Visual Language Magazine Contemporary Fine Art - Vol 3 No 11
Visual Language Magazine Contemporary Fine Art - Vol 3 No 11 Visual Language Magazine featuring Realism, Figurative and Illustrative Art. Cover Artist is Anthony A Gonzalez. Featured are the VL top artists to collect Lisa McKinney, Ray Maines, Denise Bossarte, David Blow and Clayton Gardinier; Visual Language studio visits with Anthony A Gonzalez, Brian Croft, Deran Wright, Doublas B Clark; Barry W. Scharf shares Contemporary Hyperrealism in Art is it real or is it Photoshop; CFAI.co Art Showdown; VL Photographer Roberta McGowen. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
Visual Language Magazine Contemporary Fine Art - Vol 3 No 11 Visual Language Magazine featuring Realism, Figurative and Illustrative Art. Cover Artist is Anthony A Gonzalez. Featured are the VL top artists to collect Lisa McKinney, Ray Maines, Denise Bossarte, David Blow and Clayton Gardinier; Visual Language studio visits with Anthony A Gonzalez, Brian Croft, Deran Wright, Doublas B Clark; Barry W. Scharf shares Contemporary Hyperrealism in Art is it real or is it Photoshop; CFAI.co Art Showdown; VL Photographer Roberta McGowen. Visual Language Magazine published through Graphics One Design. Visual Language is the common connection around the world for art expressed through every media and process. The artists connect through their creativity to the viewers by both their process as well as their final piece. No interpreters are necessary because Visual Language Magazine crosses all boundaries.
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I have always wondered if being hyper real is a school of art or just a technical exercise to prove one can<br />
copy something with an accurate eye Painting realistically has always been for me a “visual poetry” filled<br />
with variations from the real world, carefully omitting that which is unnecessary to the subject statement,<br />
shifting values and focus to bring emphasis to the subject focal point. Selecting a limited color pallet to shape<br />
the mood, time and feeling of the content.<br />
Girl at an Exhibition by Barry W Scharf<br />
by Barry W Scharf
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