Detroit Research Volume 1

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83 Notes: _____________________ 1 Thomas Sugrue, The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit (Princeton, NJ: Princeton University Press, 1996). See also Reynolds Farley, Sheldon Danzinger, and Harry J. Holzer, Detroit Divided (New York: Russell Sage Foundation, 2000) and Joe T. Darden, Richard Child Hill, June Thomas, and Richard Thomas, Detroit: Race and Uneven Development (Philadelphia, PA: Temple University Press, 1987). 2 Andrew Moore, Detroit Disassembled (Bologna, IT: Damiani Editore; Akron, OH: Akron Art Museum, 2011) and Yves Marchand and Romain Meffre, The Ruins of Detroit (Gottingen, DE: Steidl, 2011). 3 Michael Hardt and Antonio Negri, Empire (Cambridge, MA: Harvard University Press, 2000). 4 Hardt and Negri, Multitude: War and Democracy in the Age of Empire (New York: Penguin Books, 2004) and Hardt and Negri, Commonwealth (Cambridge, MA: Harvard University Press, 2009). See also Elinor Ostrom, Governing the Commons: The Evolution of Institutions for Collective Action (Cambridge, UK: Cambridge University Press, 1990) for a modern examination of the concept of the commons as it relates to the environment and economics; McKenzie Wark, A Hacker Manifesto (Cambridge, MA: Harvard University Press, 2004) in terms of media culture; and James Boyle, The Public Domain: Closing the Commons of the Mind (New Haven, CT: Yale University Press, 2008) for a legal analysis. 5 Hardt and Negri, Commonwealth, 120-125. The provenance of real estate ownership, i.e., deeds, mortgage liens, litigations, etc., is legally termed a property abstract. Intellectual property, the ownership of ideas, is one of the more obvious abstractions of the ephemeral. 6 The original aphorism comes from the May 1968 Paris student uprisings, “Sous les paves, la plage!" (Under the pavement, the beach!). My usage comes from McKenzie Wark, The Beach Beneath the Street: The Everyday Life and Glorious Times of the Situationist International (London: Verso, 2011). 7 Wright, Eric Olin, Envisioning Real Utopias (London: Verso, 2010).
Fig. 21. (above) Zeus, Summer, 2010 / Fig. 22. (below) Garden of the Gods, North, Winter, 2010 – both from Garden of the Gods, 2009-2011. Images courtesy Scott Hocking and Susanne Hilberry Gallery 84
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1 DETROIT RESEARCH post-studio art,
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5 Imre Molnar b. Hungary, 1951, d.
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7 Detroit Research will Publish: AD
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9 NOTES ON BIOPOLITICS 134 Michael
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11 Detroit Research is published in
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Introducing Detroit Research: A jou
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As with all compacts, however, the
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throughout. Above all, we would lik
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10 Each future issue of Detroit Res
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Originally published in Ground Up 1
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Originally published in Ground Up 1
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This mid-February morning, from my
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tion of the works is clearly though
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19 Betty Woodman, “Pillow Vase, V
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21 Ceramic and mixed media works co
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23 Tim Mast Tim Mast Janet Janet Ay
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25 Though Tim pursued law, and Mari
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27 ... The Final Frontier ... Micha
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29 is closer to its future than we
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31 function akin to redundancy in s
Page 46 and 47: 33 OF OTHER SPACES
Page 48 and 49: 35 By representative I intend above
Page 50 and 51: 37 at becoming voyeuristic objects
Page 52 and 53: 39 that this is the City, where the
Page 54 and 55: 41 _________________________ 1 Anot
Page 57 and 58: 44 A Nice Spot Along the Water phot
Page 59 and 60: 46 Fig. 2. Ziggurat, East, Summer I
Page 61 and 62: 48 Elliot M Abrams and Corinne Fret
Page 64 and 65: 51 SEEING BEAUTY IN ALL STAGES: AN
Page 66 and 67: 53 or maybe there’s a sense of my
Page 68 and 69: 55 Fig. 8. Relics, an installation
Page 70 and 71: 57 put them up on the pedestals, an
Page 72 and 73: 59 Fig. 12. Books, 2008 - from Roos
Page 74 and 75: 61 It’s about inner peace and pea
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Page 79 and 80: 66 Scott Hocking’s Long Look at t
Page 81 and 82: 68 Visions of the End of the World
Page 83 and 84: 70 Image courtesy of Scott Hocking
Page 85 and 86: Lynn Crawford SCOTT HOCKING 72 THE
Page 87 and 88: 74 Image courtesy of Scott Hocking
Page 89 and 90: Art of the Commons: Envisioning Rea
Page 91 and 92: 78 The Power House, 2009-present. T
Page 93 and 94: 80 empowerment), soon attracted att
Page 95: 82 Juxtapoz, and a crew of voluntee
Page 100: 87 Fig. 24. Close My Ass - Scott Ho
Page 103: 90 entirely hide both a lack of inv
Page 107 and 108: 94 The (Re)Shape of Things: Michael
Page 109 and 110: 96 Smith’s practice, suggesting a
Page 111 and 112: 98 Pianist Thollem McDonas, 45, is
Page 113 and 114: 100 Not only has Thollem performed
Page 115 and 116: EB: CAM (Contemporary Art and Desig
Page 117 and 118: 104 Elysia Borowy-Reeder, Exec. Dir
Page 119 and 120: On May 10, 2013 MOCAD launched a ve
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Page 123 and 124: OCCUPY DETROIT, EXPERIENCED 110 110
Page 125 and 126: 112 In late September of 2011, my h
Page 127 and 128: 114 Abel Speaks. May 21st, 2012, Wa
Page 129 and 130: 116 Durbanville - Pop Up Shanty Tow
Page 131 and 132: 118 Eviction Defense Rally - The Cr
Page 133 and 134: 120 Michael Stone-Richards [T]he co
Page 135 and 136: 122 with technology (say, Machine)
Page 137 and 138: _________________ 1 Of course, Dada
Page 139 and 140: Samantha Bez on Paul Chan’s Waiti
Page 141 and 142: 128 consumption of a work that fram
Page 143 and 144: 130 cess of staging this play, as I
Page 145 and 146: 132 willing to "spend the dime, spe
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NOTES ON BIOPOLITICS 134
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From the filmed archives of the Med
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138 II The publication in 1988 of D
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140 In a quite extraordinary text -
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142 society prone to sudden explosi
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144 détournement “is the détour
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146 pregnant with the poetry of sil
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148 ________________ 18 Debord and
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150 “Perhaps our life is still go
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152 “There are also, probably in
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154 Shirin Neshat, Rapture, 1999, v
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156 "What I like is the solution is
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158 Images courtesy of the artist C
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Country Women (We Have More Time),
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162 Scott Hocking | Scrappers page
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Scott Hocking | Scrappers page 4 16
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Scott Hocking | Scrappers page 6 16
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168
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170 I’ve been living in the same
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172 From Detroit arises a prolifera
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He goes on, but let me just roughly
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Image courtesy of the artist 176
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178
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180 Livonia, Livonia ... Phlebas th
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182 8 life is an tiful places eered
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184 My experience in living in the
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Photos courtesy of the artist 186
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188
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190
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192 that was the foundation of the
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194 Taisho Kimono Shop Image origin
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Dating, captioning, and historical
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198 Dequindre Cut tendencies in urb
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200 1 From The Grand Piano: An Expe
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DRAWING DETROIT
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Nicole Tyree Hamborsky, Guyton, 201
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206 206 underdog: Notes on a series
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214 IV. The expression of these gui
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228 A small, honeycomb-like constru
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230 An enormous compass, capable of
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A Proper Lineage (top to bottom): T
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234 Above: Installation shot of “
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236
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238 SEPTEMBER - OCTOBER 2014 GILDA!
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240 CEDRiC tai Detail View of Drawi
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242 Herscher, Andrew. The Unreal Es
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Tyree Guyton, creator of the Heidel
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