Detroit Research Volume 1

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227 An Answer To a Zen Question / a Wind Instrument Marissa Jezak top to bottom: Expanding or Contracting, bronze. Time as Matter, plexiglas, wood. All images courtesy of Marissa Jezak, Graem Whyte and Re:View Contemporary.
228 A small, honeycomb-like construction of black and green metal, displaying a repeated representation of Chewbacca's head, is shelved below a longer, steel, pipe-like apparatus - its colors, pattern, and shape resembling a snake, didgeridoo, or tribal tool. On the same wooden shelf, above them, is placed a curvy but thin, black, bronze object - its undulating points and waves reminiscent of an EKG display. On the opposite end of the gallery, a white vinyl downspout sits bent and burnt, but clearly not awaiting rescue. The marks of fire are clearly visible in its twists and folds, discoloration, and shrunken, melted parts. Out of all the sculptures in the show, Whyte confesses that this piece, unlike most of the others, was the result of pure chance. In other words, he did not meticulously craft it, but rather "set up the conditions for its existence" by starting a fire. The sculpture, entitled The Morphology of Flow almost resembles a seagull, and mimicks the form of the object directly beneath it, The Dividing Tongue. The two racquetball rackets (formally belonging to the artists’ mother) placed directly above these two pieces have been neatly fused, altering their functions - not rendering the new siamese twin dysfunctional, but the objects within it useless in terms of their original intended functions. Together, these three objects compose their own installation, In Search of Water. Laying it All Out (18'r.), aluminum, steel, wheel, paint can. Communal Consciousness (It Takes a Village to Raise a Wookie), bronze.
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1 DETROIT RESEARCH post-studio art,
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5 Imre Molnar b. Hungary, 1951, d.
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7 Detroit Research will Publish: AD
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9 NOTES ON BIOPOLITICS 134 Michael
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11 Detroit Research is published in
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Introducing Detroit Research: A jou
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As with all compacts, however, the
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throughout. Above all, we would lik
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10 Each future issue of Detroit Res
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Originally published in Ground Up 1
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Originally published in Ground Up 1
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This mid-February morning, from my
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tion of the works is clearly though
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19 Betty Woodman, “Pillow Vase, V
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21 Ceramic and mixed media works co
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23 Tim Mast Tim Mast Janet Janet Ay
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25 Though Tim pursued law, and Mari
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27 ... The Final Frontier ... Micha
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29 is closer to its future than we
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31 function akin to redundancy in s
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33 OF OTHER SPACES
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35 By representative I intend above
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37 at becoming voyeuristic objects
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39 that this is the City, where the
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41 _________________________ 1 Anot
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44 A Nice Spot Along the Water phot
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46 Fig. 2. Ziggurat, East, Summer I
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48 Elliot M Abrams and Corinne Fret
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51 SEEING BEAUTY IN ALL STAGES: AN
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53 or maybe there’s a sense of my
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55 Fig. 8. Relics, an installation
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57 put them up on the pedestals, an
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59 Fig. 12. Books, 2008 - from Roos
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61 It’s about inner peace and pea
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63 neighborhoods in the city, this
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66 Scott Hocking’s Long Look at t
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68 Visions of the End of the World
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70 Image courtesy of Scott Hocking
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Lynn Crawford SCOTT HOCKING 72 THE
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74 Image courtesy of Scott Hocking
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Art of the Commons: Envisioning Rea
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78 The Power House, 2009-present. T
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80 empowerment), soon attracted att
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82 Juxtapoz, and a crew of voluntee
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Fig. 21. (above) Zeus, Summer, 2010
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87 Fig. 24. Close My Ass - Scott Ho
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90 entirely hide both a lack of inv
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94 The (Re)Shape of Things: Michael
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96 Smith’s practice, suggesting a
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98 Pianist Thollem McDonas, 45, is
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100 Not only has Thollem performed
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EB: CAM (Contemporary Art and Desig
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104 Elysia Borowy-Reeder, Exec. Dir
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On May 10, 2013 MOCAD launched a ve
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108
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OCCUPY DETROIT, EXPERIENCED 110 110
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112 In late September of 2011, my h
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114 Abel Speaks. May 21st, 2012, Wa
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116 Durbanville - Pop Up Shanty Tow
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118 Eviction Defense Rally - The Cr
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120 Michael Stone-Richards [T]he co
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122 with technology (say, Machine)
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_________________ 1 Of course, Dada
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Samantha Bez on Paul Chan’s Waiti
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128 consumption of a work that fram
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130 cess of staging this play, as I
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132 willing to "spend the dime, spe
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NOTES ON BIOPOLITICS 134
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From the filmed archives of the Med
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138 II The publication in 1988 of D
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140 In a quite extraordinary text -
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142 society prone to sudden explosi
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144 détournement “is the détour
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146 pregnant with the poetry of sil
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148 ________________ 18 Debord and
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150 “Perhaps our life is still go
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152 “There are also, probably in
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154 Shirin Neshat, Rapture, 1999, v
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156 "What I like is the solution is
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158 Images courtesy of the artist C
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Country Women (We Have More Time),
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162 Scott Hocking | Scrappers page
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Scott Hocking | Scrappers page 4 16
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Scott Hocking | Scrappers page 6 16
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168
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170 I’ve been living in the same
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172 From Detroit arises a prolifera
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He goes on, but let me just roughly
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Page 207 and 208: 194 Taisho Kimono Shop Image origin
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Page 211 and 212: 198 Dequindre Cut tendencies in urb
Page 213 and 214: 200 1 From The Grand Piano: An Expe
Page 215 and 216: DRAWING DETROIT
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Page 219 and 220: 206 206 underdog: Notes on a series
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Page 227 and 228: 214 IV. The expression of these gui
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Page 251 and 252: 238 SEPTEMBER - OCTOBER 2014 GILDA!
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Page 255 and 256: 242 Herscher, Andrew. The Unreal Es
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