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issue one - Vancouver Symphony Orchestra

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Bramwell Tovey conductor<br />

A musician of striking versatility, Bramwell<br />

Tovey is acknowledged around the world<br />

for his artistic depth and warm, charismatic<br />

personality on the podium. Tovey’s career as<br />

a conductor is uniquely enhanced by his work<br />

as a composer and pianist, lending him a<br />

remarkable musical perspective. He has been<br />

Music Director of the <strong>Vancouver</strong> <strong>Symphony</strong><br />

<strong>Orchestra</strong> since September 2000.<br />

Tovey garnered a 2008 Grammy ® Award and<br />

a 2008 Juno ® Award for his recording with<br />

violinist James Ehnes and the <strong>Vancouver</strong><br />

<strong>Symphony</strong>. Recently named Principal Guest<br />

Conductor for the Los Angeles Philharmonic at<br />

the Hollywood Bowl, he works frequently with<br />

the Toronto <strong>Symphony</strong>, Montreal <strong>Symphony</strong>,<br />

Royal Philharmonic and the Bournemouth<br />

<strong>Symphony</strong> <strong>Orchestra</strong>s, among many others.<br />

He has presided as host and conductor of<br />

the New York Philharmonic’s Summertime<br />

Classics series at Avery Fisher Hall since<br />

its founding in 2004.<br />

As a composer, he was honoured with<br />

the Best Canadian Classical Composition<br />

Juno ® Award in 2003 for his Requiem for a<br />

Charred Skull. New works include a cocommission<br />

for the New York and Los Angeles<br />

Philharmonics’ 2008 summer seasons as well<br />

as a full-length opera for the Calgary Opera,<br />

The Inventor, to première in January of 2011.<br />

Tovey has been awarded honorary degrees,<br />

including a Fellowship from the Royal<br />

Academy of Music in London, honorary<br />

Doctorates of Law from the universities<br />

of Winnipeg and Manitoba, and Kwantlen<br />

University College, as well as a Royal<br />

Conservatory of Music Fellowship in Toronto.<br />

In 1999, he received the M. Joan Chalmers<br />

National Award for Artistic Direction,<br />

a Canadian prize awarded to artists<br />

for outstanding contributions in the<br />

performing arts.<br />

Avan Yu piano<br />

At twenty-three years of age, Canadian<br />

pianist Avan Yu has performed in recital and<br />

as soloist with orchestras on four continents,<br />

consistently captivating audiences with his<br />

extraordinary musicianship. Avan made<br />

his New York debut at Carnegie Hall’s Weill<br />

Recital Hall in the fall of 2008 after winning<br />

Silver Medal at the 16th Paloma O’Shea<br />

Santander International Piano Competition<br />

in the same year. He first came to national<br />

attention by winning first prize at the<br />

Canadian Chopin Competition at the age of<br />

seventeen, and is the only pianist to win<br />

First Prize in both the Junior and Senior<br />

Divisions of the Missouri Southern<br />

International Piano Competition.<br />

Born in Hong Kong and raised in <strong>Vancouver</strong>,<br />

he currently studies at the University of Fine<br />

Arts in Berlin with Klaus Hellwig. In <strong>Vancouver</strong>,<br />

he began his studies with Kut Kau Sum,<br />

and since 2003 has been working with the<br />

Canadian Duo Ralph Markham and Kenneth<br />

Broadway.<br />

Camille Saint-Saëns<br />

b. Paris, France / October 9, 1835<br />

d. Algiers, Algeria / December 16, 1921<br />

Coronation March, Op. 117<br />

Music was only the foremost of Saint-Saëns’<br />

many interests. This nineteenth-century<br />

Renaissance man also developed a working<br />

knowledge of several sciences, published<br />

volumes of poetry, saw his plays produced<br />

on the stage, and wrote reams of newspaper<br />

articles on many different topics, while<br />

somehow finding time to travel extensively.<br />

He led a full musical life, as well. During a<br />

period when French composers’ reputations<br />

rested first of all with their degree of success<br />

in the emotional world of the theater,<br />

Saint-Saëns proved himself a maverick by<br />

preferring the cooler, more abstract realm of<br />

instrumental music.<br />

10 allegro

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