Detroit Research Volume 1

200
1
From The Grand Piano: An Experiment in Collective Autobiography, San Francisco, 1975–1980, 10 vols. (Detroit:
Mode A/This Press, 2006–10), 9:160–61.
2
Barrett Watten, from “Real Estate,” in Frame (1971–1990) (Los Angeles: Sun & Moon Press, 1997), 34.
3
Yves Marchand and Romain Meffre, The Ruins of Detroit (London: Steidl, 2010); Andrew Moore, Disassembling
Detroit (Akron, Ohio: Akron Art Museum, 2010).
4
Philipp Oswalt, ed. Shrinking Cities, Vol. 1: International Research (Ostfildern-Ruit, Germ.: Hatje Cantz, 2006).
5
John Patrick Leary, “Detroitism,” Guernica: A Magazine of Art and Politics (2011);
available at www.guernicamag.com/features/leary_1_15_11.
6
Dan Austin, Lost Detroit: Stories Behind the Motor City's Majestic Ruins (Charleston, S.C.: The History Press,
2010); Camilo J. Vergara, American Ruins (New York: Monacelli, 2003).
7
Rolf Italiaander et al., eds., Berlins Stunde Null: Ein Bild/Text-Band (Dusseldorf: Droste Verlag, 1979); Erin
Barnett and Philomena Mariani, eds., Hiroshima: Ground Zero 1945 (New York: International Center for
Photography, 2011).
8
Robert Venturi, et al., Learning from Las Vegas (1972; rev. ed., Cambridge, Mass.: MIT Press, 1977).
9
Lebbeus Woods, Tracy Myers, and Karsten Harries, Lebbeus Woods: Experimental Architecture (Pittsburgh:
Carnegie Museum of Art, 2004), cited as LW; and Woods, Radical Reconstruction (New York: Princeton
Architectural Press, 1997), cited as RR.
10
Terry Smith, The Architecture of Aftermath (Chicago: University of Chicago Press, 2006).
Dequindre Cut
Images courtesy of Barrett Watten © 2013