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Mahathera Ledi Sayadaw - Abhidhamma.com

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owing to the existence of this space that lumps of stone and iron can be broken up, or cut<br />

into pieces, or pounded into dust, or melted.<br />

The Two Vinnati-Rupa or Modes of Communications<br />

Vinnatti-rupa means mode of <strong>com</strong>munication or sign employed to <strong>com</strong>municate the<br />

willingness, intention, or purpose, of one person to the understanding of another.<br />

83. Kaya-vinnatti is that peculiar movement of body by which one's purpose is made known to<br />

others.<br />

84. Vaci-vinnatti is that peculiar movement of sounds in speech by which one's purpose is<br />

made known to others.<br />

Those who cannot see the minds of others know the purpose, the intention, the<br />

willingness, of others through the use of these two modesof <strong>com</strong>munication or Vinnattirupas.<br />

These two are employed not only in <strong>com</strong>municating one's purpose or intention to<br />

the understanding of another, but also in moving the parts of the body while walking, and<br />

so forth, according to one's own will; as also in learning by heart, reading to one-self, and<br />

so forth.<br />

The Three Vikara-Rupas or the Three Plasticities<br />

Vikara means the peculiar expression or distinctive condition of the Jata-rupas, the genetic<br />

material qualities.<br />

85. Lahuta is the lightness of the material quality.<br />

86. Muduta is the pliancy of the material quality.<br />

87. Kammannata is the adaptability of the two media of <strong>com</strong>munication. When one of the<br />

Four Great Essentials falls out of order and be<strong>com</strong>es disproportionate to the rest in any<br />

parts of the body, these parts are not light as usual in applying themselves to some work,<br />

but tend to be<strong>com</strong>e heavy and awkward; they are not pliable as usual, but tend to be<strong>com</strong>e<br />

hard, coarse and rigid; they are not as adaptable as usual in their movements in accord<br />

with one's will, but tend to be<strong>com</strong>e difficult and strained. Likewise when the Essentials are<br />

out of order, the tongue, the lips, are not adaptable according to the wish in speaking, but<br />

be<strong>com</strong>e firm and stiff. When the Four Great Essentials are in good order and the parts of<br />

the body are in sound health, the matter of the body (rupa) is said to be in possession of<br />

these qualities, i.e. lightness, pliancy, and adaptability, which are called the three<br />

plasticities (vikara-rupas).<br />

The Four Lakkhana-Rupas or the Four Salient Features<br />

Lakkhana means salient feature or mark by means of which it is decisively known that all<br />

material and mental qualities are subject to impermanence.<br />

88. Upacaya-rupa means both integration and continuance of integration, of which the former<br />

may be called Acaya (initial integration) and the latter Upacaya (sequent integration).

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