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issue one - Vancouver Symphony Orchestra

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Günther Herbig conductor<br />

Günther Herbig left behind the challenging<br />

political environment of East Germany<br />

and moved to the United States in 1984,<br />

where he has since conducted all of the<br />

top-tier orchestras, including the New York<br />

Philharmonic, Los Angeles Philharmonic, the<br />

Cleveland <strong>Orchestra</strong>, Philadelphia <strong>Orchestra</strong>,<br />

and the Chicago, Boston, and San Francisco<br />

<strong>Symphony</strong> <strong>Orchestra</strong>s.<br />

Posts Herbig has held include music director<br />

of the Detroit <strong>Symphony</strong> and the Toronto<br />

<strong>Symphony</strong>, Principal Guest Conductor of<br />

both the Dallas <strong>Symphony</strong> and the BBC<br />

Philharmonic <strong>Orchestra</strong>, and general music<br />

director of both the Dresden Philharmonic<br />

<strong>Orchestra</strong> and Berlin <strong>Symphony</strong> <strong>Orchestra</strong>.<br />

Currently he is Artistic Advisor of the National<br />

<strong>Symphony</strong> <strong>Orchestra</strong> of Taiwan and Principal<br />

Guest Conductor of Las Palmas in the Grand<br />

Canaries, Spain.<br />

Key figures in his musical training include<br />

Hermann Abendroth, Hermann Scherchen,<br />

and Herbert von Karajan. He has recorded<br />

over 100 works with a variety of East German<br />

orchestras, Toronto <strong>Symphony</strong>, Orchestre de<br />

Paris, BBC Philharmonic <strong>Orchestra</strong>, Royal<br />

Philharmonic <strong>Orchestra</strong>, and others.<br />

Dale Barltrop violin<br />

Hailing from Brisbane, Australia, Dale Barltrop<br />

has performed across North America, Europe<br />

and Australia. He served as Principal Second<br />

Violin in the Saint Paul Chamber <strong>Orchestra</strong><br />

for six years prior to being appointed<br />

Concertmaster of the <strong>Vancouver</strong> <strong>Symphony</strong>.<br />

As a soloist, Barltrop has performed with the<br />

Bloomington <strong>Symphony</strong>, Maryland Chamber<br />

<strong>Orchestra</strong>, University of Maryland <strong>Symphony</strong><br />

and back home with the Queensland<br />

<strong>Orchestra</strong> and Queensland Pops <strong>Orchestra</strong>.<br />

He served as Associate Concertmaster of the<br />

Akron <strong>Symphony</strong> <strong>Orchestra</strong> and 1st violinist<br />

of the Verklärte Quartet, which won the grand<br />

prize at the 2003 Fischoff National Chamber<br />

Music Competition.<br />

Barltrop moved to the United States in<br />

1998 to attend the University of Maryland<br />

as a student of Gerald Fischbach and the<br />

Guarneri Quartet. He continued his studies<br />

at the Cleveland Institute of Music with<br />

William Preucil. Barltrop has a keen interest<br />

in teaching and has served on the faculty of<br />

the National <strong>Orchestra</strong>l Institute and worked<br />

regularly with the Greater Twin Cities Youth<br />

Symphonies.<br />

Ludwig van Beethoven<br />

b. Bonn, Germany / December 15, 1770<br />

d. Vienna, Austria / March 26, 1827<br />

Coriolan Overture, Op. 62<br />

According to Plutarch, an historian of ancient<br />

Rome, Coriolanus was a general whose<br />

troops defeated a neighbouring tribe, the<br />

Volscians. Coriolanus’ hatred of the uncouth<br />

citizens who ruled his native city led him to<br />

insult them, resulting in his exile. Driven by<br />

his need for revenge, he joined the Volscians<br />

to attack Rome. The city lay at his mercy, until<br />

his foes sent his wife, mother and young son<br />

to plead with him for clemency. Coriolanus<br />

relented, and the Volscians, feeling betrayed,<br />

slew him.<br />

William Shakespeare used Plutarch’s writings<br />

as the basis for a play, Coriolanus. Coriolan,<br />

Heinrich Joseph von Collin’s stage version<br />

of the story, opened in Vienna in 1802.<br />

Beethoven composed his stirring Coriolan<br />

Overture in 1807. By that time, Collin’s<br />

play had vanished from the stage. It was<br />

remounted the next month, however, largely<br />

in order to profit from Beethoven’s superbly<br />

dramatic musical evocation.<br />

Robert Schumann<br />

b. Zwickau, Germany / June 8, 1810<br />

d. Endenich, Germany / July 29, 1856<br />

Violin Concerto in D minor<br />

Schumann composed this concerto in<br />

September and October 1853. It took him<br />

just 13 days, a typical result of his profoundly<br />

manic-depressive condition. Four months<br />

later, he attempted suicide by jumping into<br />

the Rhine. He spent the remaining years of his<br />

life confined to an asylum.<br />

allegro 35

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