Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
Ancient Near Eastern Art: The Metropolitan Museum of Art Bulletin, v ...
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Clothing in the <strong>Near</strong> East was commonly<br />
made <strong>of</strong> goat's hair and sheep's wool. A<br />
form <strong>of</strong> dress frequently represented in<br />
Sumerian and Akkadian art is the calflength<br />
skirt covered with tufts <strong>of</strong> wool<br />
(see figs. 21, 70). Wrapped around the<br />
lower body and occasionally draped over<br />
one shoulder, this distinctive garment<br />
was worn throughouthe third millennium<br />
B.C. in Mesopotamia. In time, longer garments<br />
(see figs. 2, 69) made <strong>of</strong> a single<br />
piece <strong>of</strong> wool or linen fabric replaced the<br />
earlier skirt. <strong>The</strong> robes had fringed borders<br />
or several horizontal bands <strong>of</strong> fringes<br />
(see figs. 20, 27). Sleeved garments and<br />
shawls (see fig. 3, inside covers) <strong>of</strong> the<br />
Neo-Assyrian period (883-612 B.C.) retained<br />
this fringed border and were also<br />
enriched with woven and embroidered<br />
designs and metal appliques.<br />
On a relief from the Achaemenid palace<br />
at Persepolis (fig. 68), one figure is<br />
in Persian dress and wears a long fullsleeved<br />
tunic <strong>of</strong> a light textile. A second<br />
figure is in Median dress, a knee-length<br />
tunic and close-fitting trousers <strong>of</strong> thick<br />
wool or leather-clothing appropriate for<br />
a horseman. <strong>The</strong> folds <strong>of</strong> a similar tunic<br />
and trousers worn by the Sasanian king<br />
(see fig. 63) indicate that in this case the<br />
fabric is thin, perhaps silk. Impractical as<br />
this material was for hunting wear, it was<br />
represented to symbolize the luxuriousness<br />
<strong>of</strong> royal dress.<br />
Through the millennia, in the art <strong>of</strong> the<br />
<strong>Near</strong> East, a cap decorated with bull's<br />
horns (see figs. 20, 27) signified that the<br />
wearer was a god. Only rarely did human<br />
rulers claim divinity and adopt this<br />
headgear. A headdress worn by southern<br />
Mesopotamian rulers in the late third<br />
and early second millennia B.C. is a wool<br />
cap (see figs. 2, 69). Later in the second<br />
millennium B.C. and early in the first millennium<br />
B.C. a high, fezlike cap (see fig. 3)<br />
was worn in Mesopotamia by nobles and<br />
kings. Under the Achaemenid Persians a<br />
new crown with stepped crenellations<br />
made its appearance. This<br />
form, enriched by many<br />
elements such as crescent<br />
moons, sun rays, wings,<br />
and globes, became the<br />
royal crown <strong>of</strong> Sasanian<br />
70 ^^^^9<br />
kings (see fig. 5). P.O.H.<br />
69<br />
51