost wordless<br />

documentary on <strong>the</strong> lives <strong>of</strong> <strong>the</strong><br />

Carthusians at Grand Chartreuse<br />

in France, came out in 2005,<br />

it was a surprise hit with <strong>the</strong><br />

Silent stars:<br />

Jean Dujardin and<br />

Bérénice Bejo in<br />

<strong>The</strong> Artist<br />

critics.<br />

And now <strong>The</strong> Artist, a French<br />

romantic comedy-drama about<br />

a Hollywood silent movie star,<br />

told almost without any dialogue,<br />

has been nominated for<br />

10 Oscars.<br />

If you have ever watched any<br />

<strong>of</strong> Mike Leigh’s films, you will<br />

know how he uses silence as a<br />

language. For he understands<br />

that it’s <strong>of</strong>ten in <strong>the</strong> silences<br />

that we speak most pr<strong>of</strong>oundly.<br />

Film explores call to priesthood<br />

“Fa<strong>the</strong>r, what message do you want<br />

to get across” I was sat in my<br />

study with two young men who<br />

wanted to put <strong>the</strong>ir talents at <strong>the</strong><br />

service <strong>of</strong> <strong>the</strong> Church. One had recently<br />

graduated in music and <strong>the</strong><br />

o<strong>the</strong>r in film studies and we were<br />

discussing <strong>the</strong> possibility <strong>of</strong> a video<br />

to promote priestly vocations.<br />

I found <strong>the</strong> question challenging<br />

because I only really knew what I<br />

didn’t want. We didn’t need a film<br />

about priesthood; Grassroots had<br />

already done that with “Fishers <strong>of</strong><br />

Men”, a groundbreaking film with<br />

an upbeat pace and a contemporary<br />

feel.<br />

Nor did I want something portraying<br />

priests as “ordinary men”<br />

who just happened to do something<br />

different on a Sunday.<br />

My first thought that we should<br />

try to address <strong>the</strong> sort <strong>of</strong> things<br />

that might hold a young man back<br />

from applying for <strong>the</strong> priesthood,<br />

but we soon realised that would be<br />

impossibly wide.<br />

Eventually we settled on <strong>the</strong> idea<br />

<strong>of</strong> trying to <strong>the</strong> express <strong>the</strong> need to<br />

move from thinking about priesthood<br />

to taking <strong>the</strong> plunge and actually<br />

doing something about it.<br />

<strong>The</strong> Calling is <strong>the</strong> story <strong>of</strong><br />

Michael, a young man trying to<br />

work out what to do with his life.<br />

His parents want him to settle<br />

down and get a good job. His<br />

friends think he should live for <strong>the</strong><br />

present without worrying about <strong>the</strong><br />

future.<br />

But Michael senses that he’s<br />

called to more than simply following<br />

<strong>the</strong> crowd. He decides to step<br />

back and consider things more<br />

carefully. He embarks on a journey<br />

that takes him on pilgrimage to<br />

Rome and in <strong>the</strong> footsteps <strong>of</strong> St<br />

Benedict and St Francis.<br />

He meets priests and seminarians<br />

and he hears <strong>the</strong> powerful call <strong>of</strong><br />

Pope Benedict in Hyde Park when<br />

he encouraged young people not to<br />

fear <strong>the</strong>ir vocation but to put <strong>the</strong>ir<br />

trust in Christ.<br />

He is impressed by <strong>the</strong> encouragement<br />

he receives to pray, to<br />

trust and to act and in an evocative<br />

scene at <strong>the</strong> end <strong>of</strong> <strong>the</strong> film he finally<br />

realises what he has to do.<br />

Although <strong>The</strong> Calling took well<br />

over a year to produce, <strong>the</strong> amazing<br />

thing was how providentially<br />

<strong>the</strong> pieces began to fall into place<br />

after our initial discussion.<br />

A donor very generously put up<br />

<strong>the</strong> money for all our initial costs<br />

and filming began soon after. We<br />

were given permission to film in<br />

<strong>the</strong> Vatican, and inside <strong>the</strong> monastic<br />

buildings in both Assisi and<br />

Subiaco.<br />

We also got permission to film<br />

during <strong>the</strong> Papal Vigil in Hyde Park<br />

and at <strong>the</strong> beatification Mass <strong>of</strong><br />

Cardinal Newman.<br />

Accompanying <strong>the</strong> film are lesson<br />

plans prepared by teachers for use<br />

in <strong>the</strong> classroom and in o<strong>the</strong>r settings<br />

such as confirmation classes.<br />

<strong>The</strong> film, which is twenty-three<br />

minutes long, has three distinct<br />

sections to facilitate a more flexible<br />

use: looking at a vocation<br />

within <strong>the</strong> context <strong>of</strong> <strong>the</strong> call to<br />

holiness, <strong>the</strong> priest as a man <strong>of</strong> <strong>the</strong><br />

Church, and <strong>the</strong> importance <strong>of</strong> acting<br />

upon one’s sense <strong>of</strong> being<br />

called.<br />

<strong>The</strong> Calling was first screened at<br />

<strong>the</strong> Vocation Directors’ Conference<br />

in November and was met with universal<br />

acclaim.<br />

Archbishop Bernard Longley<br />

praised it for being “carefully conceived<br />

and skillfully produced”.<br />

Bishop Mark Davies welcomed it as<br />

ano<strong>the</strong>r “powerful contribution<br />

from <strong>Southwark</strong> Vocations”.<br />

While o<strong>the</strong>rs have hailed it as “a<br />

beautiful message, powerfully presented”<br />

and “an imaginative reflection<br />

which will appeal to young<br />

people because <strong>of</strong> <strong>the</strong> style <strong>of</strong> its<br />

presentation”. We’ve even had<br />

some enquiries about making a<br />

version with Spanish subtitles for<br />

distribution in Spain and South<br />

America.<br />

Copies <strong>of</strong> <strong>The</strong> Calling can be<br />

ordered from <strong>the</strong> <strong>Southwark</strong><br />

Vocations Office by emailing<br />

info@southwarkvocations.com.<br />

<strong>The</strong>y cost £9.95 each with discounts<br />

available for bulk orders.<br />

<strong>The</strong> Calling is one <strong>of</strong> a number <strong>of</strong><br />

resources produced by <strong>the</strong> <strong>Southwark</strong><br />

Vocations Office.<br />

Please contact us to see how you<br />

can help us in our work.<br />

Fr Stephen Langridge is <strong>the</strong><br />

diocesan vocations director<br />

info@southwarkvocations.com<br />

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