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education resource and teacher's notes - Townsville City Council

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Phil Gordon’s ceramic cars are playful <strong>and</strong> engaging - both Les <strong>and</strong> Stock Car are brutish looking machines<br />

that look straight from an episode of Wallace <strong>and</strong> Gromit.<br />

Gordon’s influences are varied; he graduated from the University of Tasmania with a Bachelor of Fine Arts in<br />

1983 before becoming a member of <strong>and</strong> exhibiting with the Chameleon Artist co-operative in Hobart in 1984.<br />

Gordon moved to Queensl<strong>and</strong> in 1985, <strong>and</strong> from 1986 to 1990 he worked in Fashion <strong>and</strong> Screenprinting,<br />

designing <strong>and</strong> printing, <strong>and</strong> building props <strong>and</strong> silly cycles for the hugely popular Expo 88, which is widely<br />

recognised as Brisbane’s ‘coming of age’.<br />

Phil then spent 5 years as creative advisor <strong>and</strong> food stalls co-ordinator of Woodford Folk Festival, <strong>and</strong> has<br />

worked on construction, design <strong>and</strong> concept development for the Shoe Theatre for a number of years. His<br />

ongoing interest in <strong>and</strong> engagement with cars was explored in his 2002 Doggett Street Gallery exhibition<br />

Road Works.<br />

Margaret Dodd was born in Berri, South Australia, in 1941. She was part of the ‘funk’ ceramic movement that<br />

originated in Davis, California, during the 1960s. Her work centres on the car as a twentieth century Australian<br />

icon; a theme that she has developed through ceramic <strong>and</strong> sculpture into video, film <strong>and</strong> installation.<br />

Her work has been collected by the National Gallery of Australia, Canberra as well as the state galleries<br />

of Victoria, South Australia, Western Australia <strong>and</strong> New South Wales. She lives <strong>and</strong> works in Adelaide,<br />

South Australia.<br />

Discussing Garage Deity, Dodds stated, “It was made thinking about kiln gods, <strong>and</strong> the relation between pre-<br />

Columbian ceramics <strong>and</strong> those 1950’s car designs with Indian names like Pontiac.”<br />

On the topic of the ceramic works she has produced in Australia after returning from Davis, California, she<br />

stated, “My best ceramic pieces in Australia have been the iconic (now) Holden cars of the 40’s <strong>and</strong> fifties,<br />

especially the ones I made for a film, This Woman is Not a Car, which were a Holden Bride, one with hair curlers,<br />

<strong>and</strong> so on. I still do ceramic sculpture, as well as video <strong>and</strong> film projects.”<br />

23.

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